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Muse did get a lot of critism in the early days about being too Radiohead, but during the "Showbiz" era for Muse I think they were just trying to figure out their own style. It's obvious that they nailed it when they came out with Origin of Symmetry, and since then they progressed their sound even further with Absolution.
Judging from what i've heard from their new songs it looks like this new album will be slightly more uplifting, as Matt Bellamy has said that he wants to write songs that a more cheery because it's so much harder to write a good uplifting song without it sounding a bit too cheesy. Butterflies and Hurricanes is Matt's favourite song from Absolution, mainly because it's his first song that he felt was uplifting. Their new material sounds awesome though, and being the biggest Muse freak evar here i'm peeing myself with excitement. They'll be doing festivals in summer and probably touring after that so i'm estimating a summer release for their new album. As for the whole Absolution discussion that's going on, people can't deny that it's the album that got their name out there. It's been their most successful album to date, hitting number 1 in the UK album charts on it's release. It sounds a little cheesy to say, but I really do love all of their songs including all the b-sides. It's why they're my favourite band after all . It's hard to say which album is my favourite, but i'd say Absolution because I love every track on the album. Origin of Symmetry is a close second though, tracks from that album are a lot more suited for a live concert, because during their Showbiz touring they just wanted to rock out more than what they were doing and the product of that was Origin. Citizen Erased, New Born, Space Dementia, Bliss, Micro Cuts, Plug in Baby; those songs are fucking intense live.How ya doing, buddy? |
I loved the new single when I heard it, it's so danceable and sexy rawr. I can't wait for the new album, July 3rd isn't that far off =o.
How ya doing, buddy? |
It was aired officially on Radio today, however I managed to grab the leak of it before it was taken down on various fan sites.
This thing is sticky, and I don't like it. I don't appreciate it. |
Tracklist for the new album
Black Holes and Revelations: 01. Take A Bow (Starts off with violins, becomes apocalyptic with a Queen like chorus "You'll burn in hell") 02. Starlight (Single material about "how women are nice". From a live performance I heard it sounds very upbeat and catchy. The title of the album was taken from a line in the song. "Our hopes and expectations, Black holes and revelations") 03. Supermassive Black Hole (New single off album, inspired by many artists such as Prince and Scissor Sisters "Oh baby don't you know I suffer Oh baby can you hear me moan You caught me under false pretences How long before you let me go? You set my soul alight, Glaciers melting in the dead of night And the superstar sucked into the supermassive I thought I was a fool for no one But oh baby i'm a fool for you You are the Queen of the superficial But how long before you tell the truth") 04. Map Of The Problematique 05. A Soldier's Poem (Originally a song from the Absolution era, but was supposed to be a big rockin' song. They stripped it down completely for the album and used simple jazz type instruments. Oh and it's not a poem =p) 06. Invincible (A song with a military type march beat, apparently one of the heaviest songs on the album. "Tonight we can truly sing, Together we are invincible" Rumoured to be "Debase Masons Grog" a live recording from the American tour last year. The title is an anagram of Message Board Song, a little game the band played with the fans so they could win free signed bikes.) 07. Assassin 08. Exo Politics (A change of periodic agreements which are at the brink of exploding. Its structure is mathematical, the main idea being a formula with neither chorus nor verse. Drums have very jazzy rhythms, slow ones, followed by more chaotic bits integrated into the whole.) 09. City Of Delusion (Intimate Flamenco inspired song) 10. Hoodoo 11. Knights Of Cydonia (Western type song with a trumpet solo. The song Matt Bellamy was referring to in early interviews saying it sounds like "a man riding a horse through Mexico playing a trumpet, then being shot down by bandits") Dee, if you PM me your email I could send it to you if you like. I am a dolphin, do you want me on your body? |
Starlight is awesome too, that riff is so catchy. Such a nice song. Most amazing jew boots |
![]() What kind of toxic man-thing is happening now? |
I saw them live at Earls court last year and again at Leed this year. I'll probably go see them again when they tour. Can't wait. Review:
FELIPE NO |
I saw the video to Supermassive Black Hole last night, it's quite impressive actually. It has a very surrealism arty vibe to it, combined with a eyeshadow sweaty matt hah. I likes it though. What, you don't want my bikini-clad body? |
. I can't wait to hear the songs they played on their American tour, those were awesome.Jam it back in, in the dark. |
There's nowhere I can't reach. |
After all of the recordings i've heard from all of the new songs, I have to say i'm more excited than ever for the new album. I love Map of the Problematique, i've read all the comparisons which I wont state here since I don't like saying "oh it sounds like ___" since I just tend to listen to the song and say if I like it or not.
