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-   -   KIDOU KEISATSU PATLABOR (http://www.gamingforce.org/forums/showthread.php?t=3653)

Spatula Apr 5, 2006 08:23 PM

KIDOU KEISATSU PATLABOR
 



I haven’t seen a Patlabor thread on GFF since coming here. There has most likely been a discussion thread regarding this anime prior to my time coming to GFF (November 2004), but seeing as one does not currently exist, it warrants a dedicated thread to this spectacular action/comedy/police-story like series penned by Masami Yuuki for the original idea. So far the only other member I know who does share a profound interest in this series is Qwarky, but I'm probably bound to find a few other fans of this 80's mecha/drama/police anime here on GFF.

Patlabor has had an interesting release history in terms of the anime. The first animated work was the 7 part OVA series (Released 25 April 1988 - 25 June 1989))which was an accumulation of separate screen writings. This was originally planned as a 6 part series, however the 7th, Go North, SV2! was planned as a promotion to the first Patlabor movie. From what I know so far, there are only two volumes of the Manga done by Viz Comics for the US Audience, while the Japanese version has 22 books, which were redone in 2000, compressing it to 11 volumes. Credits especially go to Mamoru Oshii as director for the animated works, which formed the animation team HEADGEAR.



Episode Listing for 7 part OVA
1 Second Unit, Move Out!

2 Longshot

3 The 450 Million-Year-Old Trap

4 The Tragedy of L

5 The SV2's Longest Day (Part 1)

6 The SV2's Longest Day (Part 2)

7 Go North, SV2!

There have been currently three movies released, Patlabor 1 (1989), Patlabor 2 (1992), and Patlabor: Wasted XIII (2002). Patlabor 2 is probably my most favorite animated film of the early nineties all time. It is a brilliantly directed film with one of the most fluently animated mechanical combat sequences and truly is a film to behold. It’s almost pretty much at a level of a Tom Clancy military thriller.

As well, a forty-seven TV series was produced and aired from 1989 to 1990 as well as a follow up 16 episode series to wrap things up to a close. Interestingly though, the events of the TV series and OVA series/movies almost take place without much mention of each other, much akin to the Ghost in the Shell movies and the Stand Alone Complex TV series.



Story

Patlabor is an anime based during the turn of the 21st century in Japan, incorporating robots, called labors, into everyday life, just like automobiles. Along with the rise in this technology, crimes involving these labors have increased dramatically, therefore requiring the need of a special police force to control and combat labor crime. This task force was known as Special Vehicles Department or SV. For the Tokyo region, there are two main SV groups aptly named 1 and 2. This series focuses mostly, if not all the time, on the adventures of the SV2. As the story progresses, the SV2 comes across a company that plans to build an ultimate fighting labor known as the Phantom, and later to that the infamous Griffin.

Cast of Characters

Taken From Wikipedia:

(Note: I will hopefully get around to posting thumbnails of the character portraits to aid in identifying the cast)

• Captain Kiichi Goto, Section 2 Division 2: the crafty master of the whisper campaign. Leads SV.2 with the appearance of a "hands-off" approach, but is very involved. Is generally a nice, though distant person.

• Captain Shinobu Nagumo, Section 2 Division 1: leader of SV.1. Highly regarded by her superiors and her officers, Nagumo is a very by-the-book style of captain. Despite her by the book mentality, she is always there to lend a hand when SV.2 gets in over their heads.

• Mechanics Section Chief Seitaroh Sakaki, Section 2: Leader of the labor mechanics that service SV.2. Gruff and loud, Sakaki doesn't like it when SV.2 brings back their labors in less than perfect condition. Threatens to throw all his mechanics into the sea when they don't perform up to his expectations.

• Lieutenant Kanuka Clancy, NYPD: a temporary member of SV.2 on assignment from the NYPD. Sent to observe a labor unit with the purpose of helping build one for New York City. Very good at what she does, from the usual police work to piloting a labor. Was supposed to be the pilot of the second labor in SV.2, but declined in favor of Ohta, since she'd have more time to observe when not piloting (and you don't give the job of keeping Ohta in line to an idiot.) Is generally cold and somewhat distant to the members of SV.2, but has a soft spot for Noa, who she wants to become a better pilot, and for her grandmother who lives in Hawaii. Kanuka was born in Hawaii but apparently moved to New York later on. When she travels back to New York, she stops in Hawaii to see her grandmother.

• Sergeant Takeo Kumagami, Division 2 Team 2: Replaced Clancy when she returned to New York.

• Chief Shigeo Shige, Section 2: second in command to Sakaki, and eventually replaces him when he retires. A total gearhead, he loves his job, probably a little too much.

• Hiromi Yamazaki, Division 2 Team 1: The giant from Okinawa. Wanted to join his father as a fisherman, but got too seasick. Joined the police force and eventually made it over to SV.2. Too large to fit in a labor's cockpit, he is the driver for the carrier for Noa and Shinohara. When not on duty he tends to SV.2's vegetable garden.

• Noa Izumi, Division 2 Team 1: the bubbly, perky, red-headed labor otaku. The main character of the show, Noa is usually the one at the center of the action. Loves her labor which she named "Alphonse". When growing up she named also her pets, a dog and a then a cat, Alphonse. Brash and impulsive, though not as crazy as Ohta is, Noa is one of the better pilots in SV.2: only Clancy is better than her. Has a natural affinity to her labor, and gets 110% out of it, much to her partner's amazement.

• Asuma Shinohara, Division 2 Team 1: son of the head of Shinohara Heavy Industries, the company that makes 90% of the labors in the world. After a falling out with his father, Asuma joined the police force and requested to work with the labor units. Smart and honest, Asuma is a very good officer, though he's often used by Goto as a lackey. Is Noa and Hiromi's forward, or commanding officer when in the field.

• Isao Ohta, Division 2 Team 2: the psychotic gun-nut piloting unit 2. In spite of his loud and obnoxious personality, Ohta's a stand up guy and a good cop, he just likes guns a bit too much.

• Mikiyasu Shinshi, Division 2 Team 1: the lone married man of SV.2. Very devoted to his wife, tends to snap when people make fun of that fact or her, leading him into rages that scare even Ohta. Drives the unit 2 labor carrier.

• Sergeant Gomioka Tsutomu, Division 1 Team 2: one of the labor pilots for SV.1, much like his commanding officer, he's very by the book. A good labor pilot, though Noa is better under stress.

• Detective Matsui, Tokyo Metropolitan Police: Has the mutual respect of Goto. Helps Goto with the down on the ground detective leg-work sometimes.

• Bud Renard, a 15 year old boy from India who likes computer game. He pilots the J9 Giffon labor, and regards Izumi Noa as his true opponent.

• Richard Wong/Utsumi, SHAFT Enterprises: Geeky, intelligent but scheming head of one of SHAFT's experimental divisions. (Note: "Shaft" also has the variant spelling of "Schaft")

• Kurosaki: Richard Wong's right-hand man.


Music

Background music is primarily done by the talented Kenji Kawai; perhaps his best work is the music for the Patlabor 2 movie. You may visit his official site here.

OP Theme(s) (TV series)

“そのままの君でいて (Sono mama no Kimi de Ite)" by Yuko Nitou (eps 1-34)
"コンディション・グリーン~緊急発進~ (Condition Green ~Kinkyou Hasshin~)" by Hiroko Kasahara (eps 35-47)

Ending Themes:


"ミッドナイト ブルー (Midnight Blue)" by KISS ME QUICK (eps 1-34)
"パラダイスの確率 (Paradise no Kakuritsu)" by JA JA (eps 35-47)

Related Links (will be updated)

Schaft Enterprises is an excellent English site regarding the anime/manga/characters/miscellaneous parts of the series.

Wikipedia’s entry

Torrents

Even though this is quite an old anime, there are some torrents kicking around, but barely have any fast connections or seeds. This is for the 47 episode TV series.

www.isohunt.com  “Patlabor” for search field  Patlabor TV series (approx 8 GB and 47 files)

Apologies for not being able to get a URL link (how do I do that? ;_; )


A note on the proper pronunciation of “Patlabor”:

Quote:

Originally Posted by Schaft Enterprises
By the way, the correct pronunciation of Patlabor is PAT-LABOUR, as in Patrol Labor. It is not pronounced PAT-LA-BORE as most people tend to say it.

This post’s acknowledgements go to Mr. Whitley for his exceptional fan site posted above in the “Shaft Enterprises” website, as this is where I got a majority of the information presented.

What is expected in this thread

DO:

• Post and discuss your favorite characters, labors, story elements and plot outlines, as well as plot questions regarding the series. Be sure to include spoilers where appropriate. Please do not put one line posts, but back up with logical or supportive reasons. Posts that do not follow this convention will be promptly deleted.
• You may post *some* pictures of your Patlabor model kit /toy collection as I do have the MASTER GRADE 1/35 kits from Bandai waiting to be built. They will most likely go here. However, please do add description to the pictures that you are posting ala “Show and Tell” style, or else stand alone picture posts will be considered spam.


DO NOT:



• Spam with useless requests for torrent links. I have already given you a guide above. Requests such as this belong in the video requests page.
• Post absolute fugly fan art. God, nothing irks me more than seeing one VERY badly drawn Alphonse. My eyes want to die.
• Anything else you want to add, Bigblah?

__________________________________________________ ________

FIRST QUESTION

Here's my first question regarding the opening of the first movie and the middle part of the second movie. In the opening scene of the first movie, we see a group of three or so attack helicopters trying to stop a HAL-10X Labor rampaging through the forest. In the second movie, I believe we see the same model helicopter, code named "GONG ONE", assaulting the Tokyo downtown core, knocking out various telecommunication satelites, dishes, and the like. My question is does anyone know if this helicopter is in existence in reality? It looks like a cross between a Russian Hind, Apache AH-64, and a AH-1W Super Cobra Attack Helicopter. It's probably one of my favorite animated attack choppers seen so far.

http://i23.photobucket.com/albums/b3...atlabor2_8.jpg

http://i23.photobucket.com/albums/b3...atlabor2_9.jpg

sabbey Apr 5, 2006 10:28 PM

I have only seen the three movies, and a few episodes of the TV series on one of the cable channels broadcasting it currently. That said, thanks for posting the info, the movies mostly had me scratching my head. Really ought to see more of it...

Don't know if you want to discuss the music, but love what I have heard of it thus far. Should be ripping quite a lot of it soon, if you guys want them in lossless.

Spatula Apr 5, 2006 10:35 PM

I do have the Patlabor 2 Movie OST as well as Kawai's "2002 , but I'm looking for the 1st movie's OST. And please do discuss the music. Kenji Kawai SHINES in Patlabor 2's theme and ending music.

I started the series with the 2 movies (haven't seen Wasted XIII yet), but those movies mmediately hooked me, despite being several steps higher in complexity and drama than the TV series. I didn't get to see the TV series nor the OVAs until much later. I finished the 47 episode series just winter 2005 and the OVAs some time prior too. Man I wish I saved my journal entry about the Patlabor OST before the crash, that was admiration. ;_;...

sabbey Apr 5, 2006 11:58 PM

Quote:

Originally Posted by Spatula
I do have the Patlabor 2 Movie OST as well as Kawai's "2002 , but I'm looking for the 1st movie's OST. And please do discuss the music. Kenji Kawai SHINES in Patlabor 2's theme and ending music.

How's the 2002 version in comparison to the original version? Always wondered if it was worth picking up...

Anyway, I have the movie OST if you want a copy. Will be ripping it once the other 5 volumes of the OVA/TV music arrive. Also, I have a bootleg containing the vocals. Once I figure out which of the official CDs have what's on it I'll most likely buy that as well.

As for Kenji Kawai's music, it always seems sort of strange to me. As much as I love it, I never did get fully into them. Looking forward to hearing his work from the TV and OVA series, since the films have more of a darkness to them than what I have seen of the others. Great orchestration and instrumentation regardless.

SouthJag Apr 6, 2006 12:08 AM

I remember reading a Patlabor comic book a loooong time ago, and I was really interested in it. But with all of the movies and everything, I'm confused as to the actual progression of the series. Inform me?

http://search.deepdiscountdvd.com/se...ore&method=and

That's what I mean -- I've got no idea what the actual progression of the series is!

Spatula Apr 6, 2006 12:16 AM

It's copy pasta time. Care of Shaft Enterprises.

But before that, what do you mean by the actual progression?
If you want to follow the OVA/Movie outline. Follow this pattern:

1) 7 OVAs
2) Patlabor 1
3) Patlabor 2
4) Patlabor 3

If you want to follow the TV series, it's:

1) TV series of 47 episodes
2) New TV series of 16 episodes

There is a mini Patlabor special aptly named "Mini-Pato" released around 2002, I think, which is just more/less a fan special featuring cardboard cutouts of the popular characters participating in one of Captain Gotoh's funny explaination exercises.

Again, this is somewhat like how the Ghost in th Shell universe is seperated. There's the movies, then there's the Stand Alone Complex.

Sabby, the 2002 version is just a mixture of some extended tracks for the main theme and Shinobu's theme "With Love" of the Patlabor 2 soundtrack. They aren't that great if you want to pay for them. I personally think the original sound track was much better. Kawai does have quite a talent for having a multi-faucet mood of music. In other words, he can create jovial type music when the characters are having a good time, or ominous type music with Patlabor 2's Wyvern/Outbreak.

EDIT: South,

From the description of the DVD's:

http://www.deepdiscountdvd.com/dvd.cfm?itemID=CPM002344 = 7 part OVA (It's saying it's in English, if so, avoid like the plague. I listened to the English dubs before and they are HORRIBLE!)

http://www.deepdiscountdvd.com/dvd.cfm?itemID=CPM002272 = First part of the 47 episodes (looks like there's 10 DVDs in total and this set has 4 of the first ones, again in English so pray they have Japanese dialogue)

http://www.deepdiscountdvd.com/dvd.cfm?itemID=CPM052488 = This looks like the 16 episode NEW TV series part.


http://www.deepdiscountdvd.com/dvd.cfm?itemID=RYK004054 = This is definitely the 1st movie, try to get the 2nd movie as well. This is the MANGA Entertainment release that has Japanese dub and Eng sub in it since I own both the 1st and 2nd movies from MANGA.

DISCLAIMER: please note that I'm going off of what the Box info and websites states and matching them best to my ability. Buy at your own discretion. Or you could just torrent it and wait like 4 weeks for it to finish like I did.

Hao Apr 6, 2006 04:39 PM

The first Patlabor film is probably the 2nd anime movie I've ever seen (after Akira) and at the time (12yrs), I found it to be dull with too little action. Now, years later, I think it's a great movie once you get used to Mamoru Oshii's directing.
The 2nd was less enjoyable to me, maybe because of the slower pacing, or maybe because I couldn't understand it due to the bad dubtitles being used. I should probably see it again just in case.

The manga is something I'm eager to try. It is translated here in French but it's hard to come by here because of the low-profile nature of Patlabor and they are expensive to get. Maybe someday...

Quote:

Originally Posted by Spatula
DISCLAIMER: please note that I'm going off of what the Box info and websites states and matching them best to my ability. Buy at your own discretion. Or you could just torrent it and wait like 4 weeks for it to finish like I did.

Or just read the reviews at AnimeOnDvd.com But I think it's safe to say that the original Japanese tracks are all there.

Pyocola Apr 7, 2006 10:07 AM

Quote:

Originally Posted by Spatula
http://www.deepdiscountdvd.com/dvd.cfm?itemID=RYK004054 = This is definitely the 1st movie, try to get the 2nd movie as well. This is the MANGA Entertainment release that has Japanese dub and Eng sub in it since I own both the 1st and 2nd movies from MANGA.

Whatever you do, don't get the Manga Entertainment versions of the two movies. They have non-anamorphic, blurry, washed-out, completely worthless transfers and don't have the 5.1 renewal audio. Bandai Visual USA will be releasing both films (1st this month, 2nd in July) with remastered video and the 5.1 and I would strongly suggest you get those versions instead.

I watched them many years ago but didn't find them that enthralling much thanks to this fact. Some time ago I took a chance and got the remastered/5.1 Taiwanese R3 DVDs for them and was completely floored. The animation, art and attention to detail is simply stunning. Needless to say they are both now two of my favourite films regardless of genre. I would also strongly recommend (actually I would almost consider it a prerequisite if you want to get anything out of them) that you watch the original 7-part OVA first, to get a feel for it and get to know all the characters and settings. They are called 'The Movie' after all.

K_ Takahashi Apr 7, 2006 10:31 AM

I was wondering if WXIII was going to be the last incarnation of Patlabor, even though it was a detective story at that.

