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Juggernaut was fucking righteous. Methinks some may put too much stock in a character who's around primarily to tear shit up and create some half-assed brotherly feud. Juggernaut tore up the place, and "I'm the Juggernaut, bitch!" was my favorite part of the movie, if nothing else, because it's the only joke that didn't feel forced.
It didn't help, either, I suppose, that the fucking tweens in front of us didn't get "Hell hath no fury like a woman scorned." What a dumb movie, though. Melodrama fucking abounds. "Are we gonna close the school?" "But, what, will, become, of us?" "Hay guys I need a place 2 crash, lol." "LOL YOU CANSTAY OK WE STAY!" Crisis averted! 1 minute conundrum! Angel was entirely incidental. If they pulled this shit they might as well have thrown in Gambit with the kinds of mutants they pulled out from their ass. Fucking Spike? Pawns go first, buddy. "I kill people with hugs." Yeah ok. Jam it back in, in the dark. |
How does that make the Professor right? There's nowhere I can't reach. |
Xavier sealed Jean's powers because he was afraid that her inability to control them would harm people, but he did so without her consent, and in doing so creates the Phoenix, and fucks over the X-men. Yet for this sin, Charles faces no punishment, no atonement. The sacrifice he makes is rendered meaningless by the end credits. Fuck that shit. Also, an adendum. I was wrong about Spike. I thought I might have been, but Porcupine is actually Kid Omega, and he has the powers of the fucking Quill. So not only did the movie have too many mutants, it couldn't even get their powers right. They might as well have replaced him with the fucking Toad. This thing is sticky, and I don't like it. I don't appreciate it.
Last edited by Bradylama; May 30, 2006 at 01:18 AM.
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I am a dolphin, do you want me on your body? |
The end result being a bunch of dead X-Men and other lesser peoples.
Thus bringing up yet another untouched upon idea, in that sometimes the evil thing to do is the right thing. Magneto should've been the vehicle for this concept, but that sort of ruins the whole basis of the Suprehero/Supervillain dichotomy. Most amazing jew boots |
Has anybody considered the idea that Jean's "Destructive Side" was childhood immaturity? There's no suggestion that her lifting everything in the neighborhood is anything more than childhood mischief. There's no suggestion that it's being performed by anybody other than Jean.
How ya doing, buddy? |
Nonono, silly girl. It hasn't failed to provide key plot points, it's up to the viewers to decide!
Nightcrawler who? FELIPE NO |
Apparently leaked versions of the script had two cameos from Gambit. Really, though, who gives a fuck? There's nothing else to suggest his absence other than a lame commercialization tie-in.
It's plot-critical! You have to buy it! What, you don't want my bikini-clad body? |
Jam it back in, in the dark. |
I don't know how, though, the X gene would allow him to build up an unlimited amount of force. There's nowhere I can't reach. |
Super Mutant Sayaijin 3! BULGE GURK FLEX
Juggernaut will send you to the next dimension!
This thing is sticky, and I don't like it. I don't appreciate it. |
I now know the truth.
I am a dolphin, do you want me on your body? |
And you had your gay little montage avatar before the movie came out. Was that supposed to mean I should have expected your irrelevant defense?
How does a pre-developed bias dispute the fact that this movie was objectively bad? I was speaking idiomatically. |
No, I'm jumping down your throat because you figure that people must not like it based on arbitrary reasoning.
What kind of toxic man-thing is happening now? |
No. X-men 3 isn't a horrible movie. It's certainly no Silent Night Deadly Night Part 2.
What we're saying is that it is a dumb movie, and bad compared to its predecessors. What you fail to take into account, is that it's impossible to judge a sequel based solely on its own merits when it has to base itself on established characters and continuity. What you're doing is a lot like asking people why they didn't like Godfather Part 3.
All of these aspects of the movie were absolutely awful, because they failed to really go anywhere. Magneto moving the Golden Gate Bridge is a cool display of power, but displays of power do not make a movie. Do you think the Star Wars prequels were good because of the cool special effects? Rogue's choice to get the cure is ultimately pointless becuase the cure itself is only temporary. Will she continue taking the cure like some sex-crazed addict? Cyclops dying all of a sudden is disorientating, and insulting. It's an awful plot device because it throws away a character that is integral to the X-Men. The professor's death is also meaningless because he isn't dead. There was no sacrifice to be made, the entire affair was pointless outside of getting Wolverine to stop being Wolverine. The Jean and Logan "drama" revolved entirely around Logan and Jean wanting to bone each other, and then culminating in Logan having to kill Phoenix. This wasn't competent, because Jean wasn't even present throughout perhaps 10 seconds of the film. What this was, was Logan drama. A conundrum specific to Wolverine, not the both of them. It's short-sighted apologists like you that support this kind of shit. I hate people that don't understand why Greedo shooting first is a problem, and you, sir, are no exception. How ya doing, buddy? |
Sacrifices have to be made in order to forge a consistant narrative within a 2 hour timeframe. We can't expect Rogue to be from the South, or Mystique to be Nightcrawler's momma. These concerns are rendered meaningless by the story that Singer was able to tell, and the fact that he actually got the characters right. Neither things can be said for the current iteration, but looking at context seems to be something you apologists are never able to accomplish when it comes to defending your blind fandom.
As for your "problems" with X-men 2.
What, you don't want my bikini-clad body?
Last edited by Bradylama; Jun 4, 2006 at 03:54 AM.
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Who better to interpret Frank Miller's vision than writers that aren't Frank Miller?
Getting X-Men writers to write an X-men movie would still be a bad idea. Comic writers are by and large awful when it comes to writing something interesting. Jam it back in, in the dark. |
Right, because it's the clothes that are important. Not several copies with the exact same biomass, biological functions, and energy usage.
There's nowhere I can't reach. |
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