|
||
|
|
|||||||
| Welcome to the Exploding Garrmondo Weiner Interactive Swiss Army Penis. |
|
GFF is a community of gaming and music enthusiasts. We have a team of dedicated moderators, constant member-organized activities, and plenty of custom features, including our unique journal system. If this is your first visit, be sure to check out the FAQ or our GFWiki. You will have to register before you can post. Membership is completely free (and gets rid of the pesky advertisement unit underneath this message).
|
![]() |
|
|
Thread Tools |
Jam it back in, in the dark. |
It's almost sad when I say I completely expected the wide range of opinions over these two tracks. Here's the deal: hip-hop, more than any other genre of music - except maybe country - has the largest share of irrational haters willing to express their sentiments, unsolicited. It's almost as certain as death and taxes. So Liontamer and other folks may need to be excused if what they see looks like the several thousand other ignorant opinions offered during any "rap" discussion. By the same token, people offering those bad opinions - and believe when I say they're all really appreciated - ought to be prepared to give a level of explanation somewhat higher than the drive-by nature of "songs are ruined" and "ya, it sucks." You don't have to be constructive; just make some kind of sense. That was the point of my "devil's advocate" post here: "just what was ruined, exactly?" I'm a big boy, I can take it.
As far as Dee Jay, from my site: "I actually don't like reggaeton much - like latin freestyle during the 80's, only about 5% of the tracks among this pile of garbage are quite decent in my opinion. Anyway, as in 'Unknown from M.C.,' this is all quite toungue-in-cheek: lyrical content headquarters this ain't." Just like real reggaeton. This thing is sticky, and I don't like it. I don't appreciate it. |