Spatula Apr 7, 2006 10:33 AM

I did get the Manga release of the movies and didn't really complain too much. I might get the re-released ones coming this April though.

map car man words telling me to do things Apr 7, 2006 10:50 AM

A Patlabor thread! By jove, I don't think I've ever seen a Patlabor thread here before during the years I've spent here.

A fantastic series, one of the most rewarding shows out there, and Patlabor 2 is arguably the greatest animated film ever made. Kazunori Itoh's script is filled with depth and detail, being timely even today.

The relation between the OVA and TV series isn't quite like Spatula described, the TV series was more of an elaboration on the original story. The OVA was meant to stay just that, but because the series became so popular, the TV series was made, essentially a retelling and following the same plotline as the manga. The OVA, TV series and manga each show a different version of how Noa joins the team, you basically need to go through each and kinda mesh them together in your head into a single history =x
If you have to go with a single story, I'd probably go with the manga's beginning, because I like the idea of Noa meeting Asuma during the exams, and it explains Asuma's position in the team better.

While Masami Yuki is definitely one of the creators, saying the series was originally penned by him is a bit incorrect. The whole series was a joint creation between Studio Headgear (Mamoru Oshii, Kazunori Ito, Yutaka Izubuchi, Kazuchika Kise, Akemi Takada, Hiromasa Ogura and Kenji Kawai) with Yuki creating and designing the characters. He made the manga alongside the rest of the series, and the anime is not an "adaptation" of the manga in that sense.

Call me biased, but I wouldn't bother with WXIII if I can help it. It's much better to start with the original OVA, follow that with the TV series and somewhere along there watch the first movie. Patlabor 2 is considered the conclusion of the story, so I guess if you wanted a timeline, it'd be

Original OVA series
TV Series (at least the first two boxes)
Patlabor - The Movie
(third box of the TV Series)
The New Files OVA series
Patlabor 2 - The Movie

With WXIII being a bit of a side story. It's based on one particular chapter of the manga, Wasted XIII (Thirteen), but because the movie hardly features the SV-2 (and is neither written by Itoh nor directed by Oshii), and is pretty different from the manga version in focus, I don't even consider it part of the timeline. It's an interesting film, and Kawai's music is great, but it's definitely not essential in the same sense that the TV series and first two movies are.

Man, what I wouldn't do for a new TV series, in collaboration with Production I.G. with Oshii back at the helm, writing with Itoh ;_; Or someone scanlating the rest of the manga for that matter. I thank Central Park Media daily for coming through and releasing all of the Patlabor series, instead of quitting midway.

Anyone beginning to watch the series, the OVA is near parody of cop shows, with the TV series getting some more serious tones especially in a few certain story arcs (though still remaining mostly humorous), while the movies are much darker, serious and somber in tone.

Also Spat, why the hell are you still searching for the first movie's OST? Didn't I already send it? Or was that the second film only? =/
Incidentally, another huge GFF Patlabor fan would be Duo Maxwell.


EDIT:
Goto is naturally the best character in the world. Ever since the Mount Fuji comment in the manga I've loved him for his always enigmatic outer shell and the way he's such a fine balance of amazingly intelligent, always likeable and sometimes goofy (all part of the act).

Also, I own the Manga Entertainment releases of the DVDs and have no complaints, but if better quality versions are released, I'll definitely lap them up. Just as long as they're not dubtitle centric or something similarly stupid. Extras are nice and all, but I don't really care what the localization team have to say about the project =/

Pyocola Apr 7, 2006 10:58 AM

Quote:

Originally Posted by Spatula
I did get the Manga release of the movies and didn't really complain too much. I might get the re-released ones coming this April though.

I'm a videophile so it might have something to do with that. :) (Now I just hope that all the OVAs and TV series would get remastered, that would be a dream come true.) Either way, there is really no reason to get the Manga versions when the re-releases are just around the corner.

As for WXIII being the last, I almost think so, considering what a near-fiasco it turned out to be. Production dragged out, it took years longer than expected before it was finished and despite that the end result was not all that great. Don't get me wrong, I very much like detective stories and it's an enjoyable one; animation is superb too. But I think generally it was just a bit too detached from what people knew as 'Patlabor' and after this slight failure it's questionable whether they'll ever dare try to resurrect the franchise again. In the end though, it was all worth it just for MiniPato. :)

Spatula Apr 7, 2006 11:01 AM

You only sent me the second OST, Qwarky, and I didn't ask for the first movie OST. Thank you very much. I knew it'd only be a matter of time until Q would pop his head over to say hi.

I though the OVA and the TV series were seperate universes? In the OVA, Noa Izumi reports for duty by riding her moped like a bat outta hell infront of her future team mates. In the TV series, she was a traffiic cop (pretty cute outfit, but quite ditzy) that applied for the aptitude test to the SV2.

map car man words telling me to do things Apr 7, 2006 11:03 AM

I mostly disliked the thought that WXIII turned into the first introduction to Patlabor for newcomers because it was more easily available for download than the TV series (before the CPM releases, of course).

Then again, I started with the first movie (subbed, VHS) and considering the movie makes no introductions about the characters, expecting you to already know who's who, it's amazing I kept up with it and loved it so much. It's still my personal favorite anime film, even if Patlabor 2 is admittedly. "better".

EDIT:
Well, as far I understood, the TV series is supposed to be a retelling, but since the set up is so different, I guess they'd have to be seen as separate universes. I've already meshed all of them in my head to form a single coherent universe, you see ;_;

Also, in the manga she has to take entry exams of sorts, where she first meets Asuma. The scene where everyone else is feeling completely ill and throwing up from the training simulator while Asuma sits unfazed, annoyedly exclaiming "That thing's defective!" is priceless and worth reading the manga alone. It also brilliantly gives you an immediate idea of how Asuma is and acts.

Spatula Apr 7, 2006 11:04 AM

I've not seen WXIII yet, but here's a few notes of the production process taken from Schaft Enterprises:

Quote:

WXIII Patlabor the movie 3


Released 30 March 2002, Runtime: 102 mins

Staff

Director: Fumihiko Takayama
Screenplay: Tori-Miki
Original Story: Masami Yuuki
Character Designs: Hiroki Takagi
Mechanical Designs: Hajime Katoki, Shoji Kawamori, and Yutaka Izubuchi
Music: Kenji Kawai
Production Supervisor: Yutaka Izubuchi
Production: Madhouse

It is the year 2000. A fishing boat out in Tokyo Bay sees a plane flying over head. It seems to be in trouble and the contents of the plane are spilling out the side. Very large fish and various other sea creatures fall from the sky, some hitting the fishing boat causing it to rock violently. The plane crashes into the ocean.

Spoiler:
Two months later Detectives Takashi Kusumi, who is temporarily using a crutch after an accident, and his younger partner Schinichiro Hata, are called in on a labor accident in the harbour. A number of labors have been attacked and their pilots killed. This is the fourth case. On his way back to the car, Hata notices a young woman having trouble with her car and offers her a lift. He drives her to the university and carries her large heavy suitcase to the door. She thanks him for his help.

At police headquarters, Kusumi goes over the current labor case they are working on. Four labors have been damaged, and several have been killed or hurt. All have been Schaft labors. Were they accidents, terrorist attacks or something else? Hata suggests they should probably liaise with the SV2. Upon investigating labor operations in the harbour they soon discover there are giant Goby in the bay. Could they be the cause for this? They ask a local fisherman about them. He points out where they can be found. It's in the same spot where the attacks have taken place. In fact the attacks started 10 days after a cargo plane crashed in the bay. Is something from the plane is causing this? It all seem too good to be true. The detectives decide to check out the plane wreck. One of the recovered containers has been ripped open. It's from a company called Hermes Enterprises.

Meanwhile another labor has been attacked. This time it is an undersea unmanned labor, a Hishii labor, not a Schaft labor. The video from the labor's camera shows a flipper. The SV2 are also on the case, and Asuma and Noa come to talk to the labor operators as well. Kusumi and Hata investigate Hermes Enterprises and discover they are a dummy corporation.

After Kusumi discovers a lighter in Hata's car, Hata realises it belongs to the woman he gave a lift to. He decides to return it to her. She tells him her name is Saeko Misaki, and she works as a professor at the university. The two start talking and end up seeing each other regularly. After finishing a date with Hata one night, Misaki takes her large suitcase out to one of the piers in Tokyo Bay...

Hata has sourced some TV news footage of the plane crash. On the tape, there is a US military boat recovering the plane, and US military personnel on board the boat. A lip reader tells them that one of the men says in English, "Check", "Capsule", and "Baker's Dozen". She can't make out the whole conversation.

In a the car park of club that night, a young couple discover two people dead in their blood splattered vehicle. Hata and Kusumi are being driven to across town in a police car by a pair of officers. The officers receive a call to investigate a power outage at the Babylon Sector Storage Facility. They are unable to get in contact with any of the staff there, and the officers can see that none of the lights are on the facility. The officers and Hata and Kusumi enter the building and investigate. Nobody seems to be inside. The power returns, and a bizarre monster appears and starts to attack the staff and police officers. Some are killed, but Hata and Kusumi barely escape. The monster falls into the cowling of a labor and into the bay and disappears under the water.

The media are onto the story the next day, but the police manage to keep any references about the monster out of the news. The police have obtained some genetic material from the creature, and Hata escorts one of the team from forensics to the Toto Medical Lab to have the tissue analysed. While waiting in the foyer, he meets Saeko Misaki, and discovers she works there. She invites him into her office for a coffee and is surprised to learn he is a police officer. After seeing a photograph in her office, she tells Hata that she had a husband and daughter, but both had died. Later that day her boss Toshiro Kurusu, head of the Toto Medical Labs, shows her the sample the police had brought. She looks at a section of the tissue under the microscope and smiles to herself.

Kusumi meets Captain Gotoh to exchange information. They discover that the cargo plane that had crashed had previously stopped over at the Marshall Islands where US Military Facilities are located. On one of the islands is a laboratory. Goto has discovered that all the labors were in fact Schaft models. The Hishii labor uses a Schaft superconductor motor. They still can't figure out why the couple were attacked outside the night club.

Meanwhile another smaller monster is discovered in laboratory. It kills most of staff and the police eventually catch it in a ventilation shaft. Analysis of this creature and the previous tissue sample show that it is a fusion of cancer and Nishiwaki cells. It is a creature created by humans. Nishiwaka was discovered by Professor Nishiwaki from comet embedded in the Antarctic in 1984. Nishiwaka cells reproduce at an amazing speed.

At the Toto Medical Lab, the director Toshiro Kurusu talks to Misaki. He knows she has let one of their creatures out. The lab is creating creatures for a secret military project, and the test subjects should die in an controlled laboratory environment. Kurusu is very angry with Misaki as she has crossed one of these creatures with cancer cells. It is growing at an alarming rate. They must kill this creature before it does any harm, and they know that it won't be long before the police follow the trail to the labs. Eventually the lab make a virus that will kill the creature and give it to the military, who are going to take on the job of killing it.

Although Hata and Kusumi have made a breakthrough by tracing Hermes Enterprises back to Toto and discovered they were also the source of the monster, they are told to stop investigating Toto Medical Labs. The police and the military have hatched a plan to capture the monster inside a disused stadium and shoot the monster with a bullet that will release a virus into it's body and destroy it. Only problem is that the creature is inside a labor cowling, so the Second Unit of the SV2 is called in to help.

Meanwhile Kusumi discovers that Hata is seeing a woman from the Toto Medical Labs, one of his suspects, Saeko Misaki. Hata doesn't want to believe she could be involved in this, and sets out to prove him wrong. Unfortunately at every turn he takes, it seems that Kusumi was right. In fact she's in deeper than they ever suspected. Hata desperately tries to find her to ask her why she has done the things she did, but can not find her where ever he looks.

The time soon comes to commence the operation. Kusumi discovers the missing pieces involving the labors and the couple that were attacked, information that will give them the edge over the monster. However the military have a secret agenda, and will do anything to achieve their goal.

This film is a very untypical Patlabor film. First up it's more of a side story. The SV2 are hardly seen in the film (their total contribution takes up less than 15 mins). The two detectives and Saeko Misaki are the main characters and the focus of the story. Also the labor action is mostly left to the last 15 minutes of the movie, and hardly any labors are seen during the film. It's basically a detective mystery with a monster film sub-plot. Most of the monster sub-plot seems very similar to the 1989 film "Godzilla Vs Biollante", which also involved a scientist using cancer cells from his dead daughter crossing them with a rose to create a monster. Being that it is set in 2000, the film takes place two years before the events of "Patlabor 2 the movie", and strangely two years before the film's actual release date in Japan.

The film's story is based upon the Patlabor manga story "Waste Product 13" (sometimes known as "Wasted 13"), which is complied in volumes 7 to 10 of the Japanese graphic novels. Unlike the film, this part of the manga was heavily based around the Special Vehicles Unit 2, Schaft and the Griffin. The detectives, Shinichiro Hata and Takeshi Kusumi do not appear in the manga at all. The members and staff of the Toto Medical Laboratories, Saeko Misaki, Toshiro Kurusu (the director), and Shizuo Miyanomori (the male research scientist) all have major roles in manga. The ending is also quite different when compared to the film.

This movie is probably the most delayed production in anime history. Many fans thought it would never be made. Work began on this film in 1994. At this stage it was to become a direct to video animation (Original Video Animation or OVA). In this early stage it was decided that it would not be called Patlabor as it was a 'side story' and didn't involve the SV2. As production progressed it was changed to a movie format and the Patlabor title was re-instated. The film was finally announced as "in production" to the public in October 1997. It was due for release in 1998, but the studio Triangle Staff who was meant to animate the film went bankrupt before production could start. Animation duties were eventually given to Studio Madhouse who finally began production on the film in 2000.

The Pilot Film from 1997 mirrors almost all the scenes from the film so closely, it almost looks like they used the same animation from the film. This suggests that not much was changed to the script between 1997 and when to went into it's production nearly three years later.


Pyocola Apr 7, 2006 11:27 AM

There's a comparison of the old Manga disc and the remaster of the first movie on this site. It's quite a difference if you ask me, especially when you scale the pictures to full screen. The comparison is between the R1 and R2, and I can't guarantee that the new DVD release will look quite that good as it hasn't been released yet, but that's the master they're basing it on so it's very much likely.

Both films will also get released in drool-worthy 10,000 unit limited editions which will feature a box, an extras disc, a 300-page book with the full, translated storyboards and another translated 180-page book with essays, interviews, art galleries etc. The downside is that the price is a massive $89.99 each (so around $60-$70 online.)



BTW, does anyone happen to have the Japanese version of the manga and could tell me if there is any significant amount furigana in it? I'd really like to read it but since Viz dropped it a long time ago and there are no scanlations from what I can tell, I don't really have any other options. Unfortunately my kanji skills are almost equal to zero so if there's no furigana I'm screwed.

Spatula Apr 7, 2006 11:32 AM

I will most likely get the regular versions, as I've already blew off over $300 some on the Master Grade Kits alone. Usually I'm not a special edition whore but seeing Patlabor 2 remastered is a must before I die. God only to find the time to spend it on these Bandai kits.

map car man words telling me to do things Apr 7, 2006 11:36 AM

Quote:

Originally Posted by Pyocola
Both films will also get released in drool-worthy 10,000 unit limited editions which will feature a box, an extras disc, a 300-page book with the full, translated storyboards and another translated 180-page book with essays, interviews, art galleries etc. The downside is that the price is a massive $89.99 each (so around $60-$70 online.)

I.. I need this. I need this so bad. I generally like collector's editions of anime, but almost never buy them because they're hardly ever available here, and if they are, they're ridiculously overpriced. And usually anime DVD "extras" aren't really all that informative or interesting, I've no attachment to figurines or anything like that.

This however.. Man, either hopefully I'll win the lottery, or I'll pine for a loan from my family, because I need this so bad ;_;

Me not getting a copy would be like Megalith never getting a copy of Halo.

K_ Takahashi Apr 7, 2006 11:42 AM

Spatula, your comments on MiniPato?

In my opinion it was a good way to draw in some crouds to WXIII, I wonder why Production IG felt like it was something they had to do.

Spatula Apr 7, 2006 11:48 AM

Quote:

Originally Posted by Me in opening post
There is a mini Patlabor special aptly named "Mini-Pato" released around 2002, I think, which is just more/less a fan special featuring cardboard cutouts of the popular characters participating in one of Captain Gotoh's funny explaination exercises.

Basically if you are a hardcore Patlabor fan like Q and me, you should check this out but I wouldn't recommend buying it. MiniPato was also made into a PSP game where I *think* you help Captain Goto sort out mysteries and things. Check it out at Playasia.com.

MiniPato, the "anime", is made up of 3 episodes where the first is Goto talking about the mechanics of the Ingram and the 38 mm revolver. It's quite interesting stuff as goto explains the logic of how the weapon systems came to be.

