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Mako Ishino - New Best One
Artist: Mako Ishino (石野真子)
Album: New Best One Year: 2004 Label: Victor Entertainment (ビクターエンタテインメント) ASIN: B0002V012O Track List 01 - 狼なんか怖くない 02 - わたしの首領 03 - 失恋記念日 04 - 日曜日はストレンジャー 05 - プリティー・プリティー 06 - ワンダー・ブギ 07 - ジュリーがライバル 08 - 春ラ!ラ!ラ! 09 - ハートで勝負 10 - めまい 11 - 彼が初恋 12 - 恋のハッピー・デート 13 - 彩りの季節 14 - 恋のサマー・ダンス 15 - バーニング・ラブ 16 - めぐり逢い 17 - ガラスの観覧車 Download Here --- Megaupload This time, we will look into the career of Mako Ishino, the idol with a bubbly personality and her characteristic "million dollar smile". While the album put here is the alleged "Limited Edition" release, there is a cheaper one under the Colezo! series that is the exact same thing. Regardless, Ishino's path to pop music fame began when she was a contestant in the talent show Star Tanjou (as was many others at the time) in 1977. Her appeal was infectious and she began an agressive regimen of performance and recording, releasing up to 5 singles on a given year (not unusual at the time either). This album is a collection of most of her A-side singles from 1978 to 1981, when she temporarily went into retirement, and 1985 & 1987, during her return to showbusiness. For the most part, her songs have the quality of being exceedingly happy, with strong emphasis on beat (she would later be one of the icons of Japanese disco) and tunefulness. They range from the whimsical (狼なんか怖くない "Wolves Aren't Something to be Afraid Of") to teasing (ジュリーがライバル "Julie's Rival") and even simply toe-tapping exuberance (日曜日はストレンジャー "Sunday Stranger", 春ラ!ラ!ラ! "Spring La La La!", or ワンダー・ブギ "Wonder Boogie"). But she can also show her more mature facet in songs such as 失恋記念日 "Commemoration Day of Unrequited Love" and めまい "Dizziness" as well as take on sincere ballads like 彼が初恋 "His First Love". Mako Ishino is one of the more prominent idols of the late 1970s and early 1980s, one of the several that lead the way to the wave of idols in the 1980s that exude sweet and positive girlish charms. Her position between the two decades have given her the chance to appeal to a wide audience. How ya doing, buddy?
Last edited by Dullenplain; Nov 11, 2007 at 03:05 PM.
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Happy End - The Three Studio Albums
Artist: Happy End Label: URC Records Albums: Happy End (1970) / Kazemachi Roman (1971) / HAPPY END (1973) Track Listing:
Happy End is a Japanese folk rock band that was active from 1970 to 1973. While their period of activity was brief, the impact they had on Japanese music since then was enormous, both from them as a band and from them as its individual members. They were one of the first musical groups to truly incorporate the Western rock and folk idioms into Japanese sounds, while others were still into making pop-rock tunes a la Group Sounds. Comprised of Haruomi Hosono (細野晴臣) (bass, vocals), Takashi Matsumoto (松本隆) (drums), Eiichi Ohtaki (大瀧詠一) (guitar, vocals), and Shigeru Suzuki (鈴木茂) (guitar, vocals), Happy End cited contemporary bands such as Buffalo Springfield and Moby Grape as influences to their sound. By far, their most successful album of the three original studio albums is their second: Kazemachi Roman. This concept album was their presentation of how life in Tokyo was prior to the 1964 Olympics, when affairs seemed simpler and more down to Earth. "Kaze wo Atsumete" (track 3) gave renewed interest to the band when it was featured in the film Lost in Translation, and "Hanaichimonme" (track 8) was considered by the band to be their most definitive song. from Chin Music Press:
The band went their separate ways in 1973, all finding successful careers in music. Two in particular have stood out in exemplary fashion. Hosono would become one of the founding members of Yellow Magic Orchestra in the late 1970s and Matsumoto became a wildly successful lyricist, writing the words to numerous hits for artists across the spectrum of Japanese music. Regardless, it is worth listening to the band that created one of the foundations that Japanese music today is still built on. DOWNLOAD: Happy End (1970) Kazemachi Roman (1971) HAPPY END (1973) There's nowhere I can't reach. |
Non Disco Bee Gees
Best of Bee Gees (1969)
Best of Bee Gees Vol. 2 (1973) Label: Polydor Genre: Rock track listing:
The two albums were the first two compilation albums of the Bee Gees career, chronicling most of the singles and important songs of their early career once they became known internationally. The first Best album deals with 1967-1969 while the second contains material from 1968-1972. While they emigrated from the UK to Australia as children, they were pretty much part of the later British rock scene in the 60s, along with contemporaries like The Moody Blues, but the Bee Gees primarily chose more eclectic sources, settling on a pop/rock style that would be their hallmark for their early career. These two Best albums offer a decent sampling of their work from before the seminal "Main Course" album which marked the major shift towards disco that the band became most famous for. The first one deals mostly with their successful late 60s singles, which showcase their talent for songwriting. The second Best album extends into their tumultuous period when the band briefly only had two of the brothers, as well as a few early solo forays from Robin and Barry. These should offer a good foundation for the band's early career and help dispel a bit of the bad legacy they obtained during the disco era; probably one of the more overlooked aspects of the band and in rock music history in general. Download Best of Bee Gees Download Best of Bee Gees Vol. 2 Most amazing jew boots |
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