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Most Retarded Character Moments
Sure, there's been plenty of times when the characters in a game's story have done something that you, the player, wouldn't conceive of doing yourself. Or, more likely, the character does something you find to be just plain stupid, or outside the realm of common sense.
Well now's your time to list those moments of pure idiocy. This isn't a case of "I would never lose to THAT guy" or "I would totally go with that girl instead of the one the hero chose", this is more a case of decisions you thought were just plain stupid, whether by bad writing or because it was required to advance the plot (or most of the time, both). While this thread was originally conceived with RPGs in mind, I felt stupid decisions that are beyond your control are commonplace in every genre. Remember to mark spoilers. My number one choice goes to the biggest disappointment of 2006. Xenosaga: Episode III It takes some really "special" writing skills to completely ruin nearly 5 years of story development and characterization in one single cutscene. Spoiler:
Number 2 used to be my top choice until the above happened. Final Fantasy VI Spoiler:
And finally, for number 3, Metal Gear Solid (original or Twin Snakes, take your pick) Spoiler:
How ya doing, buddy? ![]()
Last edited by Soldier; Jan 11, 2007 at 01:42 AM.
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To be honest, I never quite understood why no one ever used a phoenix down on Aerith. I mean, shit, it's not like all of em in the party knew that she HAD to die in order for her to use Holy. Barret probably had something to do with it.
Cloud/anyone you want besides Barret: Hay guys...she got stabbed...just like we all have time and time again. Some of us even get burned to death, let's use a phoenix down. Barret: How bout no? If I have to spoiler that, I'm going to be very, very sad. There's nowhere I can't reach. |
This thing is sticky, and I don't like it. I don't appreciate it. ![]() |
Adel and Rosalin in the ending of Disgaea 2. It didn't make sense, and then suddenly, hello credits.
Most amazing jew boots
Last edited by Elixir; Jan 11, 2007 at 04:48 AM.
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![]() ![]() ![]() Robert: ![]() ![]() Robert: ![]() Everyone: ![]() I was speaking idiomatically. Nothing wrong with not being strong
Nothing says we need to beat what's wrong Nothing manmade remains made long That's a debt we can't back out of |
That Locke suspects Celes doesn't mean he hadn't grown to care about her. It was human nature. I think I would've doubted her too in that situation. But it's not like he ever believed it with any certainty. As for Locke saying "Let's go" on the ship to Thamasa, he didn't do it with any coldness in mind. He looked back and kept going. Why? Because by that point it's understood that each of them was sorry about the circumstances, and that they both had feelings for each other. If you were expecting Locke to go into an obvious monologue about how he misread Celes and how he loves her deeply, you're going to have to look to the hamfisted storytelling of the Sony generation Final Fantasy games instead. With the exception of FFXII, which actually shows some restraint.
1. FFVII Spoiler:
2. XG Spoiler:
3. FFVIII Spoiler:
4. PSIV Spoiler:
5. FFX Spoiler:
Forgot one: 6. FFIX Spoiler:
What kind of toxic man-thing is happening now?
~MV
Last edited by Megavolt; Jan 12, 2007 at 05:25 PM.
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Spoiler:
FELIPE NO ![]() Bless the Maker and His water. Bless the coming and the going of Him. |
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Okay, maybe a little bit. Spoiler:
How ya doing, buddy?
Last edited by Soldier; Jan 12, 2007 at 06:24 PM.
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I always interpreted the PSIV Rika bit as her not wanting to go back with Wren and Demi to another isolated computer station after having seen the great outdoors. That's what Wren meant when he was talking about her path ahead being hard and painful.
Though the "Rika!" "Chaz!" bit was unintentionally hilarious. Why couldn't I have renamed them Marcia and John? That and Chaz (apparently) crying when Rune said they'd never meet again. I consider many claims of Chaz being a whiny bitch to be a tad overblown, but I'll grant them that one. Especially considering that A. he just survived a battle with the greatest evil in the universe (presumably responsible for half its creation) and B. RUNE WAS A DICK TO YOU ANYWAY, YOU WHINY BITCH. Most amazing jew boots It is not my custom to go where I am not invited. |
Maybe people have some solutions or details for me that I missed. It's been a very long time since I've played these rpgs, but I still remember these moments:
FFX: Spoiler:
FFIX: Spoiler:
FF VIII: Spoiler:
BoF IV: Spoiler:
There's nowhere I can't reach. |
I find it amusing how many Squaresoft games are being mentioned here.
How ya doing, buddy? ![]() |
![]() How ya doing, buddy? |
But as you said, that's my opinion, and I know you interpret it differently... However, I still think that my interpretation is more consistent with what is presented in the game. ![]()
Spoiler:
As an example of the difference between a drastic decision that is consistent with the established personality of a character and one that is not, look at Terra when she decides not to fight. The whole time everyone had been trying to pull her strings and after the big plot twist she had little reason to resume the battle of her own free will. When she decides to choose to fight of her own volition, that's the completion of her story arc. She finally finds herself seperate of her origins and chooses to fight for something she came to believe in. Zidane had already chosen beforehand to fight for everything he believed in. Even when Garland told him everything, Zidane refused his offer and said that he would defy Garland to the last. Then just as suddenly he gives up and acts like an ass to his friends. I understand the intent, but the event was ill-advised. Zidane didn't need to have a breakdown to be a better character. His strengths as a character had already been defined through the trials he had gone through before that point. And so his reaction to the twist comes off as a terribly contrived piece of melodrama.