The second episode is Shige talking about the mechanices of the Ingram and how it compares to (I swear this is the funniest part) other mecha series including Gundams, Macross (I think), Gunbuster...and the whole lot.

The third episode is probably the least interesting as Shinobu talks about her sex life with Goto. Haha just kidding. She does talk about Goto but about his secret business of selling hata. It was just a weird way to end MiniPato in my opinion.

map car man words telling me to do things Apr 7, 2006 11:54 AM

It's like one big inside joke for fans of the series and wouldn't be a very effective introduction to the show.

I also like how if I order the Limited Edition from Amazon.com, and it gets stuck in customs here (which is more than probably), I'd end up paying closer to €65 (around $78) for it. Damnit, I need a collaborator in this ;_;

Spatula Apr 7, 2006 12:02 PM

Import fees are terribly expensive in Canada even. Model kits and the like are about $10 for every $50. But books and electronic multimedia are prohibitively expensive. Sorry Q, I'm saving up for a new TV. ;_;

(Hey, at least you don't get ripped off like the FFVII Advent Children set. God, $500 for that. Sorry no.)

Pyocola Apr 7, 2006 01:05 PM

Quote:

Originally Posted by Qwarky
I also like how if I order the Limited Edition from Amazon.com, and it gets stuck in customs here (which is more than probably), I'd end up paying closer to €65 (around $78) for it. Damnit, I need a collaborator in this ;_;

Getting hit by customs sucks allright, and is basically the reason I haven't pre-ordered this yet. But $78? Pfffft, that's nothing. I'd end up paying $62.99 + $6.98 shipping + 3.5% duty + 25% VAT + $10 (fee you have to pay for the pleasure of getting to pay all the other fees) = $100.50. :p

map car man words telling me to do things Apr 7, 2006 01:13 PM

I'm in luck apparently, a friend of my aunt lives in Albany and another friend is going to visit her at the end of this month, so I might be able to order the pack from amazon and she can pick it up and bring it home when she returns, hopefully without alerting customs. And if they do want to take toll for it, she can claim it's worth $40, in which case they won't touch it.

What I'll do when the second movie is release, I have no idea, though ;_;


EDIT:
Quote:

Originally Posted by Pyocola
Getting hit by customs sucks allright, and is basically the reason I haven't pre-ordered this yet. But $78? Pfffft, that's nothing. I'd end up paying $62.99 + $6.98 shipping + 3.5% duty + 25% VAT + $10 (fee you have to pay for the pleasure of getting to pay all the other fees) = $100.50. :p

Oh true, I hadn't even calculated shipping into that. Adding international shipping and how much that affects customs and taxes, that's probably a good €15 more ._.

Spatula Apr 7, 2006 01:21 PM

Qwarky, how close does the manga follow the OVA/TV Series arc in English? If it is somewhat parallel then I might not be interested, but I'm starting to want to see how Noa and Asuma came to be in the manga. Similarly to you, I started off with the movies (dubbed and VHS which was taped off of a Space Channel special) and had no clue what was going on. This was in about 2000 where anime wasn't quite mainstream where I lived and only the Asians were into it from Hong Kong and the like. Basically most of the anime I watched I rented from Blockbuster and ANYTHING would be fine, English dubs were not a problem at this time. After watching the first movie, this was the first time I heard the Asahi no Naka theme and immediately fell in love with it, watching the ending credits roll over and over again JUST to listen to that theme, no matter how old the VHS tape was. Good old days...LOL

This was about the heyday of Napster and I quickly snatched up the Patlabor movie OST (which I lost on my old computer and never got it again, thus far), but I listened to the "Asahi no Naka" mp3 I believe over 20 times in one sitting, loving the blast of the trumpets and orchestra and everything in me just melted. I also did get the Patlabor 2 OST (again, lost in my old computer because the harddrive was retarded, but Q sent it to me) and immediately the Main Theme, Outbreak/Wyvern, and last but definately not least, Hallucination. All these tracks were done by Kenji Kawai.

After watching the first movie, I somehow wanted to learn more about the cast and went onto the Internet and sought after the TV series. On of my friends already had some of the TV episodes on CD and 7 part OVA on VHS. Boom, I was a fan. Man...oh man... now I realized how much I loved this series in such a short period of time. I'm guessing Q has seen this quite a while ago before I did though. Q, you're my hero.

map car man words telling me to do things Apr 7, 2006 01:55 PM

Quote:

Originally Posted by Spatula
Qwarky, how close does the manga follow the OVA/TV Series arc in English? If it is somewhat parallel then I might not be interested, but I'm starting to want to see how Noa and Asuma came to be in the manga. Similarly to you, I started off with the movies (dubbed and VHS which was tapped off of a Space Channel speccial) and had no clue what was going on. This was in about 2000 where anime wasn't quite mainstream where I lived and only the Asians were into it from Hong Kong and the like. Basically most of the anime I watched I rented from Blockbuster and ANYTHING would be fine, English dubs were not a problem at this time. After watching the first movie, this was the first time I heard the Asahi no Naka theme and immediately fell in love with it, watching the ending credits roll over and over again JUST to listen to that theme, no matter how old the VHS tape was. Good old days...LOL

This was about the heyday of Napster and I quickly snatched up the Patlabor movie OST (which I lost on my old computer and never got it again, thus far), but I listened to the "Asahi no Naka" mp3 I believe over 20 times in one sitting, loving the blast of the trumpets and orchestra and everything in me just melted. I also did get the Patlabor 2 OST (again, lost in my old computer because the harddrive was retarded, but Q sent it to me) and immediately the Main Theme, Outbreak/Wyvern, and last but definately not least, Hallucination. All these tracks were done by Kenji Kawai.

After watching the first movie, I somehow wanted to learn more about the cast and went onto the Internet and sought after the TV series. On of my friends already had some of the TV episodes on CD and 7 part OVA on VHS. Boom, I was a fan. Man...oh man... now I realized how much I loved this series in such a short period of time. I'm guessing Q has seen this quite a while ago before I did though. Q, you're my hero.

Haha, I'm flattered, but I had to do with the first movie and the first two volumes of the manga for the longest time. Upon getting a PS2, I finally had access to DVD and eventually got both films on DVD, that was the first time I finally got to see Patlabor 2, which I had wanted to see for so long.

At that point, the TV series was "available" on some very random VHS tapes, but since I at best would have only gotten some like episodes 8-12 and 25-29 or something similar, I stayed out of that. Eventually I heard the good news that CPM was bringing the series out on DVD, and immediately bought the first volume. By the time I heard CPM had decided to release the rest in boxsets, I was extatic, I didn't even care I kinda had to buy the first disc twice (it's still on my shelf and the old CG cover is hideous). Then the original OVA came out (bliss) and eventually the third TV box and New Files (zomg), which I still haven't bought, but definitely will eventually.


As for the manga, it and the TV series follows the same "main" plotline. The start of SV-2, the early incidents, the Brocken, the Griffin, Schaft and all that, but the manga and anime differ on many individual tales since they were made longside each other for a while. If I understood correctly, the manga follows the original OVA slightly, then goes off on its own direction, and many of the chapters later formed episodes in the TV series.

The very first case the team had to solve (or overcome) was completely different in the manga. There was no Ingram theft, or nothing like that. The crab tank that ran rampant around Tokyo set the tone absolutely perfectly for me, because it showed the attention to detail and realism the series had. Whereas stopping the tank was a priority, this was in the middle of Tokyo, so the police forces had to be very careful about where they'd confront the runaway tank with as little collateral damage as possible. Goto deviced a careful plan to try and lure the tank out of appartment areas and following all of it was really intense. Patlabor was also so appealing because it was much more realistic and honest compared to many of the other mecha titles at the time.

I highly recommend reading the manga if you haven't, even if it's just the first two volumes Viz brought out (one of the biggest crimes was how not enough people bought it ;_; ). Kumagami's entrance is also completely different in the manga.

Jesus, I just noticed Kumagami's VA, Keiko Yokozawa was also Sheeta in Laputa. Awesome! ='D

Spatula Apr 7, 2006 02:03 PM

The more I look at it, the more I want to get the first two volumes of the manga from Viz, even though I will be left off with like the remaining 20 volumes in Japanese. Looks like I know what I want to get come this years anime fest.

As well, I don't know how well you are familiar with Bandai products, but they have released a somewhat new line of Gundam toys called "Gundam Fix Figuration". I have 5 of these, but what would ABSOLUTELY make my day is if they were to release this:

Quote:

Originally Posted by Spatula on Macrossworld.com

PATLABOR FIX FIGURATION 1/35 scale High Quality Toys

This toy line would pretty much be the counterpart to the quite popular Gundam Fix Figuration line of already made models.

Features include:

• Opening cockpit and removable pilot.
• Changeable head so you can put on the riot visor.
• Left and right legs can open up on the side so the Ingram can reach for the 37 mm revolver.
• Posable characters in 1/35 scale
• Made of the same type of “plastic” as the GFF line
• Made by Bandai


Models (all 1/35 scale):

1) Patlabor Fix Figuration 0001: AV-98 Ingram – Alphonse
2) Patlabor Fix Figuration 0002: AV-98 Ingram – Ota
3) Patlabor Fix Figuration 0003: AV-98 Ingram – 3rd
4) Patlabor Fix Figuration 0004: AV Type Zero ( as seen in the first movie)
5) Patlabor Fix Figuration 0005: HAL-X10
6) Patlabor Fix Figuration 0006: Construction Labor HL-96 Tyrant
7) Patlabor Fix Figuration 0007: Roadrunner (seen in 2nd movie crossing the Yokohama bridge)
8) Patlabor Fix Figuration 0008: ARL – Military Hell Diver
9) Patlabor Fix Figuration 0009: Command Car and Capt Gotoh’s mini car
10) Patlabor Fix Figuration 0010: EXLT Spider Tank Labor (2nd movie)
11) Patlabor Fix Figuration 0011: Attack Helicopter Gong-1 (2nd movie)
12) Patlabor Fix Figuration 0012: Al-97 Hannibal (2nd movie)
13) Patlabor Fix Figuration 0013: RAHDA (UN Forces) (2nd movie)
14) Patlabor Fix Figuration 0014: Construction Labor HL-97 Bulldog
15) Patlabor Fix Figuration 0015: Shaft Enterprises – Phantom
16) Patlabor Fix Figuration 0016: Shaft Enterprises – Griffon
17) Patlabor Fix Figuration 0017: Type-5G/1C Grau-Bear
18) Patlabor Fix Figuration 0018: SV-2 Labor Carrier (Holy crap this thing would be HUEG like the Xbox)
19) Patlabor Fix Figuration 0019: ULTIMA RATIO air blimps (I’m not too sure about 1/35 scale though)
20) Patlabor Fix Figuration 0020: Type-7B/2B Brocken



Accessories
1) Flak Jackets to cover over Ingrams as seen in the 2nd movie.
2) Keisatsu – Police Cruiser (diorama prop)
3) BEL – 1999 Caldia (those small red little sentry bots guarding the Arc)

I could seriously think of way more kits for this if I were to scour the Patlabor TV series/movies again. Yeah, how sweet would this be!

I guess a far retail price would be about $40 USD each for most of these items, but some will be more, some less. The Labor carrier would be probably close to $90 some.

Damn, Bandai would be the Toy God if they were to ever do something so awesome like that.

map car man words telling me to do things Apr 7, 2006 02:28 PM

Now you went and made me change my set. I'm just gonna be stuck listening to Condition Green and Midnight Blue for the rest of the evening.

Anyway, incidentally, if we were more fluent in French, there's 12 volumes of the manga out in France ;_; Seems like they're going with the original 22 volume format, instead of the rerelease.

Now if only someone fluent in french and english would take it upon them to scanlate it all ._.

Spatula Apr 7, 2006 02:39 PM

Where's ^___^ when you need him, but I doubt he's into anime and the likes (doesn't he have a Azumanga av/sig?)

I took like BASIC BASIC French in highschool and I read the X/1999 Clamp Manga (Understood about 40-60% of the text) in French when I was a exchange student to Quebec. Now I suck at French and my Japanese is probably better, but that's not saying much.

So yeah: things to look out for (our wish list)

1) A New Patlabor TV series

2) Patlabor 4 movie

3) PS3 Patlabor Game (can someone say WIN?)

4) Those spiffy Patlabor Fix Figurations

If wish # 3 comes out, I'll have a good reason not to commit suicide. LOL.

EDIT: Condition Green, I love that song <3 Same with Mihara wa Lovers.

map car man words telling me to do things Apr 7, 2006 02:45 PM

I just want Ito to write new Patlabor anything (and Oshii to direct, naturally).

Even if they translate the Patlabor PS1 game I'd be delirious with happiness, the new crew member looked so cool.

As for Face, he's into anime, he likes Scrapped Princess, One Piece, Fullmetal Alchemist and I remember hooking him up with Evangelion torrents, but I don't think he'd want to translate Patlabor for us

Spatula Apr 7, 2006 02:51 PM

Seeing with all the fansubbing going on, it'd be nice from them to scan translate the Japanese manga version. I wonder if anyone would be nice enough to do something like that. I saw a few screenshots (which are very hard to come by) the PS1 game - Patlabor Game Edition and it..well...didn't look too exciting. And for the Super Famicom version, I never got passed the 3rd mission. Those bad guys were tough! ;_;...

EDIT: I also see you put a little link in your sig there. Thanks! <3

map car man words telling me to do things Apr 7, 2006 03:03 PM

Well, I have the PS1 game and while the Ingram sections are a bit clumsy, it's still Patlabor, and Headgear created a new crew member, Midori, just for the game and she looked really cool~

Pyocola Apr 7, 2006 03:09 PM

Darn it! Should have taken French instead of German in high-school...

Spatula Apr 7, 2006 03:11 PM

Herm, I'm guessing you're running it off of your special PS2 then hey. I wonder if there's a way to ISO it and then use a PSX emulator. Most copies I've seen on Playasia are selling for about $50 USD plus used, and that's a pretty killer price in the bad way.

Pyocola, I thought you did understand some basic Japanese because you were asking about furigana?

map car man words telling me to do things Apr 7, 2006 03:15 PM

Well, it's a burned copy (you think I can find much less afford a real copy as much as I'd like one? ;_; ), so I'm sure it'll ISO easily. Playing it on an emulator is a different matter, but only one way to find out of course.

Pyocola Apr 7, 2006 03:30 PM

Well, very, very basic as I only took one year Japanese. Had I wasted my three high-school years on French instead of German the French volumes would probably have been a lot easier.

Still, I'm thinking of getting a Japanese set; Animaxis currently has a complete set of the re-releases for about $50. Only problem is that their shipping fees are exorbitant so maybe I should ask yesasia if they can stock them first. At least I will probably not have to worry about customs since it seems they usually ignore packages containing books (even though they technically should charge 6% VAT.)

Boo-kun Apr 7, 2006 03:53 PM

Good old Patlabor. Years and years ago one of the first anime movies I saw was Patlabor. It was as awesome back then as it still is. Though I came to appreciate 2nd movie only later.

That also reminds me that I still haven't finished the TV series (or was it OVA >_>), as Q has been hiding the boxset from me >=0
And THAT brings up the idea that we really should watch both movies one of these days, Q-d00d.

Spatula Apr 7, 2006 04:10 PM

I think this is one of those rare moments where I wish I had a temp home in Finland. ;_;

Patlabor Av/Sig chain anyone? Looks like Q had claimed Noa (LOL).
I call Kanuka Clancy.

map car man words telling me to do things Apr 7, 2006 04:13 PM

Quote:

Originally Posted by Boo-kun
Good old Patlabor. Years and years ago one of the first anime movies I saw was Patlabor. It was as awesome back then as it still is. Though I came to appreciate 2nd movie only later.

That also reminds me that I still haven't finished the TV series (or was it OVA >_>), as Q has been hiding the boxset from me >=0
And THAT brings up the idea that we really should watch both movies one of these days, Q-d00d.

Well, my TV is bigger than yours, but we can't both fit in my room on the other hand. Watching the films at ihank would be impossible as well, and I don't want to come all the way to your house ._.