I'm so glad they got Storm Thorgerson to do the new artwork, it looks like it's heavily based on the imagery of Knights of Cydonia, with the earth being in the sky since Cydonia is a place on the moon, the general western surroundings and horses on the table. Thumbs up. Japan release it June 28th with a bonus track - rumoured to be DES, apparently German release June 30th, UK release is July 3rd and US release is July 11th. I think they made a mistake with releasing Knights of Cydonia for the American release, I think Supermassive Black Hole would've done a lot better for the American market since Knights is a bit weird for a single. They're doing a gig in London on June 12th, it's going to be recorded by AOL as an AOL session. I would've gone, but I come back from Download festival that day and there's no way I would've made it to London ;_;. Still there's always Leeds and their tour in October/November time <3. This thing is sticky, and I don't like it. I don't appreciate it. |
I was desperate to see them live, so I went all the way to merry old London for their shows at Earls Court from Preston. It was worth it all though, best band i've seen live for sure. I am a dolphin, do you want me on your body? |
Not sure where abouts you live but they'll be doing a UK tour soon enough where they'll play all the arena's in the major cities. Make sure you're online to order tickets as soon as they go on sale, they sell like no other. I was speaking idiomatically. |
What kind of toxic man-thing is happening now? |
Well new album release or not I tend to have a Muse sig going anyway. They were playing the clubs in America and Canada, so now they'll probably bump up a venue and be playing a slightly larger venue. I'd love to see them at a small club though, but there was something about the arena shows - the huge ass screens, the thousands of lights, the balloons, the confetti, the 30,000 people singing along, the general out of this world atmosphere...oh the memories ;_;. FELIPE NO |
What, you don't want my bikini-clad body? |
Yeah trumpets are awesome, the track before it on the album is supposed to have loads. The synths are a little too high, but i'll get over that eventually. I wonder if a clear copy has been leaked yet...
Jam it back in, in the dark. |
Give it time, some obsessed Muse fan will raid a radio station and upload it for the world. I hope ;_;. Wanna hear those trumpets in full quality after all =p.
How ya doing, buddy? |
It's been 3 years since their last album, i've waited long enough so i'm downloading it. I'll download it, then buy it on the release date. Yeah sure it'll spoil the moment of putting the CD in and pressing play but right now I was tempted and I clicked that big download button. It's like 2am right now, i've just come back from Download festival so i'm gonna download it all, upload it to the mp3, sit in bed with the headphones and listen to the beauty.
