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Cool thread
![]() Iwadare's a good example, yeah. Lunar 1 has an excellent score, both in the SEGA CD and the PS1 versions of the game (PS1 kicks SEGA CD's score's butt though, in my book). My vote would be for David Kneupper. His site can be found at http://www.kneuppermusic.com As you can see, he's in Hollywood these days. But he provided the foundation for a little known score, which happens to be excellent, and probably the best of its' kind (Mayan beat music, basically, with rock, funk, soul etc). He composed for Pitfall: The Mayan Adventure, which I just updated my site with (http://smc.sq7.org/pitfallcd). If you look at the main page of my site, you'll see why I consider him underappreciated, aside from the fact that the game wasn't huge (taken from http://smc.sq7.org):
Simialrly, Gilles Douieb, who composed a similar (funnily enough) and equally excellent score for the two Coktel Vision games, Inca and Inca 2 (http://queststudios.com/quest/incacd/incacd.html), is underappreciated. It was widely thought until recently that the score was composed by an in-house composer who composed for most of Coktel's games. This was Douieb's only VG score ever, and that's crazy, given how amazingly good it is. Although he is in a successful band in France anyway. As for more mainstream composers, I think Apogee's Bobby Prince is probably underappreciated (how many of us hummed those tunes?), as is a lot of Western VGM composers. I can't think of many underappreciated Japanese composers (although Iwadare's a good example), although I can think of lots of overappreciated ones ![]() - Spike Jam it back in, in the dark. |
I'd actually assumed THG was composed by Sakuraba. - Spike There's nowhere I can't reach. |