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Ahahahahaha! Best analogy ever.
There's nowhere I can't reach. |
I think that would encourage people to submit those all-too-common "megamedleys" with lots of songs but nothing in the way of actual arrangement value. And the judges still have to sit through all 10 minutes of it before making a decision.
![]() This thing is sticky, and I don't like it. I don't appreciate it. |
Yeah, currently djp would be considered the bottleneck, since he has to personally go through each submission e-mail, make a preliminary decision on whether to send it to the panel or not, and then do a personal review for each mix that's passed. Although this isn't to say the judges haven't held up the line from time to time. :P
They're constantly trying to streamline the process, though. Hopefully the queue will be eliminated entirely at some point. And thanks for the kind words, Synthesis. ![]() I am a dolphin, do you want me on your body? |
Unless you performed it yourself, it's unlikely. Aside from being an extraordinary sequencer, live recordings are pretty much a prerequisite for piano arrangements.
I was speaking idiomatically. |
Hm...personally, I think the bar for orchestral arrangements is even higher than the one for piano. Not only does the arrangement have to be good, they're also very picky about production (sample quality, panning, mastering, etc.)
What kind of toxic man-thing is happening now? |
Prot did a LOT of things that should've gotten him fired, but djp didn't act on it until he pushed him over the edge in on IRC.
FELIPE NO |
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What, you don't want my bikini-clad body?
Last edited by Dhsu; Mar 26, 2006 at 01:21 PM.
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Who is not to be confused with DistantJ.
![]() How ya doing, buddy? |
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