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You, my friend, are a fucking genius. That's essentially what the vast majority of the music in both titles sounds like. But why not blame them? Are they not like Sakimoto over at SE, or Uematsu in previous years? Unless the environment over at Namco discourages creativity or is rather strict about what kind of music is needed, it essentially falls of them.
Jesus, just bringing down that hammer tonight. For each of those there wasn't a single memorable note in the music that played in both games, and they had locations that matched your descriptions to boot.
I think that's the large part of the reason why more of the music caught my attention than if it been little more than ToS 2. Again, Symphonia may have fared better if they didn't have to focus on two worlds.
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I don't agre with you. The more worlds there are, the more place we can go and the more secrets we can find out. That is the reason that i like the To series.
There's nowhere I can't reach.