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GFF is a community of gaming and music enthusiasts. We have a team of dedicated moderators, constant member-organized activities, and plenty of custom features, including our unique journal system. If this is your first visit, be sure to check out the FAQ or our GFWiki. You will have to register before you can post. Membership is completely free (and gets rid of the pesky advertisement unit underneath this message).
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I love it when people think that if someone doesn't orchestrate and/or program their music, it means they are a talentless hack. The fact of the matter is that many of the most successful composers in any field have other people orchestrate (or program) their music. It's why there are jobs called "orchestrator" and "synthesizer programmer." While it's true that some composers can do it all themselves, it doesn't make the music inherently better or more skillful. In fact, the majority of my favorite composers have at least some help in getting the music put together.
So that whole question is moot for me when considering Mitsuda's skill as a composer. He's an incredibly skillful melodist in that he's capable of combining a wide variety of influences and styles into a cohesive score. I'm a bit perplexed why anyone would see his music as anything other than orchestral, though; it's synthesized, yes, but synthy sounds don't usually take precedence in his work, nor do wailing electric guitars (though both do make some appearances). Awhile back, I tried to put together a one-to-one correspondance of my favorite VGM artists and western film score composers. In that figuring, Yasunori Mitsuda = James Horner. Jam it back in, in the dark.
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I bet Mitsuda could write a hell of a film score, if he wanted to. There's nowhere I can't reach.
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For the record, I don't think Shimomura's compositions are any "simpler" than Mitsuda's, except perhaps in the realm of synth programming. This thing is sticky, and I don't like it. I don't appreciate it.
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