Need to figure out some compromise though. I've felt like rewatching the films for a while now, can we wait till I get the remastered version of the first film? =D


Also, I think I've been keeping the OVA box from you. I thought you downloaded the eps later anyway =/

EDIT:
I'm all for a chain. Pyocola already has Shinobu =D
I actually meant to make an Asuma avatar, but I realized all my Masami Yuki drawings of him were a bit too small for it, so this Noa pic was fine. I absolute LOVE Ota in the background, in the Ingram suit :tpg:

http://myy.helia.fi/~a0400729/Pics/patlabor2.jpg

Drunken Kanuka and Noa is awesome too <3

Spatula Apr 7, 2006 04:26 PM

It will take a while before I rewatch Patlabor 1 and 2, since I saw them in 2005, and I usually see them MAYBE once a year, because they're that good. Anymore would be a crime. Plus I'd like to see it with my hopefully new TV this Xmas. Chances are, I'd probably replay ICO again before watching. Too bad I don't know of too many Patlabor fans near my area. ;_;

map car man words telling me to do things Apr 7, 2006 04:33 PM

Well yeah, I only know one Patlabor fan near me, and he's about two towns away *points up above* :(

I've kept my movie watching pretty annual, though there's been a slight delay upon acquiring the TV series and OVA as that's kept me Patlabor happy for a while now. I'm getting more and more excited about the remastered DVD now, I hope it works out ;_;

Spatula Apr 7, 2006 04:38 PM

All this Patlabor talk has made me somewhat giddy. It's Friday April 7 afternoon now at 3:36 PM and it's one hour till I get out of the office. Once I get home I'll be sure to make a new Av/Sig, but I'm now thinking of Goto, or maybe even Shinobu. Building my plastic kits and listening to Ingram (remix) and Knock on Tomorrow should get my Patlabor fix for a while.

map car man words telling me to do things Apr 7, 2006 04:44 PM

Make sure you find a very good Goto picture for an avatar, or I'll have your head >=0

Goto-san must always be well presented and respectable (even if he appears like such an awesomely lazy wish-wash in the manga). And you already called Kanuka ;_; Think of the awesome "SHUT UP!" you could have in your custom title!

Spatula Apr 7, 2006 04:49 PM

I need either his dopey face or the screenshot of him smoking a cig.
For the sig I might use him in his patrol car in the 2nd movie, by the standoff at the Japanese Parliament. Ah damn who to choose who to choose? Although I'll admit I have do have the secret hots for Kanuka. I love her saucy attitude.

Wait, what the hell am I saying? I hated her ratting on Takeo in the New OVA where they are at the Onsen resort and Takeo couldn't come up with the names of some historical figures. God I wanted to slap Kanuka for being such a BITCH! She's like ...umm... one of the staff on GFF..yeah...

map car man words telling me to do things Apr 7, 2006 05:07 PM

Just don't pick his face from the second movie, he's so awfully pale.


But but think about Kanuka ;_; So many awesome scenes.

http://www.mononari.com/tt/attach/01...544/549559.jpg

"Sightseeing?"
"No." *removes subglasses*
"Combat."

Also incidentally, I knew I'd sent the Patlabor movie OST to someone, since I still had it rarred up. I guess I just hadn't sent it to you, but someone else =P

Spatula Apr 7, 2006 05:11 PM

Okay fine. Kanuka did look the most "hot" in the episode where the plane gets hi-jacked by that creepy mouse guy, especially with her hair tied back in that pony tail, god...spuzzum. It was hilarious when the flight attendant said thanks to the "passanger" since flight attendants were expected to be the utmost polite professionals in the Japanese service industry. Makes me want to take Japan Air the next time I head over there. Too bad her seiyuu passed away like 3 years ago, according to Schaft Enterprises.

Well, after doing a google search, I get like all of six "wonderful" image results:

http://images.google.ca/images?hl=en...cy&sa=N&tab=wi

Seriously...>_>

Boo-kun Apr 7, 2006 05:15 PM

Patlabor marathon OMG
::Sweaty nerds in a dark room:: :cheer:

Drive away your parents for a day and we'll have a studio o/

Spatula Apr 7, 2006 05:16 PM

Damn, now I'm worried about someone "stealing" my current Densha Otoko bunny set up. It's one of my favorites and many people seem to like it.

Boo-kun, Patlabor Marathon to the max!!! (those remastered DVDs seem pretty nice right about now)...

Hey Q, it's been decided:

Quote:

Originally Posted by http://chiranjivi.tripod.com/AnimeMP/mp_kanukaclancy.html
Kanuka Clancy

Looks:I'd crawl naked over broken glass and razor blades with my wrists and ankles bound just to look into her eyes. This is clearly one of the most beautiful and unique looking women in anime. This woman can make anything from a black lace negligee to an AV-98 Ingram look sexy when she's wearing it. Expect a lot of envious heads to turn in your direction with this lady on your arm.

Smarts: She's got 'em serving as she does as a command car driver. You don't give the task of keeping Ohta in line to an idiot. Her assignment to evaluate the operations of a functioning Patrol Labor Unit for the sake of establishing a similar unit in New York indicates that she has above average capacity for observation and organization. This lady's brains more than keeps up with her body.

Personality: Direct. She does not believe in mincing words or beating about the bush. Professionally she is quick to action almost to the point of being rash (jumping into AV-00 and taking it into action with a suspect OS was not that bright). You would best be advised to develop a thick skin if you're going to spend any time with her for you will know what she thinks in no uncertain terms. However, I suspect that a woman with this tough an exterior is concealing a very soft, loving and generous interior. She clearly cares deeply for the members of SV2 and if you can earn her devotion you will have a loving and faithful companion for the rest of your life.

Home Economics: Even her temporary apartment in Japan was meticulously maintained. Expect your household to be similarly kept and learn to keep your feet off the furniture. Cooking skills are unknown but I expect that she's no slouch in the kitchen. Kanuka clearly puts everything she has into whatever she does. Expect, however, that you will not be watching TV with a beer in your hand while she prepares dinner. You will be expected to contribute whatever you can to the tasks of household maintainance. And god help your butt if you don't.

Combat Skills: *DO NOT* piss this woman off. This lady lives to bust heads. Hand-to-hand, firearms, katana, labor; this lady can kick ass with any of them. I don't expect New York City has gotten any safer in the time "Patlabor" takes place. That she's a street patrol officer there indicates that her combat skills are not only to be respected but worshipped. Gotou certainly thinks so.

Customs Agent: "Sightseeing?"

Kanuka: "No. Combat."

Need I say more?

Special Abilities: Nothing supernatural, magical, or super-scientific. She is a qualified labor pilot, speaks at least two languages fluently, can outdrink most people except one.

Competition: None known with the possible exception of her career. However, we know very little of who might be waiting for her back in New York. Make no mistake, though. Finding your way into this lady's heart will be no easy task. Smooth words alone will not cut it here. You are going to have to be at least as tough as she is. This is not a woman to squander her affections on the unworthy.

In-Laws: No data known on the specifics of her family but I suspect that if Kanuka has decided on you she will brook no grief from them over her decision. You'd be best advised to get a long well with them, though, for no doubt she will be as devoted to them as she will be to you.

Finances: Cops have been traditionally underpaid for what they do and I suspect things haven't changed much in "Patlabor's" time. She dresses well so I suspect she makes enough to live comfortably and she will probably get a raise once she moves over into the new New York Labor unit (any income derived from working for C.L.A.T. cannot be depended upon) but don't expect to be living in the lap of luxury, particularly not in an expensive place like New York City.

Sex: Whoa Boy! Watching this woman undress will probably be enough to generate multiple orgasms. Certain depictions of her suggest she has other uses for hand-cuffs beyond restraining those she arrests. Expect her to be completely in control of most sexual encounters though this type can also derive considerable sexual pleasure by occasionally putting herself completely under your control. In either case there will be no false modesty or shyness here. Expect her to be as direct sexually as she is in everything else. Pray that you are up to the task.

Overall: This woman is not for the squeamish or the hesitant. You had better be sure of yourself if Kanuka is your goal. Remember also that she is a front-line cop so you will have all the risks and fears attendant with being the spouse of a cop. I suspect, though, that given her talent she will be offered command of her own unit (probably the Labor unit) in no time. I also suspect that this will not stop her from taking the controls of a labor from time to time so the risks probably won't be diminished by promotion. Beyond the possibility of the dreaded visit from her unit commander this woman has much to offer as a wife to anyone lucky enough to win her heart. She will be loving, competent, devoted and probably a lot of fun. So take a number and get in line.

Okay, she wins. ^ ^

map car man words telling me to do things Apr 7, 2006 05:30 PM

But we can't watch the movies downstairs, they're region 0, but our stupid DVD player refused to play them :(

I searched "Kanuka" and came accross the most wonderful gallery. Patlabor, PlanetES AND Haibane Renmei all on the same page? Yes, please~~

http://myy.helia.fi/~a0400729/Pics/kanuka.png

:3

Pyocola Apr 7, 2006 05:36 PM

I took a couple of screens of Shinobu from Minipato to use as sig.

From my favourite part, I just love the deep voice of Sakakibara Yoshiko. ^_^; (plus the Oshiiness of it all)

Spatula Apr 7, 2006 06:26 PM

Qwarky wins 10 internets and the AV-98 Ingram Alphonse. Remember to release the breaks and put on auto-balance, Q.

EDIT: Damnation, the site is taking FOREVER to load. ;_;

Pyocola Apr 7, 2006 06:48 PM

Gallery needs more 'MiniBane'!

Spatula Apr 7, 2006 06:49 PM

God damn, even for you, you can seem to access the page. Perhaps I should pause some of my torrents.

(I don't really like my current signature. Do you?)

map car man words telling me to do things Apr 7, 2006 06:53 PM

It's just temporary, till you find better quality pics. I suggest using concept art and character designs as the anime screens usually need a lot of touching up to look decent. Unless you manage to shrink them a whole lot so that the fuzziness isn't visible.

I could have sworn I had an Akemi Takada artbook somewhere, but I can't find it. Maybe I just saw a dead torrent for it and only remember having downloading it even if I really didn't.

Spatula Apr 7, 2006 07:33 PM

Damn, I'm going to have to find a better signature. This pool side one will have to suffice for now. I don't really like to think of this supercop as slutty. ;_;

Pyocola Apr 8, 2006 06:34 AM

So I popped in the first movie again last night and I swear, it just keeps getting more amazing every time I see it; luckily the movie has aged really well. I also took a closer look on some of the background art this time and they should really release an artbook of it or something, just look at these scenes from the detective part (I just spoilered them as to not ruin the board look):


Especially in the last scene, the architecture, art and composition is so perfect that it's scary.

Also here's a bonus pic of the Type X-0 and Oota with a mild case of frostbite:

Spatula Apr 8, 2006 09:46 AM

See why Q and I love to watch these movies at least once every year? It's like a good wine that gets better when aged.

Patlabor 1 does seem to keep some 80's qualities, especially everytime I see the HOS screen pop up with 80's computer CG, but that's a nice reminder of how far technology has advanced in reality as well.

The events of Patlabor 2 are so apt to the current events of today, and the technology is definately not far off to what we have 10 years later (1992 vs 2002).

map car man words telling me to do things Apr 8, 2006 12:29 PM

I don't understand people who complain the films are boring. I mean, are they not paying attention? Are they so expectant of explosions and action that following and recieving information is considered dull?

The films are incredibly tense even when there isn't any action on screen (comparable to films like The Insider, A Time to Kill or even War Games). They fit the thriller name perfectly and when the action finally starts, the buildup has been so effective and the viewer knows what's at stake (since the films and series are far more realistic in their detail and of code of conduct) that it's unbearable.

While I adore the assault on the Arc at the end of the first film, the preparation for the operation was just as exciting. Following the crew load up, watching Goto and Shinobu use their connections to get information and clearances, Ota slowly going insane with excitement, Hiromi testing the anti-armor rifle, all worked perfectly to build up the atmosphere.

Similarly, the final tunnel run at the end of Patlabor 2 is probably one of the most breathlessly directed and executed action sequences ever. It completely lacks the fancy OTT action of most mecha anime, but it's this sophistication, controlled direction and attention to realism and detail that make it such an utterly breathtaking and exhilarating scene. I was seriously sitting on the edge of my seat with white-knuckle grip the whole way through when seeing it for the first time.

Spatula Apr 8, 2006 01:05 PM

LOL, teh ingrams neded chain gunz and teh noa neded super rail gun and booster jet 4 teh Arc. So boring movie 1 wht a waste of timeu.

>_>

Patlabr 2 was borin as fuck man, liek omg ULTIMA RATIO balloons gonna rape Tokyo city.

Hey Qwarky,
Spoiler:
Ico needs a BFG and RPG

map car man words telling me to do things Apr 8, 2006 01:16 PM

Spoiler:
It also needs kungfu and light seibur o wait

Spatula Apr 8, 2006 02:09 PM

How was your sleep last night? Geez..what's the time in Finland...
10 PM already? Man it felt like only last night I talked to you which was a couple hours ago, and nity nite again soon.

On track of the tread, have you found any pics of Kanuka in the command labor car in the 1st movie? Those are probably the best shots of her in action with that pistol. Damn man!

map car man words telling me to do things Apr 8, 2006 03:41 PM

Quote:

Originally Posted by Spatula
On track of the tread, have you found any pics of Kanuka in the command labor car in the 1st movie? Those are probably the best shots of her in action with that pistol. Damn man!

I ran my DVD through my computer, but my player (PowerDVD) is pretty gay about screenshots so it was a hassle. First of all, Pyocola is absolutely right, the image quality is pretty shitty, I just didn't mind it before since it's such an old film. A remastered version is MORE than welcome.

Secondly, my player refuses to go frame-by-frame, so I had to physically fight to get some decent stills, as it kept taking screens of midimages, leaving really annoying ghost frames, like so:

http://myy.helia.fi/~a0400729/Pics/P...lipboard06.jpg

Thirdly, upon taking the screenshots, it made them in some whacky ratio for whatever reason (the actual picture was simple 4:3), so I had to manually resize them.

Anyway, I rarred what I got and rapidshared them, but there's only like one or two really usable ones unless you can find a Photoshop whiz.

Anyway:

http://myy.helia.fi/~a0400729/Pics/P...lipboard01.jpg

http://myy.helia.fi/~a0400729/Pics/P...lipboard02.jpg

http://myy.helia.fi/~a0400729/Pics/P...lipboard03.jpg

As you can see, she doesn't look that good in most of the stills because the animators were slacking off in part with faces, and because of the overal image quality. That is an awesome gun, though <3

Then when things look good, like in the kick ass shootout:

http://myy.helia.fi/~a0400729/Pics/P...lipboard06.jpg

http://myy.helia.fi/~a0400729/Pics/P...lipboard09.jpg

It's difficult to get a decent shot ;_;

Then the guard bots fight back and break the search light of the jeep:

http://myy.helia.fi/~a0400729/Pics/P...lipboard15.jpg

http://myy.helia.fi/~a0400729/Pics/P...lipboard16.jpg

It's a neat sequence, but I also managed to get a good frame of her in that one that you could use, though you'll need to shrink it a bit to make it look cleaner.

http://myy.helia.fi/~a0400729/Pics/P...lipboard18.jpg

http://myy.helia.fi/~a0400729/Pics/P...lipboard19.jpg

Last two shots just because I love the dialogue ='D

Anyway, the whole thing, 19 screens in total here:
http://rapidshare.de/files/17522010/Pat.rar.html

See if you can use any, or then you need to wait till the remastered edition is out. Or maybe Pyocola can take some screens of the R3 version ;_;


EDIT: Also, in case someone is still searching for missing OSTs, here's what I have:

http://myy.helia.fi/~a0400729/Pics/Patlaboralbums.jpg

Most of them are not very high bitrate though, so be warned. And yes, I know I have two copies of Patlabor 2 OSTs and pre-movie OSTs.

Spatula Apr 8, 2006 04:50 PM

Holy shit, Thanks. I'll probably use this one:

http://myy.helia.fi/~a0400729/Pics/P...lipboard16.jpg

But I'll have to shrink it to reduce the "fuzzy noise".

Good Job Office Izumi. Let's have buttsecks now and make a nice doujin about this. ^___^.

map car man words telling me to do things Apr 8, 2006 05:09 PM

I wish you'd stop being so crass about everything ;_;

While I generally keep lewd thoughts out of my favorite series, Patlabor isn't without its doujinshi appeal, although strictly Asuma + Noa.

Currently going through the motions of trying to find decent N+A fanfiction, but coming up with very few. You're in Charge was a bit icky, and everything on fanfiction.net is either sweet, but oh so short, or of the
"cloud sat down on the chair hey tifa do you want to go out he asked tifa tifa couldnt believe what she was hearing but she had wanted to hear those words for so long" quality ._.

