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| View Poll Results: Should Quiet Voice -conditional duty- be eligible for voting? | |||
| Yes |
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13 | 59.09% |
| No |
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7 | 31.82% |
| Abstain/Don't Care |
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2 | 9.09% |
| Voters: 22. You may not vote on this poll | |||
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This is a tough one. As much as I would like to hear the track on SotW, I'd have to go with a no here since the track is a doujin and not an original work or an official arrangement. Unless there is a decision at the policy level to allow doujin in the contest.
But to be honest, I'm not certain that I can actually articulate the value in differentiating a doujin from an official remix/arrangement. Hypothetical scenario: A DJ arranges a VGM track as an official arrangement and then rearranges the track again but this time as a doujin though retaining the DJ's signature style used even in the official arrangement. Can the doujin really be considered to be that much different from the official arrangement, structure of arrangement aside? (Assume the DJ doesn't encounter an issues with copyrights etc.) Hope the above made sense (I'm typing this at an unearthly hour...). Jam it back in, in the dark.
I think therefore I am... I think.
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If the definition of VGM composer is the issue of debate, another question I have is whether the current rules allow us to make exceptions for non-VGM composers who have been commissioned to arrange/compose a few specific original tracks for a game. And remember, these composers have never composed a full VGM album. Are such composers still considered VGM composers? Currently, I think this is allowed as long as the track is an original composition for a game, but once the composer composes a track for a non-game project (e.g. studio albu), the track can't be nominated if he/she isn't considered a VGM composer. (Hope I'm interpreting the rules correctly...) How ya doing, buddy?
I think therefore I am... I think.
Last edited by Elorin; Mar 5, 2008 at 07:28 PM.
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