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Wait, ok, what's your question? Did any of these pieces appear in the game? The answer there is no.
As for who wrote what, I am inclined to think Kondo had input, but they were orchestrated by other people. I never considered Kondo a decent orchestrator... if he's even one at all. If more topically informed people want to correct/contradict me please do. Jam it back in, in the dark. |
I find that explanation misleading because of everyone's illusion that 'orchestrated' means 'live orchestra.' It doesn't. Orchestrated means arranged for orchestra, whether or not it's played by one. I still maintain that Kondo sketched out a structure and Oshima fleshed it out for the performance.
There's nowhere I can't reach. |
This thing is sticky, and I don't like it. I don't appreciate it. |
I am a dolphin, do you want me on your body? |
I addressed how many people misinterpret what an 'orchestrated' piece is already. When someone says "that game's music is orchestrated," what do you infer from that?
Edit: I should clarify that this subject isn't relevant to the original poster's question; merely my observation of the widespread misuse of the term. I was speaking idiomatically. |
Because orchestration is the act of arranging for orchestra, whether or not it's going to end up as a live performance. Most people don't call synthesized music orchestrated, for lack of being aware of the term's definition. Just a pet peeve of mine.
What kind of toxic man-thing is happening now? |