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One of my favorite bands, and my bridge into classic progressive rock bands like Yes, Genesis, King Crimson, most recently Marillion.
What I really love about DT is that moreso than any other modern progressive rock/metal band, they make an effort to appeal to a wide audience. They're not always successful - most noticably (for me, anyway) in their lyrics, which are mostly solid, but occasionally cringe-worthy. I think it's very cool to see such a highly-skilled band put their chops into catchy songs, some of which really have a hook to them, like the choruses to "Strange Deja Vu" and "6:00," for example. I also appreciate how prolific their output has been, especially since Jordan joined the band - studio albums, live CD's/DVD's, instructional material from Rudess/Petrucci/Portnoy, the Liquid Tension albums, the JP/JR live album, and all the stuff available from the YtseJam records site. Awesome band. They're far from flawless, but I respect them immensely for never mailing it in or half-assing it, whether it's on album or on tour. Can't wait for the 20th anniversary DVD - August 29th! How ya doing, buddy? |
Your friends kind of have it wrong, too. DT plays progressive rock, and virtuosity is one of the hallmarks of the genre. Prog is a genre largely for people who want to listen to good musicians play their asses off, and while Dragonforce and Yngwie certainly do that, they focus a whole lot less on the other parts (songwriting and composition) than DT do. So the long solos and complex musical passages aren't really showing off, they're just a part of progressive rock. It can definitely get gratuitous, though, especially in DT's later albums, so I understand where you're coming from. How ya doing, buddy? |