As for the thought that Celes might've been a spy for real, I believe you can ask Gestahl about that in the banquet and he says no. He says something along the lines of Celes having realized the need for cooperation before anyone else did. Sure, Gestahl is a liar as proved by something that happens later, but Celes proves that she wasn't a spy through her actions as well, so it can be safely assumed that he wasn't lying about that one.
Chaz was a bit whiny for sure. But then Alys was a tough teacher. Rune was an ass to Chaz, but he's definitely my favorite character in the game. He was blunt, but also honest. When the time came, he gave Chaz the respect as his "chosen one". Plus he has a cool backstory. I guess Rune was the character who as able to surprise me the most, and always in a good or humorous (taunting and arguing with Chaz) way. I was speaking idiomatically.
~MV
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I'll never understand why Tidus, in FFX, went for Yuna over Rikku. It boggles the mind.
in Clock Tower 3, the freaking game begins with Alyssa receiving a letter telling her to stay where she is, and be as far away from home as possible. The first thing she does? She goes home, only to get wound up in all the shit that's going on :rollseyes: I agree with many of the sentiments about FFVIII expressed above. Spoiler:
What kind of toxic man-thing is happening now? |
LOL, for such a popular series, we sure are nitpicking a lot of details out of it (although rightfully so, some of these things does make you /boggle after a while). Seriously, I wish more hot girls in real life were into emo dudes the way they are in these games (particularly FFVIII, if I recall, Squall was quite emo).
Regarding the Tifa stuff: Spoiler:
I can't think of anything specific atm (that hasn't already been talked about, particularly Final Fantasy stuff), but if I do I'll post it here. Interesting post though, talking about stupid stuff that characters do which seems to defy all logic for no really good reason either, other than to force some storyline to go forward. FELIPE NO |
I couldn't find anything better at the moment, but I remember funny situation from a Tenchu game (dunno if it was the one from PSX or PS2).
There was a mission in some sort of forest. I passed all guards by just running. Everyone in the level spotted me and started to chase me. I reached the boss point and in-game scene was asctivated. Boss started a dramatic monologue while all guards, dogs and bear were peacefully listening. It was so dumb and I laughed pretty much. Just after the end of scene, whole comapny sliced and diced me in seconds. Oh, another funny thing from Tenchu SA. There was that super tough ninja, Onikage. In the last level, I lured him kilometers from the battle stage just to the river near the beginning. As you remember in Tenchu enemies couldn't swim. So just after he stepped into the water, the scene appeared, showing poor Onikage bleeding very heavily in totally different locations. Very funny stuff. What, you don't want my bikini-clad body? |
Oh hell, too many to count.
Star Ocean 3: Spoiler:
Like the man says, it takes special writing to screw up an entire series in one mortally stupid scene. Xenosaga: Spoiler:
Metal Gear Solid 2: Spoiler:
I'll probably think of more later. Jam it back in, in the dark. DAMN good coffee!
![]() September 2007: Waiting for Godot... |
Hmm...let's see...worst video game moments. Star Ocean: Till the End of Time Spoiler:
FF X - I don't think there was much about this game's plot or voice acting that I actually respected. But I'd say the MOST retarded thing about the game aside from Seemore Butts is the scene where Tidus belts out the most idiotic laugh in order to cheer up Yuna. HAA HAAA HAAAA HAAA HAAAAAAAA "wtf mate?" Oh, and who can forget Magna Carta: Tears of Blood. I thought it was a wonderfully fitting name for the game. During each dialog scene, I would attempt to claw out my eyes until I cried out blood. But the most idiotic part was when Spoiler:
There's nowhere I can't reach. |
It always annoys me in rpgs when you finish off a particular boss without breaking a sweat then in the following cutscene they tell you how they let you off easily and escape, only to come back later a bit harder. Almost every rpg is guilty of this at some point. More games need an option whereby if you just took apart the fucker in a couple of rounds you then have the option to properly kill them off and get a new boss later or something. Even a few little script changes based on the battle outcome wouldn't go amiss now and then...
This thing is sticky, and I don't like it. I don't appreciate it. ![]() |
After Matt Hoffman Pro BMX missions, you do the Tiki Battle. Since when do BMX riders use cannons to kill big live Tiki statues? TELL ME!
I am a dolphin, do you want me on your body? |
I think this counts...
FFVIII Spoiler:
How ya doing, buddy? |
What kind of toxic man-thing is happening now? |
I'm gonna go ahead and second Sonic-Panda's comments on Star Ocean 3. What a load of crap!
FELIPE NO
My Soundclick Page.
http://www.soundclick.com/bands/page...?bandID=711431 Prinnydood's Composition Thread http://www.gamingforce.org/forums/showthread.php?t=324 |
![]() What, you don't want my bikini-clad body? |
You know, until now Phantasy Star had been a wonderful little exception to Rule 34. Thank you so much for shattering my childlike innocence. Fuck. So anyway, my turn? I'm reminded of Cid's "anyone going up against Shinra is a numbskull" bit in FF7. Maybe not really all that retarded, but it just seemed really, really forced. Also, I'm normally really forgiving (understatements comin liek wut?) of Atlus titles, but the whole "We're comrades" bit in DDS, from Argilla/Jinana all the way through to the scenes in episode 2 seemed very WTFy to me. If you want to do military philosophy in your game, hire people who can A. translate Japanese properly and B. are willing to write more than 3 paragraphs worth of dialogue. Not all at once, even. Just bite the bullet and have some explanation of exactly what your characters are talking about. Make them seem human, yes? Not just "We're comrades, right? So that means we have to do this thing in this way. Or something." Jam it back in, in the dark. It is not my custom to go where I am not invited. |