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-A new director who actually likes the Transformers. I went to see this last night and I couldn't stand all the Michael Bay-isms that it was loaded with. The whole "oh shit there's a lot of explosions and fighting going on, let's get some close ups of our main heroes who are also accidental lovers" thing really got old fast. But I enjoyed the movie. It's the best summer blockbuster so far this year. The realism in the transforming was a sight to behold, and the plot wasn't bad at all--especially when you consider typical Transformers story lines. And amazingly Hugo Weaving did a good job voicing Megatron, even if I felt like I was watching Agent V Smithatron during some of his speaking parts. ![]() Jam it back in, in the dark. |
Bay shoots close ups of the bystanders (in Transfomers: Sam and Mackaylah) while all the cool stuff that's going on is being missed by the audience entirely.
Remember that part: Spoiler:
It's a cock tease of the cinema kind, and it annoyed the hell out of me during that fight sequence. WHATS SO FUCKING HARD TO UNDERSTAND? There's nowhere I can't reach. |
As far as the score itself goes, it was alright. If it had some undertones of the TF theme it would've been better IMO. I have to give it some props for beating the animated TF movie's music though. No Weird Al music during the fight scenes = win. This thing is sticky, and I don't like it. I don't appreciate it. |
Did anyone think it's kind of weird how the Decepticons have their own little language of crazy symbols until Megatron wakes up? I wonder why they decided to switch? I mean, besides the obvious "no one wants to read subtitles during action sequences because it detracts from the action." I am a dolphin, do you want me on your body? |
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