Pyocola Apr 8, 2006 05:37 PM

I took two screenshots of Kanuka from that scene, you can use them if you want:
http://www.ue.bostream.se/c9490/pyo/dt/kanuka1.jpg

http://www.ue.bostream.se/c9490/pyo/dt/kanuka2.jpg

About the soundtracks, what are those TV & New OVA discs? Are they part of some collected box or are they the same as the 'PHASE' soundtracks? This is what I have in my folder:
http://www.ue.bostream.se/c9490/pyo/dt/ptfolder.jpg
I believe I have 'PHASE II' somewhere as well, but the quality was really bad (<128kbps).

map car man words telling me to do things Apr 8, 2006 06:13 PM

Quote:

Originally Posted by Pyocola
I took two screenshots of Kanuka from that scene, you can use them if you want:
http://www.ue.bostream.se/c9490/pyo/dt/kanuka1.jpg

http://www.ue.bostream.se/c9490/pyo/dt/kanuka2.jpg

Oh MAN. That remastered edition can't arrive soon enough ;_;

Quote:

About the soundtracks, what are those TV & New OVA discs? Are they part of some collected box or are they the same as the 'PHASE' soundtracks?
They're a six disc box, but I'm not quite that sure exactly WHAT is it. A little googling bought up this:
http://www.cwo.zaq.ne.jp/future/hiro...ttvseries.html

Other than that, no idea. I don't even remember where I got it ;_;

Spatula Apr 8, 2006 06:54 PM

Damn those screens look nice Pyocola. But I hate chaning my signature like 3 times now, so I'll keep this for a bit.

Qwarky, sorry but words just don't do it for me. I NEED PITCHAS! I don't wanna make this sewers material but I did see a somewhat amusingly drawn doujin with Noa with some criminals. Poor law enforcement.. ;_; (I just said this after playing hours on end of San Andreas...so, my appreciation of the police force as gone down a few notches).

Whatever...this is just whatever... more less sewers material but I dunno so read at your own risk or whatever but everyone on GFF will laugh at us so I dunno ;_;:
Love's Labors Lost

This story is a yuri lemon and, as C. Richard Davies put it, it's also "about time." If you are a minor and you have clicked on this story depite my waring, you are well on your way to a lifetime of disappointment and misery, since common sense is one of the most important things a person can have. So, to be blunt - if you are a minor or do not approve of sexual situations between consenting women of legal age, then go away, please.

If, however, you are in my intended target audience, if you enjoy this story, please let me know at worldshakingff@earthlink.net.

"Worldshaking" Fanfic supports Yuricon, a celebration of shoujoai and yuri in anime and manga.



Chapter 1

The lieutenant finished signing the last document and slapped it onto the "finished' pile for her assistant to file in the morning. With some surprise, she noted that it was later than she had thought. She'd have to hustle to get home and get her journal typed in order to get any decent amount of sleep before the conference tomorrow.

She shut the computer down, taking care to lock any sensitive papers and disks in her drawer, then glanced around her office, assuring herself that there wasn't anything that needed her attention before she left. With a nod of satisfaction, she flicked off the light and locked the door behind her.

The night was balmy, a typical New York August night. The sky was clear – or would have been, in a place where the light pollution was less prominent. She looked upwards, saw that a few stars had managed visibility and felt pleased, at herself and the world. She'd traveled to many other cities, lived on several other continents; but there was nowhere to compare with New York City in Lieutenant. Kanuka Clancy's mind.

Traffic was light, no taxis appeared immediately available, so Kanuka set off for a subway station closer to midtown. It was a longish walk, but the evening air felt good, as good as the general buzz of energy in the city around her. Even at this late hour, cars, trucks and emergency vehicles danced with the taxis that sped by…too fast, she noted. It was a long time since she had pulled street duty, much less traffic patrol - she wasn't about to let a few minor infractions bother her tonight.

No, she had larger things to worry about. Tomorrow, the conference, then the weekend and…what? Her lips pursed, thinking over the uncomfortable scene that would likely occur when…Kanuka shook her head abruptly as if in answer to a question.

"I will not let myself get sidetracked this time," she stated firmly, only realizing she had spoken out loud when the woman next to her asked her if she had said something. Kanuka blushed slightly, glad for the sodium light glow that masked her embarrassment. "Sorry," she said, but the woman had already moved on. No one lingered for long on a New York street, not even to speak to a cop. Maybe especially not to speak to a potentially crazy cop, Kanuka thought to herself.

The crowds were sporadic and Kanuka found herself alone once again on the street approaching the Port Authority. The area was never, had never been, the safest in the city, and all pretense at glitz and veneer had worn away in the last few decades. She kept her eyes up and her awareness on maximum, noting the positions of the other pedestrians, the loafers, drug dealers, and the few cops on patrol. She nodded slightly to a patrolman who caught her eye. He touched his hat brim briefly in acknowledgement and turned away.

Kanuka took a deep breath, immediately regretting it. The ammonia smell of urine, exhaust and hot streets made her choke. She stifled a cough and laughed out loud – she'd never be able to explain to anyone else why she loved this city so much – or why she felt she needed to leave it.

The smile on her face faded immediately. That was the crux of the problem, wasn't it? Eventually, soon, she'd have to take the plunge and tell Kelly why she was leaving the city – why she was leaving her. Kanuka bit her lip in thought. She knew her ex pretty well, and she knew that no matter how delicately she approached the subject her news would not be received with calm austerity. Kelly O'Toole was Irish through and through and her reaction would be…

"Lieutenant Clancy?" A voice called from across the street, faint above the traffic noise. "Clancy Kanuka?"

Kanuka looked up, startled. There was something unusual about the way her name had been pronounced…she tried to identify the voice, but nothing leapt to her mind. However, recognition slid into place as soon as she caught site of the figure across the road waving at her. She lifted a cautious hand and smiled politely.

"Hello!" she called, then gestured quickly, "Wait there!" Looking for a break in traffic, Kanuka sprinted across the lanes and vaulted a low traffic barrier until she found herself standing in front of another woman. The woman was about Kanuka's height, Asian, slightly built and with short, dark hair. She looked outwardly calm, but relieved to see a familiar face.

"It is Clancy, isn't it?" the other woman asked in halting English. "We only met that once…" The look in her face said that she knew very well that her name was
Clancy, but was still, after all this time, embarrassed by her behavior at their first meeting.

Kanuka smiled tightly. "And we were very drunk." She played along with the polite subterfuge. " Please, call me Kanuka, um, Kumagami-san? What brings you to America?"

The Japanese police officer smiled apologetically and switched languages. "I'm sorry, my English is still not as good as I'd like. I understand well enough, but speaking…"

Kanuka nodded understandingly, "I was lucky – I grew up with both languages." She looked down at the luggage by Kumagami's feet. "Do you have a hotel room arranged? I'd be glad to assist you…"

Kumagami bowed slightly but shook her head, "Please there's no need. I'm here for the Patlabor conference and they've got me booked into the," she pulled out a piece of paper, scanned it and read out loud, "the Omni."

Kanuka made a face. "That place is not really...acceptable. Here," she reached out and hefted the bag, which was not terribly heavy, "let me bring you to a better hotel that costs a little less." Before the other woman could protest, Kanuka had whistled up a taxi and instructed the driver with an address.

"Please, Kanuka-san," Kumagami said hastily as they entered the vehicle, "don't go to any trouble for me…"

Kanuka reassured the other woman, "Really, I'm not, Kumagami-san – I'm saving you from a horrible experience." She gestured at the piece of paper still clutched in Kumagami's hand. "That place is a dive. The Eastern is a better hotel and the accounting department will be happy that you saved some money. Besides, it's closer to the conference location."

The Japanese officer looked down at the paper, then at the American. "Then thank you," she said solemnly with a small bow. "And please, call me Takeo."

Kanuka nodded in solemn thanks. "Takeo-san." She'd forgotten how American she'd become. Asking a perfect stranger, practically, to use her given name…well, the Japanese woman had recovered quickly, so no harm done.

Both women were silent for a moment, then Kanuka asked, "Is this your first time in America?"


"Not in America, no," Kumagami answered. "I've only been to California, though." She paused, "And Hawaii," she said hesitantly, as if that might not be considered America in New York City.

Kanuka looked at her with pride, "That's where I come from. I grew up in Hawaii."

"But you live here in New York? That seems very far away."

"It is. That's why I live here," and for the first time that day, Kanuka smiled brightly.

Lt. Kumagami relaxed slightly. "I know we never really hit it off the first time we met," she smiled back at the other woman, "but I was very glad to see a familiar face here."

Kanuka didn't respond directly but instead asked, "Are you very tired? If you're not, I can take you somewhere to eat that's good and not too expensive – or we can go get a drink…"

Kumagami waved away the idea frantically, "Oh no! I don't mean for you to disrupt your schedule for me! I'll be fine once I check in…"

"It's not a problem," Kanuka insisted. "Really, I'd like to show you around. I've got nothing I need to rush home to."

"But won't you need to get some sleep – you're one of the presenters tomorrow, right?"

"Yes, but later in the morning. And I can get by on very little sleep."

Kumagami relented. "Although I know you're going to too much trouble," she said, "I'd be delighted. I'm not too tired, but I am quite hungry."

"I know just the place," the American officer said and subsided into a pleased silence.





Chapter 2



Once Lt. Kumagami had been given a room, Kanuka left the woman to unpack and freshen up. "I'll call the restaurant and meet you back here in 20 minutes." She looked down at herself apologetically. "I'm sorry, but you'll have to be seen with me in uniform."

"No problem," Takeo said in accented English and gave the other woman a wave.

***

Forty minutes later saw the two women seated at a small, lower east side noodle house.

Kumagami looked around with a bemused smile. "This is so much like Tokyo that if I didn't know I was in New York, I wouldn't believe it."

"I know it's not fair, making you eat Japanese food your first night here, but for me it's a treat. And this place is open almost all night long, so we can relax."

"That's alright," Takeo said pleasantly. "I expect that they'll be serving bad American food at the conference and the hotel. I'm sure I'll get my fill of hamburgers and steak."

Sake' was poured and toasts spoken. They put their glasses down and Kanuka looked directly at the other woman for the first time. "I suppose now would be a good time to apologize for the last time we met. I was extremely uptight and rude."

Kumagami shook her head, "You were fine – I was the one whose behavior was unconscionable – after all, you were a guest in my country."

"No, really, it was entirely my fault. I was extremely poorly behaved as a guest and should have given you more respect as your rank and seniority deserved."

"Oh no," Kumagami said, "We can't even apologize without competing." She laughed lightly. "And now you sound like Ohta. Please don't say things like that."

Kanuka stopped mid-apology. "That was about the only thing we did right that night, wasn't it?" she said with a tight smile.

Kumagami eye's met hers and a broad smile broke out on her face. "Definitely. What a boor."

Both women drank to the humiliation of Section Two's most notorious officer and the memory of throwing the man out the window into the hot springs repeatedly.

The udon was, as Kanuka had said, excellent. They slurped their noodles contentedly, while Kumagami caught Kanuka up on the current state of affairs at Section Two of the Second Patlabor Division. As far as Kanuka was concerned, it was all status quo.

"I get the occasional note from Noa," Kanuka admitted. "She's always so… cheerful."

Kumagami sighed. "Yes, she's very energetic. Exhausts me sometimes."

They smiled sympathetically at each other.

"So, how long are you in New York for?"

"I'll be returning Monday. First to Hong Kong to visit some friends, then back to Division Two."

"That's hardly any time to enjoy the city." Kanuka said, then paused a moment in thought. "I don't know how you'd feel about this, but if you're not otherwise engaged, I'd be glad to show you around. That is, if you don't have someone here you're visiting."

Kumagami shook her head. "I don't know anyone in New York. But what about you? Surely you have prior engagements?"

Kanuka thought of the empty apartment that awaited her. "No, nothing pressing. Let's meet tomorrow night at the networking party – say eight o'clock – and we'll go do a little sight seeing or dinner or whatever. If you're too tired, we don't have to do anything at all."

"That sounds lovely, thank you." Kumagami's eyes sparkled. "I'm looking forward to it."

Kanuka looked at her watch. "It's very late – You'd better get back to the hotel and I need to get some sleep myself. I can catch the subway right at the end of the block – will you be all right to get a cab back to your hotel?"

"If I'm not," joked the other woman, "I can always ask a policeman."





Chapter 3



Kanuka's day began in a swirl of activity. Unlike many people who claimed the skill, she was genuinely able to get by on very few hours sleep. As a result, by the time her alarm rang she was already dressed and at her kitchen table with a cup of tea. She ran a critical eye over her notes for the day's lecture and initialed the page. Her presentation would be very straightforward - she couldn't foresee any problem with it, but it paid to be prepared.

When the phone rang, she lifted her head and listened for the message, but made no move to pick it up. As she predicted, the girlish voice of Kelly came from the speaker.

"Kanuka," Kelly spoke evenly, making very sure her words carried no weight or censure, "I just wanted to wish you luck in your presentation today. Don't call – I'll see you soon." There was a pause, then, "We need to talk."

The phone clicked off. Kanuka sighed heavily. Why wasn't life ever simple? Kelly was a fine woman, a spectacular lover, and a fun person to be around. But she wanted stability – a house in the country, a ring, a marriage and, Kanuka shuddered at the thought, children.

And all I want is to be a police officer. The police force is my family. I want to die in service, and be buried with my comrades. Was that so hard to understand?

Her hair fell forward over her shoulders, almost into her tea. Standing, Kanuka emptied the cup into the sink and brushed her hair back from her face. She looked up into the reflection of her face in the window.

"I need space," she said to herself. "That's why I took the job offer." It was that simple really. She'd be returning to Japan for the next few years, returning to work with a new Patlabor division – a diplomatic division specifically to be used for high profile, government related jobs. A Labor honor guard, and she'd be captain. Surely Kelly would understand that?

Kanuka shook her head and her reflection answered with a mournful shake of its own.

***

The conference was, by turns, uninspiring and educational. Kanuka was gratified to meet colleagues she had never met before, and more than a little glad to think that she wouldn't have to meet some of them again. Many of the presenters had been assigned this job by superiors and it showed. They droned their presentations until the audience was hard pressed to stay awake in the hot auditorium. On the other hand, a few of the speakers were, like Kanuka herself, genuinely enthusiastic about the future of Patrol Labors. Many of these people were contacts she already knew and it was good to reacquaint herself with them. Although she kept one eye out, Kanuka never saw Kumagami the whole day.

Kanuka changed out of her police uniform for the cocktail party that night, borrowing the room of a colleague who was staying in the hotel. She showered quickly, brushed out her hair and changed into silk blouse and slacks. She'd have been more comfortable in her leather jacket, but the game had to be played properly and she knew it.

By the time she made her appearance at the cocktail party, the drinking was in full swing. Kanuka, glass in hand, made her way around the room, smiling and greeting potentially useful contacts higher in the police hierarchy. She was roped in by her superior and his cronies for a five-minute explanation of her new assignment, then excused herself to refresh her hardly touched drink. She checked her watch and looked towards the door. The next turn around the room netted her ten minutes of a senator's time and a compliment from another presenter from that day. Kanuka checked her watch again. Ten after eight. She looked around but there was no sign of Kumagami. She dropped her drink onto a passing waiter's tray and headed over to the bar.

"I'm sorry I'm so late," a voice said just behind her. Kanuka started and turned to face an apologetic Kumagami. The short-haired woman bowed and thanked her for waiting. "I got tied up in a post-lecture discussion about Labor use in terrorism."

"I wanted to attend that session, but I was required to be present at one of our local dignitaries' speech on safe labor use in crowded areas. How was the speaker?"

"He wasn't very prepared." Kumagami said. She looked around the room. "It's very crowded and hot in here. Have you made your presence known?"

Kanuka nodded. "Been around the room a few times. Is there anyone you need to be seen by?"

Kumagami shook her head. "I'm not important enough. Why?"

"I thought we might go somewhere less crowded for a drink. I didn't realize that you were interested in anti-terrorist work."

"Yes, I've been involved in several incidents with the Second Division – and Captain Goto is convinced it'll be a growing problem."

"I agree with him," Kanuka confirmed. "Let's go get something to eat and we can discuss his, and your, views. I think I have some news that might interest you."

Kumagami's eyebrows lifted, but she only nodded.

***

The restaurant in the hotel was a tasteful and intimate space. The two women took their seats by the open French windows and looked out onto a sparkling cityscape.

"It's a much more orange city than Tokyo is," Kumagami said. "The lights, I mean."

"Mmm," Kanuka agreed. "I noticed that the first time I visited Japan. It gives each city a different feel."

"Like Hong Kong – it's a completely different kind of lighting altogether. Like multicolored jewels, or the stars."

They drank their wine in silence, each lost in their thoughts.

"So," Kumagami began, "you were saying that you have some news about anti-terrorist Labor use?"

Kanuka nodded. "I'm working with a multinational task force right now – we're developing guidelines for anti-terrorist labor teams. In fact..." Kanuka turned to thank the waiter who had brought their appetizers. "In fact, if all goes well, I'll be returning to Japan in a little while to help develop a new division of Patlabors, for use as escorts for diplomats and government officials."

"That's wonderful." Kumagami looked a little wistful. "I love working with Second Division, but sometimes I wish I had a chance to do a little more."

