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The two that come to mind at the moment are the aforementioned Boondock Saints, and Requiem for a Dream. There was some clever cinematography in Requiem, but with regard to the actual story, I felt absolutely no sympathy for any of the characters. No, not even the crazy TV-addict mom. I'm as anti-drug as the next guy, but in this case, drugs ultimately had little to do with their demise. Drugs can't destroy a person's life if they don't have one in the first place.
Frickin' plastic bag. Jam it back in, in the dark. |
There's nowhere I can't reach. |
What I liked about Napoleon Dynamite was that everything came full circle. Every seemingly pointless event that happened or random item that he got ultimately had a purpose. The glamour shots photo, Pedro's cousins, and of course the dance music tape (<3 Jamiroquai, btw). Almost like Signs in that regard, except without the religious overtones.
This thing is sticky, and I don't like it. I don't appreciate it. |
Hahaha, that's the point. Its complete dorkiness is why people find it so charming. A lot of them identify with those awkward years (or at least know someone who went through them).
I am a dolphin, do you want me on your body? |
If you want an existential movie that DOESN'T suck, check out Rosencrantz and Guildenstern Are Dead.
Watching I <3 Huckabees was like seeing somebody masturbate to a LiveJournal for two hours. I was speaking idiomatically. |
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