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Hm! Lots of Mitsuda news all of a sudden; as long as they're not simply the underpinnings for crappy vocals, I'm intrigued and heartened.
The tracks themselves are a solid lot; the first is the regular melodic Mitsuda we all know and love; the second is very much in the percussive Hako No Niwa vein, and the third has a guitar, so it's pretty much an automatic SoTW winner. If the remaining tracks are anywhere near as good (and the album gets seeded here at GFF), there's a lot to be thankful for. Jam it back in, in the dark.
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