"Yes, wonderful..." Kanuka said quietly, turning her attention towards her plate. The food was as exquisite as the view.

"Is it not a wonderful opportunity?" Kumagami asked quietly. "Or do you not want to go?" She looked out the window and sighed. "I can understand wanting to stay here. Everything's so alive, so vital, it's almost like you can hear the blood running through this city's veins."

Kanuka looked at her in surprise. "Yes, that's exactly what I've always felt." She watched a couple stroll by arm in arm on the balcony. "I want to go, though. This kind of work is exactly what I've always wanted to do. And although I was only there for six months, I really loved living and working in Tokyo, it's just..."

Kumagami sipped her wine. "It's just that there's something keeping you here."

Kanuka looked out onto the city then back at her plate. "Yes." She moved a few food remnants around on her plate with her fork. "But you didn't travel halfway across the world to hear about me." She looked up, her face unreadable, and said, "When we're done here, why don't we visit the Empire State Building – the view is beautiful from the top."

"That sounds like fun," Kumagami said politely, allowing the change of subject to pass by without comment.

***

Kumagami looked like a kid, Kanuka thought. The Japanese policewoman craned her neck up to try and see the top of the Empire State Building, and looked around at the art deco architecture with wonder. Kanuka led the way out of the elevator and around the observation room out onto into the open air. A few tourist groups clustered around each other, taking pictures and laughing in several languages. Kanuka and Kumagami passed around the building to find a corner where there was room for them to stand at the railing.

"That way is uptown," Kanuka gestured, "New Jersey's to your left."

"It's very beautiful," Kumagami breathed.

"Yes," Kanuka agreed, then fell silent. They walked slowly around the building's perimeter, the American woman pointing out landmarks and buildings of interest. She and Kumagami spoke of crimes that had occurred at those places, or people they knew in common. Kanuka found her gaze, once or twice, lingering on Kumagami's face as she spoke, or her hair, as it moved in the wind. She wondered if this had been the source of their initial dislike for each other…it wouldn't be the first time attraction and repulsion went hand in hand. Probably not. She started as the other woman spoke suddenly.

"And here we are, back where we started – just like life," Kumagami joked. "What about getting something to drink? Do you know anywhere we can sit and be comfortable?"

Kanuka smiled. "Comfortable? No, not around here. I know a place that serves good sake' though."

"That sounds perfect – as long as there's no karaoke involved." Kumagami said with complete seriousness.

"No karaoke," Kanuka confirmed, equally seriously.



Chapter 3



An empty bottle of sake sat on the counter. Two women seemed intent on working their way to the bottom of the second that sat between them. Kanuka felt her face pleasantly warm, and Kumagami's cheeks had a bright flush as well.

"And here's to us getting off on a better foot this time," Kanuka toasted and drank.

"Right," Kumagami said, lifting her drink in answer. After she had swallowed, she shook her head slightly. "What the heck was our problem in the first place?"

"Alpha wolf, I think," Kanuka said simply. "There's only room for one." She watched Kumagami's reaction carefully. Would the other woman have read something more into it?

"Mmm," Kumagami agreed. "I'm trying to be a little less competitive these days." She smiled ruefully. "Life with the Second Division will do that to you." She toyed with her glass, then said, "I had a chance once, to head a new division."

"But you turned it down?"

"Yes." The Japanese woman spun her glass around and around in her hands. "I haven't had any other offers."

Kanuka was silent. It wasn't surprising. The Second Division was known as a kind of dumping ground for Tokyo police misfits. You got one chance to get out – or none at all. If you missed your chance, well, then you had no one to blame but yourself.

Kanuka poured herself another drink, finding it hard to think of something to say. She was, as many people had noted throughout the years, a "quiet" drunk. She pulled into herself, allowing others to carry the conversation. With Kelly it had been easy, her ex-lover being a garrulous and talkative soul. But Kumagami seemed as withdrawn as Kanuka did and as host, she felt obliged to do something about it.

"Do you," she took a deep breath, trying to clear her head, "Do you think you'll ever leave Second Division?"

Kumagami looked up sharply, her dark eyes meeting Kanuka's. Kanuka could feel a thrill run down her spine and shook herself physically to stop the sensation.

"Why?" Kumagami asked, her voice edgy.

"Why what?" Kanuka wasn't sure what the other woman was referring to – did she somehow sense what Kanuka was thinking?

"Why do you think I'd leave?" Kumagami wasn't looking at Kanuka anymore, there was something in her tone of voice, something…homesick, that made Kanuka want to reach out and touch her.

"I just wondered if you wanted to," Kanuka began, then paused. Suddenly she banged her glass down on the table with a sharp noise. "Lieutenant Kumagami," she barked in Japanese, "how interested are you in anti-terrorist Patlabor use?"

Kumagami straightened in her chair and responded quickly. "Very interested, sir!" she barked. "May I inquire why?" her voice softened, probing for something she hoped she heard.

"You may not, Lieutenant." Kanuka said, a slight grin passing quickly over her lips. "I'm invoking my right to be mysterious and change the subject."

"That's not fair," Kumagami said, then waved the bartender over to order another bottle. "In which case I'm suspending my responsibilities as guest until you tell me."

"I can't, really." Kanuka said. "But, maybe, let's just say that there's a slight possibility that if my new project gets off the ground, then maybe you might hear from me again soon." She stressed every qualifier in the statement.

Kumagami's face flushed a darker shade. Kanuka watched with fascination. Was that flush personal or professional? Kanuka rebuked herself for her fancy. It was nothing more than wishful thinking and sake' talking in her head. She knew perfectly well that Kumagami was more interested in her Patlabor project than in her.

Kumagami was speaking, but Kanuka hadn't been listening. She asked the other woman to repeat herself, and Kumagami's eyes fell to the table.

"I'm sorry, I'm probably presuming. I just thought that, since you weren't presenting tomorrow, we could take this last bottle back to my hotel room."

Kanuka stopped breathing for a moment. Was she…?

Kumagami laughed. "I'd normally never be so rude, but my feet are killing me in these new shoes and I long to change into my slippers!"

Kanuka's body relaxed, but her mind raced. She was being ridiculous. Kumagami would probably be mortified if she knew what Kanuka was thinking. She'd better get herself under control and fast. This was definitely behavior unbecoming an officer.

"Sure," she found herself saying. "That's fine. I'm not presenting at all tomorrow, and you must still be suffering from jet lag." She waved away Kumagami's attempt to pay part of their tab. "Come on, we'll walk, as long as your feet hold out. The fresh air will do us some good."

The night was exquisite. Music seemed to pour from every restaurant door and the sounds and smells of the streets screamed "New York!" at them. Kanuka was amused and pleased at Kumagami's reactions to her streets – her people. She found herself grinning at the Japanese woman as they walked uptown.

"I'm glad you came for the conference. It's nice to know that we can both lighten up a little," Kanuka said with a grimace. "I felt like a heel after the first time we met."

Kumagami nodded. "I did too." She reached a hand out and took Kanuka's fingers in a brief clasp. "Thank you for showing me around your city."

Kanuka's heart sped up a little as she squeezed the other woman's hand then pulled away.



Chapter 4



They were laughing at something, some joke or other, when they rounded a corner and walked right into a small cluster of uniformed policemen. Kanuka wiped the smile off her face as she recognized them. The male policemen knew her and shot off a quick salute with she returned with alacrity, but the tall, redheaded female cop just nodded.

"Kanuka," her voice was musical and girlish, even when she was on duty, and nothing could quite remove Donegal from her vowels. Kanuka nodded solemnly to Kelly and gestured at Kumagami as she introduced the other woman as her colleague from Japan.

Kelly gestured with her head and asked if she could have a moment of Kanuka's time. Clancy hesitated, but something told her that this was as good a time as any.

The two women walked off a short distance. Kanuka could see Kumagami smiling politely and attempting to engage the other cop in chitchat. She turned back to Kelly, only to blanch away from the accusing stare.

"That was fast work, Kanuka," Kelly said. "How long have you known each other?"

Kanuka shook her head. "It's not like that Kelly – we're really just colleagues. I met her once before when I went back to Japan for a short time. She's my replacement at the Second Division."

"Ah, another mech-head, then." Kelly's lips pulled back in a knowing smile. "Don't try to pull one over on me, Kanuka. I have the gift of truth and you know it."

Kanuka sighed. One of the many drawbacks of life with Kelly – her conviction that she was blessed with some supernatural power to "see." "I'm not trying to do anything. We share an interest, that's all." She didn't state the obvious – that it Kelly had never shown any interest in Labors, or Kanuka's work with them. Kanuka took a deep breath. Tonight wasn't the night to…

"You're leaving, aren't you?" It was more a statement than a question. Kelly's eyes were full of hurt disappointment, but her tone was resigned. "I've seen it coming for a while."

Kanuka stared, her mouth open. How does one even answer something like that? She had never believed in Kelly's "sight," but…

Kelly looked back over towards Kumagami then shot a dark look at Kanuka. "It's to be Japan, then?"

Kanuka shut her mouth and cleared her throat. Keeping her voice low and even she said, "Now's not the time to talk about it."

Kelly gave her a sad smile. "Later, then. You can tell me all about it." She reached out a hand and squeezed Kanuka's arm briefly. "Good night, Kanuka."

The tall redhead turned away, pasting a bright smile on her face and rejoined her colleagues. Kanuka took a few breaths, trying to determine what Kelly had meant by it all, before she also joined the others.

Kumagami held up a picture and waved it in Kanuka's direction. In English she said, "Look what Officer Jamison has given me." Kanuka reached out to take the photo as Kumagami continued. "He was in Tokyo last year for the International Labor show. He took this photograph." Kanuka glanced down as Jamison laughed.

The picture showed two Labors – both Ingram type 98s. One was standing at the ready, and the other was dangling by the leg from a construction crane. On the ground in front of the Labors stood several people, whom Kanuka immediately recognized. Captain Goto stood smoking laconically, Asuma was shouting something at the labor – or perhaps the crane operator, Noa was visible inside Alphonse's cockpit and Kumagami stood next to a command vehicle. Ota's form was clearly dangling from the arm of his Labor, as he futilely attempted to detach it from the crane – an action that would have caused it to crash to the ground, probably killing him.

Kanuka laughed suddenly. "What on earth?"

Kumagami shrugged. "It's Otah. Who can ever understand the whys?"

Jamison, a dark-skinned man of medium build, smiled broadly, "You can have it, Lt. Kumagami. I thought it was funny, but I expect you probably thought it was funnier – since you work with the man and all."

Kumagami took the photo back and bowed towards Jamison. "Thank you, Officer Jamison. You are very kind," she said in lightly accented English. Kanuka thought that the words sounded very pretty the way Kumagami had said them.

In a few minutes, Kanuka and Kumagami, with her new treasure tucked safely away in her purse, had recommenced their walk uptown. Kumagami asked questions about the neighborhoods through which they passed, but aside from a polite answer or two, Kanuka was silent.

Kumagami stopped walking. Kanuka took a few steps, then turned with a slightly distracted look. As if suddenly aware of the other woman, Kanuka's face cleared, then filled with concern. "Oh! I just realized – your feet must be killing you. Would you prefer we get a taxi?"

Kumagami studied Kanuka seriously, then shook her head. "I'm fine, thank you. It's just that…maybe it would be best, though, if you go home – you seem upset."

Thoughts raced around Kanuka's mind. How much to tell this woman – this virtual stranger? What would be polite, appropriate? She was at a complete loss for words. Finally, she settled on, "I'm sorry – I have some things on my mind."

"I can see that," Kumagami said mildly. "Would you prefer to go home? I don't wish to be a burden."

"No," Kanuka said quickly, "you're not a burden and …and I'd prefer to have some company." The admission was not an easy one. Kanuka always projected a smoothly competent exterior. It was not easy to admit, to herself or to anyone else, that occasionally, she needed help.

Kumagami stepped to the curb and lifted a hand, a piercing whistle falling from her lips. "We'll take a taxi."





Chapter 5



Both women were silent for the duration of the cab ride. Kanuka spoke up only when Kumagami attempted to pay for the ride. "I'm the host here – I'll pay."

Kumagami bowed. "Then, when you come back to Japan, it'll be my treat."

Her mouth shut tightly, Kanuka didn't reply.

***

In Kumagami's room, the Japanese woman was finally able to exchange shoes for slippers. With an exaggerated sigh she sank into a chair by the window. "At least allow me to pour," she said and filled two courtesy coffee mugs with sake'. She watched Kanuka closely as the American drank in silence.

"You don't have to tell me, you know," Kumagami said.

Kanuka looked up guiltily. "I'm sorry. I'm being rude. I just had a small shock back there. Kelly, Officer O'Toole is a friend and…"

"And she broke up with you?" Kumagami's voice was guileless. "You're a hard woman to read, Kanuka-san, but I've been a cop a long time."

Kanuka flushed. "Our relationship ended some time ago. It's just that," she inhaled, held it a minute, then exhaled. "I hadn't told her I was taking the job in Japan."

"It seems like a strange place to tell one's ex-lover about a life change. The street I mean."

"That's what I thought, but I've been thinking about it," Kanuka drank her sake'. "I think she wanted to tell me she already knew – and to tell me that she understood."

Kumagami stood and walked across the room in response to a knock on the door. Room service entered with a tray. Kumagami signed the receipt and closed the door after the young man had left. She lifted the tray lid to reveal a selection of small, crustless sandwiches.

"Please, help yourself," she gestured to the plate. "I hate to drink on an empty stomach.

Kanuka took a sandwich, but did no more than nibble on it.

"So," Kumagami said pleasantly, "if I may be allowed to indiscreetly recap. Your ex-lover used a public situation to say goodbye. Any ideas why?"

"Yes," Kanuka answered automatically. "Kelly's, well, Kelly's a passionate person. When we were together it was really good...or really bad. I think she preferred this way of saying good-bye so that it wasn't either."

"So," the Japanese woman wiped her mouth with a napkin, sipped more sake' and shot Kanuka a look. "Now you're free."

"Yes." And then the realization of what the other woman had just said hit her. Kanuka looked up pointedly. Dark eyes met dark eyes evenly. "I'm completely free." Kanuka echoed. "To go wherever I want, do whatever I want…"

Kumagami never took her eyes from Kanuka's as she said quietly, "Well, thank god for that."

Tension built within Kanuka, but she couldn't be sure - what if she was completely misreading this? "I, uh," she began, then regrouped. "What do you mean?"

Kumagami set her mug of sake' on the table and smiled apologetically. "I mean, I'm already feeling awkward about this – I don't want to have to feel guilty too."

Kanuka gaped openly at the Japanese woman.

"I'm sure you've taken psychology classes, as have I," Kumagami continued. "You and both know that love and hate, attraction and repulsion are just opposite sides of the same coin." She gazed at Kanuka frankly. "In the light of that knowledge, doesn't our previous encounter make more sense?" She stood, pushing the short hair back from her ears as she paced across the floor. "I snapped at you," Kumagami admitted, "when we first met because..."

"I understand," Kanuka interrupted. "You don't have to continue."

The Japanese woman leaned against the room door, arms folded across her chest. "Well, we're both intelligent women. What do we do next?"

Kanuka stood. "It depends on how you define intelligence. If you define it as a good understand of strategic situations, knowing how to get in, find a target, accomplish the objective, then get out with the minimal amount of damage; then what we do is say good night, I go home to my apartment and we'll see each other tomorrow at the conference." She gave the other woman a little smile.

"But...?" Kumagami asked with an answering smile on her face.

"But," Kanuka said, "not everyone defines "intelligent" the same way." She took a few steps into the center of the room. "Some people might say that an intelligent person is one who, when faced with an emotionally charged situation will seek to defuse it." She took another step forward, watching Kumagami carefully. "And of course, then there's native intelligence. That kind of intelligence responds to certain situations with a intuitive understanding of the broader issues between the parties – with common sense, as they say." Kanuka stepped forward again. "In all honesty, Takeo-san, I'm at a loss."

Kumagami pushed off from the door. "Me too," she said. "Look at us, two intelligent women and we can't figure out a thing that would be obvious to the most uneducated person." She took two steps into the room and within touching distance of Kanuka.

Neither moved nor spoke and the tension, which had been building slowly, had now become a palpable presence in the room. Kanuka stared openly at Kumagami, noting the dark eyes, the thick, straight, black hair – all things she had seen stare back at her from her mirror, but so rarely in the face of her peers. Even more, Kanuka saw in Kumagami a genuine dedication to the job. This was a woman who, more than anything else, wanted to excel as a police officer. Someone whose interests and desires mirrored her own – in many ways. Kanuka found one hand poised, not quite touching the other woman's cheek.

