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Okay everyone, I want you to name the last original movie you saw...one that totally did not use any cliche at all and had absolutely no plot devices that could be tied-in with another movie...I'll be impressed if anyone names something after 1980.
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I'll step up to the challenge. If self-plagiarism doesn't count, one only need look at last year's Three Times by Hou Hsiao-Hsien or the Dardenne Brother's The Child - both absent in "traditional cliche" and what one would call a "plot device". Other works that wholly retools cinematic narrative include Terrence Malick's works, most notably '05's The New World, or David Lynch's oeuvre, most notably Inland Empire and Mulholland Dr. One could even argue Richard Linklater's Before Sunset is "original"/"devoid of cliche". Then there's China's newcomer, Jia Zhang Ke, whose angsty films are expressed with cinematic minimalism, and definitely abandons any use of "devices" to drive his almost nonexistent narrative.
"Original" is a loaded word, but there are retoolings of narrative, visual, sound strategies in more abundance than you would think (mostly outside the USA but can be spotted within the Hollywood Machine if one looks close enough - Last year's Miami Vice and this year's Zodiac takes full advantage of HD's low-light capacity, and captures the idea of "night" never before seen in movies)
Sprouticus I wish I could defend you but alas I haven't watched 300 yet (at this point definitely more out of obligation than desire) - technically I could end up liking it, though I foresee that as less likely than
not hearing my friends lament "THIS IS SPARTA!" at least once a day for the next few weeks.
This thing is sticky, and I don't like it. I don't appreciate it.