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The film was hokey, but not a bad run. I'm rather surprised (and pleased) that Nolan was able to draw out 3-dimensional characters this time around, and the twists are engaging.
It's way ahead of Flags of our Fathers (Paul Haggis' heavy handed writing prevents Eastwood's personality from shining through), but does not hold a candle to Coppola's Marie Antoinette. Jam it back in, in the dark. |