With an iron effort of will, Kanuka breached the final inch and stroked the back of her hand softly along Takeo's jaw. She moved closer to the other woman as her hand reached Takeo's hairline, and her fingers brushed gently against the short strands. Kanuka could feel the heat in her face, and the tingling throughout her body and she prayed fervently that she wasn't being made a fool of.

Takeo's eyes had never left Kanuka's. The Japanese officer took Kanuka's shoulders in her hands and leaned forward, her lips parted just slightly, her eyes closed. Kanuka met the kiss and felt a wave of intense relief, adrenaline and excitement wash over her, leaving her almost too weak to stand.

They touched each other tenderly, almost delicately, as if each woman was afraid the other might break or, more accurately, break and run. What part of Kanuka's mind was not filled with skin, and tongue and lips was afraid, terribly afraid. She was not a promiscuous woman, her lovers had been few, and none of them had made her feel quite this terrified.

Kanuka broke away, panting, and stared at Takeo. "Part of me can't stop screaming that this is a terrible idea. You're leaving to return to Tokyo in two days."

"That leaves us two days," Takeo said, with irritating rationality. She buried one hand in Kanuka's hair and pulled them together. Her mouth was cool, tasting of sake'. Kanuka found her arms around Takeo's body, digging into the lithe, muscular form. When she could no longer breathe, Kanuka pulled away slightly, but found herself held fast by Takeo's grip. The other woman was looking at her, a slight smile quirking the corner of her lips.

"What are you afraid of?" she asked. "This is as much my idea as yours..." her eyes grew wide. "Will it make you feel better to know that you aren't the first women I've been with?" She put her hands on Kanuka's cheeks. "Or do you need more sake' before you'll relax?"

Kanuka felt some of the concern drain from her body, replaced immediately by a different kind of tension. She threw caution to the wind, pressing her mouth hard against Takeo's, taking possession of the other woman. Takeo responded, predictably, by seizing Kanuka physically and attempting to assert her authority.

Clothes were literally flung off their bodies, as each struggled to gain control. Kanuka found herself, for a brief moment, pinned by the surprisingly strong Japanese woman, but slipped out of Takeo's grasp a moment later.

With looks of pure concentration, they wrestled for a moment, each seeking to dominate the other, until the Japanese woman gave a little half laugh and gave in. "I'm trying to be less competitive," she breathed, as Kanuka buried her face in Takeo's neck.

The American woman moaned loudly. She had never felt like this with anyone before – never wanted to be so much a part of someone else's life.... With this thought, Kanuka stiffened and pulled away. That was why she felt fear where she never had before.

Takeo looked up at her from half-closed eyes. "Why did you stop?"

Kanuka pushed her hair back from her face and shook her head.

Takeo sat up and faced the other woman. "Why?" she asked simply.

Kanuka lowered her head slightly, then looked hard at Takeo, her dark eyes smoldering. "Because I could lose myself in you. I've never wanted that – I've worked hard at not losing myself in anyone. To want that as much as I do right now..."

Takeo lifted a hand and stroked Kanuka's hair, following it down its length onto Kanuka's shoulder. She continued to stroke along the other woman's arm, until her hand met Kanuka's on the bedspread.

"I could say, 'I'm already lost,' " Takeo said quietly. "Or, 'we'll get lost together,' but both wouldn't be true."

"Takeo," Kanuka said, "I don't do one or two-night stands."

"Neither do I."

"But you leave in two days."

Takeo leaned forward, one strap of her camisole slipping off her shoulder as she moved. "And you'll come home to Japan soon."

Kanuka stared as the other woman's mouth moved along her shoulder towards her neck. Her eyes closed as Takeo's lips met her own and she sighed, "I'm going home." Her fear slipped away in sensations of warm skin and hands caressing her, and she smiled as she embraced Takeo strongly. Sliding her mouth down to Takeo's, Kanuka muttered, with a distinctly amused tone, "I'm home already."

Kanuka's thoughts ranged wildly as she stroked and kissed Takeo. It *was* as if they had always known each other – each reaching unerringly for the most sensitive areas of the other's body. As Kanuka rained tiny kisses on the other woman's ear, she knew, almost instinctively, that slipping her tongue into the corner of that ear would drive the other woman mad. Takeo writhed in Kanuka's arms, gasping with the intensity of the sensation. Kanuka smiled at the other woman's tormented moans and turned her attention to Takeo's neck. Something about the skin underneath her ear made Kanuka want to sink her teeth into that neck. Takeo's breath was coming faster and faster and her hands gripped Kanuka's arms so tightly that the American was sure she would have dark bruises for days. Takeo's voice came in broken gasps, pleading Kanuka for more, to never stop and Kanuka obliged. With a series of whimpers and shudders, Takeo managed to convey a sense of urgency that Kanuka could not ignore. Never removing one hand from a firm nipple, or her mouth from Takeo's neck, she slipped her other hand lightly under the edge of soft panties, only to encounter even softer hair and skin. With a growl, Kanuka filled Takeo, biting down on the skin beneath her. As Takeo shook in her arms, thrashing strongly, Kanuka flicked one finger across the nipple, and heard, tasted and felt Takeo surrender to her.

Takeo relaxed her grip on Kanuka's arms, going limp in the other woman's embrace, and sighing heavily. "Mmmmm," she moaned, as she leaned her head against the American's shoulder. "That was nice."

Kanuka said nothing, but leaned down and kissed the other woman's forehead lightly. The first kiss was followed by a second, on Takeo's nose, which was followed by the lightest possible pressure on her lips. Takeo's eyes opened and she slid her arms around Kanuka's neck, her mouth opening. Kanuka kissed the corners of the other woman's lips, then teased them with the lightest touch of tongue. With a sigh, Takeo captured Kanuka's mouth and drew her in.

Takeo sat up abruptly as they kissed and leaned heavily on Kanuka until the other woman was forced to fall backwards onto the bed. Pinning Kanuka's arms lightly above her head, Takeo set out to trace every curve of her body with her lips. Kanuka murmured something as Takeo brushed her cheek across the skin of her belly.

"What?" Takeo asked, her mouth tasting the skin under one of Kanuka's breasts.

"Touch me," Kanuka answered, her words becoming a moan, as the lips slipped around the curve of the breast, passing over the nipple. Takeo removed her hands from the other woman's arms, sliding down the sides of her torso, onto the slight curve of her hips. She sat back, stroking her hands softly along the muscles in the other woman's thighs, down past exquisite knees, and along the muscular calves. Each foot was held, caressed and released. Takeo looked down at Kanuka, who seemed oddly complacent, her eyes closed, and breathing deeply and slowly. The Japanese woman laid her hand once again on Kanuka's thigh. She slid her hand along the junction of leg and thigh, running her manicured nails through the thick curls of hair.

Leaning forward to whisper in Kanuka's ear, Takeo ran her fingers lightly between Kanuka's legs, watching her face closely. "Here?" she blew the words into Kanuka's ear, as her finger just barely stroked over Kanuka's clit.

The American's eyes rolled in her head. "Yes," she pleaded, as fingers slid into her, playing with her. Kanuka began to whimper slightly, as Takeo bent over her, fingers playing across lips and clit. A sound ripped from Kanuka's throat as Takeo's tongue slid between her fingers. The Japanese woman laughed, as Kanuka's hands gripped her head, fingers entangling themselves in her short hair. She lowered her mouth to Kanuka's center, conscious of the sensitive body beneath her. It wasn't long before she was aware of a building tension in Kanuka's muscles. Takeo entered Kanuka, never taking her mouth from the other woman. Kanuka's hips lifted, and with muffled scream, came, while Takeo stroked her with hands and lips.

Long after Kanuka had relaxed, one hand playing with Takeo's hair, the Japanese woman lay on Kanuka's stomach, tracing the other woman's ribs.

Kanuka shifted and stretched beneath Takeo. Time and the silence stretched, but neither woman seemed to want to be the first to speak.

Kanuka drifted in and out of sleep, aware only of the warm body on her stomach, and of the feeling – a feeling she hadn’t known in a long time – of pleasant comfort, happiness without reserve. Her eyes opened as Takeo shifted, moving to lie by her side.

"When are you leaving?" Kanuka asked quietly, surprised at how little concern she felt, how little tension filled her voice.

"I was supposed to leave Monday, but seeing as there is an international task force liaison here in New York – and seeing as the task force is meant o be working on Second Division's turf, I'm applying for an extension of my trip. I think that the contacts I make here will be invaluable for the Patlabor unit."

Kanuka nodded. "That makes sense. And seeing as my colleague from Japan has traveled all this way to learn about Labors as anti-terrorist forces, it only makes sense if I ask for some leave to work with her on the topic."

"Mmm. Sounds like important work."

"Very. Could make a big difference in almost all the major cities diplomatic arrangements. It will probably lead to major protocol changes...and training, very probably all over the world."

"How exciting!" Takeo rolled over and smiled. "When will you come back to Japan?" She leaned over to brush her lips across Kanuka's.

"I was supposed to leave in two months, but seeing as my Japanese colleague is already here, I might be able to move it up a month." It was Kanuka's turn to kiss Takeo.

"Can you make a move that quickly?" Takeo asked. "I mean, I have a large apartment, you can...you'd better stay with me, but, what about your place?"

Kanuka shrugged. "I'll explain rent control to you later." She smiled, a genuine, happy, unreserved smile. "Right now I have some very serious business that only you can help me with." She held out an arm and to her immense delight, pulled a pliable and cooperative Takeo into her arms.

They might only have a week together now, but weeks turn into months and months into years.

Kanuka looked into Takeo's eyes, noticing the firmness, the uncompromising standards, the dedication and she nodded. It wasn't without it's challenges, but like being a cop...in the end, it was always worth it.

"It's a lot of work," Takeo said, as if reading her mind, "Labor units, love, life..." She kissed Kanuka deeply. "But that's what makes it worth doing."

Kanuka didn’t bother answering with words.




--------------------------------------------------------------------------------



Note: In Japan, no matter how long you, as a gaijin, live there, you will always be "returning" (kaeru) to your country of ethnic origin...even if you were born in Japan. For Kumagami to express that Kanuka was "coming home" to Japan, was to emphasize that she is a true Japanese...although, in fact, she is not. It was, in effect, a complement. An empty one, as Kanuka notes, rather wryly.



I think I should start focusing more on the Ingrams and mecha aspect now. Now where did those Bandai plastic kits go?

map car man words telling me to do things Apr 8, 2006 07:09 PM

Always so terribly crass -_-

That fits neither of the aqcuirements, instant fail >=|~

Spatula Apr 8, 2006 07:11 PM

Terribly crass at not respecting law enforcement, right. >_>

(I personally never found police officers in my area that friendly. I just tend to stay away from them).

When I first saw Noa, I thought it was a guy. This was also mentioned in one of the later episodes where Noa saves Momoko, the TV anchor, and her police life is shown on TV. One of the old obaa-san yell out that she thought Noa was a boy as well. Tom Boy. Okay.

map car man words telling me to do things Apr 8, 2006 07:17 PM

That's the whole point. She's supposed to be a tomboy.

Spoiler:
[01:26:07] <kilometers> Q, your avy is interesting
[01:26:18] <Q-chan> :3
[01:26:19] <kilometers> whats it from
[01:26:33] <Q-chan> Mobile Police Patlabor
[01:26:37] <Q-chan> That's Noa
[01:26:40] <kilometers> :3
[01:26:41] <Q-chan> (she's a girl)
[01:26:51] <kilometers> I thought it was a guy
[01:26:53] <kilometers> I failed.
[01:26:58] <Q-chan> a lot of people do

Spatula Apr 8, 2006 07:26 PM

I think this is one of the unique qualities that I enjoyed in this series. I just recently (last night) started Gundam Seed. This pretty much follows the pattern of most other mecha series where the guys take the lead.

Few, very few mecha series has a girl in the lead. So far it's Patlabor and perhaps Gunbuster/Top o Nerae (2) and "maybe" GITS. But GITS is more cyberpunk then mecha.

What I liked is the character designers made her have a good balance of both masculine and feminine qualities. She's not absolutely physically striking the first moment you see her. But it's the character and her spunky attitude that you admire. Enough of the EMO Heero Yui c/o GW. Similarily with Gundam Seed, Kira takes the front lead, even though now it looks like some girls are getting in the mecha action.

ArrowHead Apr 9, 2006 08:55 AM

Quote:

Originally Posted by Pyocola
Whatever you do, don't get the Manga Entertainment versions of the two movies. They have non-anamorphic, blurry, washed-out, completely worthless transfers and don't have the 5.1 renewal audio. Bandai Visual USA will be releasing both films (1st this month, 2nd in July) with remastered video and the 5.1 and I would strongly suggest you get those versions instead.

Okay, that's kind of overstating it. Patlabor 1 and 2 are two of the first anime movies I've ever seen, and they were also 2 of the first DVD's I ever bought (around 2001)... and while the transfers aren't stunning, they're not all that bad.

If you want to see a really bad transfer, check out the Central Park Media release of Grave Of The Fireflies. It looks like it was made with a consumer set-top DVD recorder - areas with sharp contrast have the classic NTSC "rainbow effect".

map car man words telling me to do things Apr 9, 2006 10:02 AM

Quote:

Originally Posted by ArrowHead
Okay, that's kind of overstating it. Patlabor 1 and 2 are two of the first anime movies I've ever seen, and they were also 2 of the first DVD's I ever bought (around 2001)... and while the transfers aren't stunning, they're not all that bad.

If you want to see a really bad transfer, check out the Central Park Media release of Grave Of The Fireflies. It looks like it was made with a consumer set-top DVD recorder - areas with sharp contrast have the classic NTSC "rainbow effect".

I agree, the film is old, so the bad transfer isn't quite so glaring, especially because the DVDs are old too. While it's 4:3, the picture still widescreen, even if it won't look that good on a widescreen TV (which I don't have). You can still see what's going on, and the beautiful animation is wonderfully evident. Since I watch everything wearing headphones, I've never had a problem with stereo tracks either, but that's just lucky me.

I can't wait for the remastered version, it will be absolutely wonderful seeing the film in practically new glory, but the old release is far from worthless. It got me, and quite a lot of others, into the series in the first place :tpg:

ArrowHead Apr 9, 2006 10:43 AM

Yup.

Oh, by the way.... I have the three movies, and the OVA. I've been dying to watch the TV series, but the noob anime club at my school doesn't have it, and I never bother to save up the money for it.

Anybody got the whole original series for upload, with decent subs?

Spatula Apr 9, 2006 11:32 AM

Quote:

Originally Posted by ArrowHead
Yup.

Oh, by the way.... I have the three movies, and the OVA. I've been dying to watch the TV series, but the noob anime club at my school doesn't have it, and I never bother to save up the money for it.

Anybody got the whole original series for upload, with decent subs?

I don't have an FTP for it as it would take ages, but I did point out a torrent in the opening post. I didn't paste the exact link but if you go to Isohunt then search just "Patlabor", you should be able to find the 47 filed torrent.

Might take a while though...took me about 3 weeks. : (

Pyocola Apr 9, 2006 01:51 PM

Well, I can now answer my own question about the manga. I downloaded an archive with all 22 volumes, and it seems like it indeed has furigana for practically every kanji. Unfortunately, I grossly overestimated my abilities and I find it's taking me forever to understand even with the furigana and a bunch of web dictionaries. All those で, に, して, んだろう and ってs will be my ruin. ;_;

Spatula Apr 9, 2006 02:00 PM

I WANT NOW! I want it so badly...;_;

How much of this can you understand? I'll probably be able to pick up like 5% of the text, but I'm guessing there's going to be a lot of technical jumbo-mumbo all in katakana.

map car man words telling me to do things Apr 9, 2006 04:44 PM

I'm rather interested myself in knowing where you downloaded all that. I wouldn't mind just having the whole thing on my computer as a keepsake of sorts, even if I wouldn't understand any of it for now.

Spatula Apr 9, 2006 04:47 PM

Again, if any fansubbers who have good knowledge of written Japanese would scantilate the manga, that'd be absolute awesomemess.

sabbey Apr 10, 2006 11:05 PM

Regarding the music, anyone know of a good website with a discography of the different CDs released? Trying to find some CD info and track listings, but haven't found much if anything... :(

Quote:

Originally Posted by Qwarky
EDIT: Also, in case someone is still searching for missing OSTs, here's what I have:

Most of them are not very high bitrate though, so be warned. And yes, I know I have two copies of Patlabor 2 OSTs and pre-movie OSTs.

Just noticed the above post:

Qwarky, does your copies of Patlabor vol. 1-6 have the track listings? If so, I'll offer you an upgrade of them in exchange for said info. :D

map car man words telling me to do things Apr 11, 2006 04:50 AM

Quote:

Originally Posted by sabbey
Regarding the music, anyone know of a good website with a discography of the different CDs released? Trying to find some CD info and track listings, but haven't found much if anything... :(

I would have said AniDics.com, but they've been gone for a while.
I asked BigBlah for any good places, but he said there really aren't any.

