This discussion has pretty much ended on page 1. You know it's over when people show up who visit this part of the board perhaps once a year and only for the sake of the arguement.
I'll just respond to what Tommy said..
|
In fact the only people I've seen pirate our products are the hardcore game music fans.
|
Quite frankly, that's unfair to say. There's no market research about who illegaly downloaded what. There's always a voiceful minority, but 'hardcore' comes on so many levels, you just cannot generalize it. Here's another hardcore:
|
Originally Posted by Tommy Tallarico
it's only true among the "hardcore" thieves who will never pay for anything digital anyway
|
I can guarantee you that every board with questionnable content has thousands of lurkers who don't brag about their piracy, but do the same damage.
|
It's not an entirely correct statement to say that most game composers don't hold rights to their music (Mitsuda-san for example owns all the music to Chrono Cross).
|
Mitsuda-san is a great man who has created beautiful music, and he's a very nice person as well. His greatness has allowed him to become freelance, create his own record label and start his own studio to bring in new talent. He is not the majority I'm talking about. And please don't read that as an excuse to download his works, it's the opposite.
So yeah, I don't want to defend piracy, but one has to draw the line between ambitious projects like VGM concerts, independent labels (
EGG music seemingly has no problem with piracy) and on the other side, composers whose works can only be listened to if you e.g. pre-order some obscure Japanese game nobody in the West would ever admit to playing (and honestly, I bought almost ten of these bonus soundtrack CDs from Yahoo Japan Auctions this month).
There's nowhere I can't reach.