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GFF is a community of gaming and music enthusiasts. We have a team of dedicated moderators, constant member-organized activities, and plenty of custom features, including our unique journal system. If this is your first visit, be sure to check out the FAQ or our GFWiki. You will have to register before you can post. Membership is completely free (and gets rid of the pesky advertisement unit underneath this message).
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Oriental:
Kohei Tanaka - He's done good work on lesser-known, quirkier games like Lennus and Alundra. I'm particularly partial to Lennus, which is let down somewhat by terrible synth but really shines in arranged form. John Pee - Not his real name (what is it with Japanese composers and bizarre psuedonyms?), he composed the lion's share of Treasure Hunter G and did a fine job with it. So let's hear some more! Takayuki Aihara - His contribution to Children of Mana was impressive, moreso on the whole than veterans Iwata and Ito. I think that he could really shine in a solo assignment. Occidental: Mark Morgan - He's only written a handful of scores, but has still managed to land dozens of tracks in the upper echelon of my playlist. Planescape Torment is a classic in every sense of the word, while Fallout 1&2 are both highly effective (especially 2) and the work he did on Citizen Kabuto before dropping out is quite good as well. Michael Hoenig - He's scored exactly two games, but both were done well, with impressive thematic and atmospheric qualities. He scores mostly films these days, but I wish he'd do some more game scores like Baldur's Gate. Christophe Heral - Beyond Good and Evil was a heady combination of electronics, orchestra, and acapella. Yet I fear that the game's failure, and the cancelled sequels, might preclude Heral from getting more work, despite his brilliant effort. Jam it back in, in the dark.
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Still, though, out of all the psuedonyms to choose...Pee? There's nowhere I can't reach.
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