This thing is sticky, and I don't like it. I don't appreciate it. |
Well i'm the most impatient person in the world, if it's for my favourite band or not. Looking at the track list, there's 5 songs I hadn't heard previously from a live version. Still, it may seem like it's cheating by downloading but i'm still gonna buy the album on the day of release which is what counts really. The quality of the torrent is pretty shite that listening to it from a CD will be like a new experience anyway =p. Well my thoughts on the album, extremely different. Not what I was expecting at all from everything that i've read about the album. It's very experimental, while the last 3 albums have had a very "live" feeling to them this one is definetely out there. It'll be interesting to see it live. Take a bow is like floating through space while singing about politics. Starlight, well not too different from the live version a little more mellow (or just a lot simpler) on the recorded version. Single material, though I hope they don't release it as a single since it's too expected. Gotta love the chorus. Supermassive Black Hole, one of the strongest tracks on the album in my opinion and it was a big change in their sound when we all got to hear it. A change meaning it's more...well dancey. Map of the Problematique, another strong track with some intense drumming going on in parts. A Soldier's Poem, it's like Unintended but it's got a "Grandad" vibe to it. Sounds like a lullaby, very simple with lots of layered vocals to make it sound that extra bit dreamy. It's short and sweet. Invincible, sounds like you're waving troops off to war. Organs, drum march, a meloncholy vibe to it. Half way through it kinda breaks out into a boppy beat, followed by a random guitar solo. Assassin, or Debase Mason's Grog as some of us may know it by. Sounds very different from the live version, faster got a more metal distortion to it. It really does sound like System of a Down I have to say. They cut out the part from the live version where it breaks down and sounds all Westerny. On the chorus there's a lot of awesome layered vocals going on, very interesting indeed. Exo-Politics is Timescale Keeper, sounds like a dance track mixed with a sci-fi backing track. I'm sure the lyrics are different too, the guitars are very clean too, i'm not sure what's the correct terminology for it but in the live version all the notes were left to ring out but on the recording version it's just cut short to give it a sharper edge. City of Delusion, one of the stand out tracks to me on first listen. Flamenco guitars, strings are very spanishy i'd say - they're amazing put it that way. It's just so diverse, come on there's trumpets in there and everything. I can picture flamenco dancing to it in the middle of the desert. Hoodoo, very dramatic echoed guitar to begin with with Matt singing "come into my life" like the voice of God. Sorrowful violins and gentle drumming enters in as you begin to sway as it builds up beautifully, then it breaks in with piano, drums, more strings and more dramatic singing. Then as it ends it slows down to match the beginning to fade into the next track. Knights of Cydonia, opens with space like effects with the sound of horses. Then breaks out into what seems to be apart of an epic western soundtrack. Lots of falsetto harmonising, trumpets galore and all the rest. A very interesting ending compared to previous albums where the album ends on a very slow track. Final opinion, it's different. I know that's a crap sum up but it really is, i'm shocked in a way that it sounds so different from what Muse have previously done. You can tell that they've been influenced heavily from the new wave of dancey type rock and also western, flamenco, italian influences. The album has a political feel to it like Absolution I might add, more so than Absolution in fact. It's a lot less rocky, there seems to be less guitars and a band feel to it and more focus on the weird wobbly bits like synths and the such. I really like the album, i'm sure when I hear a full quality version (quality whooore) I will be blown away since that'll be another experience in itself on my awesome stereo of life. But for now it's all sinking in and soon enough i'll be ranting on about how amazing it is. I just hope they don't take so fucking long with making another album because this is such a different direction in their sound i'm wondering what else they're capable of. Edit: Yup, it's sinking in and it's becoming more amazing each second I listen to =D I am a dolphin, do you want me on your body? |
I was speaking idiomatically. |
What kind of toxic man-thing is happening now? |
I love the themes of the album, it's like space politics, dance tunes and western soundtracks all blending wonderfully into one album. Hoodoo sounds like it was influenced heavily from Kill Bill and it sounds so powerful. The quality of the torrent is effecting the full listening experience, so when I get the crystal clear pre ordered copy of the album I think i'll be blown away even more than I am now. Eeee can't wait to see them at Leeds they're going to be incredible. FELIPE NO |
10 days =o. If I would be buying anything it'd be the DVD single. I already have Crying Shame and besides DVD singles have cool little videos and the such. I tend not to buy singles anyway, I download the B-Sides and head for the DVD singles. However if they did that U-Mix like they did with the Butterflies and Hurricanes single i'd buy it.
What, you don't want my bikini-clad body? |
![]() =DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD DDDDDDDDDDDDDDDD I think I might cry with excitement. Jam it back in, in the dark. |
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