[12:28:14] <Gigablah> there's no really good place
[12:28:21] <Gigablah> most of the ones available suck
[12:28:43] <Gigablah> the only reliable one is Neko-han-ten
[12:28:48] <Gigablah> which doesn't update too often
[12:29:12] <Gigablah> I created ongawiki for this purpose, but I haven't had time to work on it
[12:33:09] <Q-chan> well if they have older albums, that's fine
[12:37:11] <Q-chan> bah, no Patlabor albums
[12:37:28] <Q-chan> no Mobile Police Patlabor or Kidou Keisatsu Patlabor either for that matter
[12:38:39] <Q-chan> they only have Believe Yourself Again in a separate section
[12:44:52] <Gigablah> guess i'll work on adding patlabor albums to ongawiki next
[12:45:37] <Q-chan> yes plz

So that's good news at least ;_;

One site that blah said is fairly comprehensive, would be here, which I've linked before. The trouble is of course it's all in Japanese, but at least you have a list of albums with all the codes and such there to help you look elsewhere from there on.

sabbey Apr 11, 2006 05:26 AM

Thanks! The good news, I have narrowed it down a little, found info for all but the first three volumes. Will keep my eyes open regardless...

Though, the best I have come up with is the following:
http://www.hitokiri.com/archives/Patlabor/patcd.html
http://www6.ocn.ne.jp/~jimbe/collection/cdrack2.html

BTW, I found a mirror of AniDisc while Googling for info tonight:
http://members.fortunecity.com/anidisc/

I guess someone might want to save the site locally in case it goes offline completely. Anyone know what happened to the Yet Another Anime CD site though? It used to be my one stop source for practically everything but the newer releases. Bummer! :(

Oh well, here's hoping some enterprising individual decides to make an Anime site that mirrors Chudah's Corner... :D

Bigblah Apr 11, 2006 06:31 AM

I actually translated the tracknames for all six volumes of the Patlabor image soundtracks a while ago during a tagging run. I'll be adding them to OngaWiki very soon.

sabbey Apr 11, 2006 06:46 AM

Thanks for the heads-up! I'll be doing quite a few Patlabor rips in lossless soon. Volume 1-6, the Complete Vocal Collection and at least the second Movie OST. Not sure about the third, might or might not have it ripped already...

Anyway, let me know if you guys want an upgrade as such, or in a higher bitrate MP3. :)

Spatula Apr 11, 2006 08:24 AM

Damn, actually this would REALLY help me out since I jumbled all my TV OSTs Movie tracks into one big conglomerate. Stupidest idea ever.

sabbey Apr 11, 2006 03:03 PM

Should be ripping them sometime this week... :)

BTW, that's a nice site you have there Bigblah. Just registered and will try to help out if and when I can. I have the reissue of Black Magic M-66 if you wanted any info on that album. Oh well, there's several titles I wouldn't mind seeing added. Will check the site often most likely! Just what I needed! ;)

Pyocola Apr 13, 2006 09:41 AM

Qwarky: I downloaded the manga from a P2P network called Share, the archive is about 1 GB. If you don't want to bother with it yourself I could probably upload it somewhere, although I'm going away for a week or so tomorrow, so it would have to wait.

Spatula Apr 13, 2006 09:43 AM

It's all in kana/kanji right? Even so, I'd love to have a copy just for the art and stuff (more av/sigs coming liek wut).

map car man words telling me to do things Apr 13, 2006 09:44 AM

Quote:

Originally Posted by Pyocola
Qwarky: I downloaded the manga from a P2P network called Share, the archive is about 1 GB. If you don't want to bother with it yourself I could probably upload it somewhere, although I'm going away for a week or so tomorrow, so it would have to wait.

I'm not familiar with that network, so if you hold on to it, I wouldn't mind getting it from you little by little, if that's not a problem.

Definitely in no rush, so long as you're not deleting it any time soon =P
Oh and anything you might like in exchange, let me know.


Also had to go back to my Noa set, no matter how awesome Uniracers is. This just feels so comfy, just like my 8-bit ICO and Reki sets.

Spatula Apr 13, 2006 09:46 AM

To tell you the truth Q, I was somewhat sadden by the sudden change to uniracers (but I know uni is pretty awesome too), and thought you deserted the Patlabor love. Not that I'm trying to coerce members into particular av/sigs.

Come April 20th I'm changing back to mina-san for a couple days. You'll see why. ^ ^

map car man words telling me to do things Apr 13, 2006 09:51 AM

Eh, well I switched to Uniracers because of the occasion and it was my suggestion to do a double-set with Juan to begin with (because of the occasion).

On the remastered movie side of things, I've yet to hear back from my co-conspirators on whether it's a go yet, but I noticed the film is eligible for amazon.com's special "Super Saver Shipping" inside the US, which means I'd be getting it without having to pay for shipping fees at all.
I assume there'll still be a handling fee, but it's still money saved~

Spatula Apr 13, 2006 11:22 AM

Yup Q. It's well...pretty much unheard of to get the EXACT time.
:computer crashes:

12 days or so for the reissue of Patlabor 1? I wonder if any retail stores locally will carry it.

sabbey Apr 13, 2006 04:38 PM

Guess I am glad that I had only previously purchased the films on VHS... ;)

map car man words telling me to do things Apr 13, 2006 04:58 PM

I own a subbed VHS of the first film, and both films on DVD, and I've come this close to twice buying a newer double pack release (with some extra documentary that was so tempting), but have still resisted.

A proper remastered version I won't mind getting though. Especially one with such lovely extras.

Spatula Apr 13, 2006 05:22 PM

I have the subbed VHS of the OVA. I really should get a DVD copy of it, since the VHS is showing it's age in sound and quality, however I really only like the 1st, 5th and 6th episodes. I wasn't much of a fan of the "Tragedy of L" nor the "450 million year old mystery" episodes.

Picking it up locally is a rip off. OMG!

I <3 internet shopping.

map car man words telling me to do things Apr 16, 2006 03:12 PM

I was informed my aunt's friend would be returning from the states a bit later, so I'd be getting my hands on the movie pretty late into May, but at least they all seem ok with the plan, so I can place my pre-order soon.

Though I just realized Amazon.com won't probably accept payment by Visa Electron, so I'll probably need to ask to borrow my aunt's Visa again. Complications, complications, but I don't mind waiting for a few weeks if it saves me a good 30 bucks or so.

Spatula Apr 16, 2006 09:46 PM

Well I'd recommend waiting, since there's always the chance that it might be lost in the mail, a total rip off since you've paid for the postage + item. If your aunt's friend has it, I'm guess he'd be a bit more reliable than the postal service. Plus both of us have seen it numerous times already, albeit with lower quality on the Manga releases.

map car man words telling me to do things Apr 19, 2006 05:14 PM

Well, while GFF was down, I made some ordering of my own~

http://myy.helia.fi/~a0400729/Pics/Pat01.jpg

Delivery estimate to ME: somewhere around May 18th ;_;

Spatula Apr 19, 2006 07:30 PM

All the best to your shipment. I'm going to sit on it for a bit before I order, plus I'll just get the regular edition.

map car man words telling me to do things Apr 19, 2006 07:39 PM

Amazon uploaded new pics.

http://images.amazon.com/images/P/B0...V53777813_.jpg

http://images.amazon.com/images/P/B0...V53777813_.jpg

This going to feel like a very long wait now =x
I'll need to occupy myself with something. Probably some compulsive game and perhaps rewatch the OVA.

Spatula Apr 19, 2006 08:11 PM

OMG A TEXTBOOK WITH IT? A TEXTBOOK? IN ENGLISH?
Okay, I'm ordering. EDIT: On second thought, I'll see what Q has to say first, then I'll make my decision. But the regular edition is for sure a go.

A bit from Amazon's description:
Quote:

DVD Features:
Available Subtitles: English
Available Audio Tracks: Japanese (Dolby Digital 5.1), English (Dolby Digital 5.1)
Trailer and TV commercials
Special Limited Edition is a numbered collector's edition limited to only 10,000
Bonus disc with "Making of Patlabor the Movie"
"Patlabor the Movie: Archives" 184-page book with essays, interviews and art
"Patlabor the Movie: Storyboards" 300-page book, with English translations
(And I still have those 1/35 MG kits, this is awesome).

I think this is the cover for the regular edition. I really don't like it:

http://i69.photobucket.com/albums/i6...B000E5LF0A.jpg

You can tell that's the Bandai MG kit they used. I already recognize Alphonse's head and that's EXACTLY the same mold as the kit, plus the visor is the ambient green.

map car man words telling me to do things Apr 20, 2006 02:50 AM

It's as if you've ignored every single picture and content description of the Limited Edition that's been posted so far, and are just now noticing them =/

That there's the original storyboard and a second book with interviews and articles was already apparent in the link Pyocola posted here.

Spatula Apr 20, 2006 09:27 AM

I guess I just "overlooked" the LE. Will you be as so nice to scan ALL 300 pages of your book for GFF's enjoyment. ;_;

I think I just pulled an "Osaka". (:tpg:)

Pyocola Apr 22, 2006 04:49 PM

Well, I ended up ordering the LE from Axel Music. Price is almost the full $90 (I had a coupon for $12 from previous purchases though) but it's guaranteed customs-free within the EU and since they have a scan of the back I think they have it in stock and will ship it on Monday. I thought about Amazon or DVD Pacific, but with a heavy package like that I'd get hit by customs for sure and end up paying even more.

About the manga, how do you want it? Is there a good FTP or something where I could upload it to? Or should I just zip the volumes individually and use rapidshare or something?

Spatula Apr 22, 2006 11:51 PM

Rapidshare is nice enough, thank you. How many MB is this whole thing? I was wondering maybe through email since my gmail account can handle *some* heavy files. Perhaps if you broke them up into 10 MB files or something. I'm guessing its about 200 MB in total? I'm guessing here.

Pyocola Apr 23, 2006 06:13 AM

No, the whole series is around 1GB (also already mentioned :p.) I think I'll split it with two volumes in each archive, then it'll fit nicely within rapidshare's 100MB/file limit.

Here's the first zip:

[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 01-02

This is my first time uploading to rapidshare so let me know if it works and I can upload the rest over the next couple of days.

map car man words telling me to do things Apr 23, 2006 09:24 AM

Link works fine for me, thanks a bunch <3

If they do ship the movie on time at Axel Music, I'll be getting mine pretty late when compared, but I'd be saving around 20 euros or so, so I don't mind. I might use them when buying the second movie, if they'll have it in stock.

Spatula Apr 23, 2006 10:53 AM

Yeah, I'm guessing all you guys have are the regular accounts where you either wait 30 seconds or for infinity to get like a 1 MB file from all those "MOAR SAUCE PLZ" links in 4chan. You do visit it, right? But it's better than nothing.

Pyocola Apr 23, 2006 01:05 PM

Waiting a minute for 100MB is not that bad is it?

Here's the next part:

[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 03-04

Spatula Apr 23, 2006 05:15 PM

A 65 minute wait, Jesus. Plus Rapidshare said something about my thing being expired for me to get the first part. What the hell?

Pyocola Apr 23, 2006 05:55 PM

65 minutes?! What the hell did you do to upset their servers that much?

Volume 5 and 6:

[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 05-06

Spatula Apr 23, 2006 08:04 PM

I use rapid share like what, once every week whenever I'm on 4chan getting doujins and shit.

http://i69.photobucket.com/albums/i6...reisstupid.jpg

Okay, yeah I clicked on it before, but I didn't get to download. Usually rapidshare behaves nicely. >_>

map car man words telling me to do things Apr 24, 2006 02:58 AM

That's ridiculous. 65 seconds for me at maximum. The download time is a different matter, of course.

Animechanic Apr 24, 2006 03:34 AM

Woohoo, manga zips! As a mecha fan in general, i've been wanting to get into Patlabor for a long time now, but have never managed to get my hands on any files. Thank you much.

Maybe I'll actually be able to understand what you are all talking about in this thread now. Of course, I'll probably be struggling with the Japanese even more than Pyocola, so maybe not.

Pyocola Apr 24, 2006 08:28 AM

I finished uploading all the volumes so here is the rest:

[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 07-08
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 09-10
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 11-12
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 13-14
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 15-16
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 17-18
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 19-20
[Yuuki Masami] Kidou Keisatsu Patlabor - Volume 21-22

Enjoy.

Spatula Apr 24, 2006 01:09 PM

http://i69.photobucket.com/albums/i6...T23minutes.jpg
Seriously WTF. It first gave me the download link, but then gave me this error, or some shit like that. But anyways, Pyocola, any chance with yousendit? ;__;

map car man words telling me to do things Apr 24, 2006 03:07 PM

I'm guessing you've overused rapidshare and they've got your IP flagged for shitty service :(

70 second wait for the 7-9 pack for me just now.

Spatula Apr 24, 2006 03:14 PM

What the hell, and I barely got that much from 4chan, only a few doujins. C'mon, help a brotha out. ;__;

map car man words telling me to do things Apr 24, 2006 04:24 PM

Wow, I just got a 15 minute wait for the 9-10 pack.

The big clue is in the line above, though.

Quote:

You have downloaded 101834 KB. Want to download more?
I guess it starts picking on you when you go over 100MB. Dunno if it resets after 24 hours or so, but so far I've been getting a pack per day, so now that I'm trying to get more on such short notice, the place deems me greedy.

Pyocola, I'm thinking you may have to reupload some of the later packs if rapidshare only hosts them for a few days.

I really appreciate you uploading them at all, though. Thankies <3
I also noticed I have a bunch of Akemi Takada artbooks, if you're missing any. (no books 4 u, spat)

http://myy.helia.fi/~a0400729/Pics/Akemi01.jpg

Spatula Apr 24, 2006 04:30 PM

Quote:

You have downloaded 101834 KB. Want to download more?
Pfff...

Quote:

(no books 4 u, spat)
Yo, WTF? No this and no Yotsubato. You're not very nice, Q.

Pyocola Apr 24, 2006 05:28 PM

In my experience, it's been that when you download more than 30MB or something like that, they cut you off and you have to wait a while before you're allowed to download again. Usually it's around an hour, so you could probably get a couple of packs per day. According to rapidshare the files are deleted 30 days after no downloads, so they should be fine for now.

And I would be interested in any Takada artbooks with Patlabor art in them (haven't seen KOR or anything else she's worked on so I have no real need for those, yet.)

Spatula Apr 24, 2006 11:34 PM

YES! Finally it seems to be working, albeit with quite slow transfer speeds. Better than nothing, though.

map car man words telling me to do things Apr 27, 2006 12:32 PM

Anybody got their Limited Edition yet? I went to check if mine was still set to ship on the 30th and noticed Amazon raised the price to $80.99. Mine will still ship for $62.99 so I'm glad I didn't wait around to order it.

They're apparently preparing it for shipment, so hopefully that means no hitches along the way~

http://myy.helia.fi/~a0400729/Pics/Pat04.jpg

Mucknuggle Apr 27, 2006 12:37 PM

Quote:

Originally Posted by Spatula
YES! Finally it seems to be working, albeit with quite slow transfer speeds. Better than nothing, though.

Just wait an hour or so and Rapidshare will let you download the rest. Or maybe we can convince Moon to host this on his webspace...

Also, I need some help answering some Patlabor questions..

Quote:

Q01: What is the massive Tokyo Bay land reclamation project's name?

Q02: What is the name of new operating system that Eiichi Hoba has created?

Q03: What is the password to access the new operating system mentioned in question 02?

Q04: Which institute analyzed the new operating system that was infected by virus?

Q05: What is the name of the PATLABOR manufactured by Shinohara Heavy Industries (SHI) that is deployed on the 2nd Unit?

Q06: What is the nickname that Noa has given her LABOR 1?

Q07: What did Noa nickname her LABOR 1 after?

Q08: What is the successor model PATLABOR to the one mentioned in question 05?

Q09: Where is the factory of Shinohara Heavy Industries (SHI) located?

Q10: What is Asuma's father's occupation?

Pyocola Apr 27, 2006 12:45 PM

Mine shipped the other day, so it should be here sometime next week.

Quote:

Originally Posted by Mucknuggle
Also, I need some help answering some Patlabor questions..

Trying to win a copy of the LE at animeondvd, eh? ;)

Spatula Apr 27, 2006 12:48 PM

Is this a Pat Fan quiz or something?

[EDITED FOR CONTEST] WILL POST MY ANSWERS AFTER CONTEST IS OVER.

Pyocola Apr 27, 2006 12:56 PM

Quote:

Originally Posted by Spatula
Is this a Pat Fan quiz or something?

No, it's a chance to score a free copy of the LE. And by giving away the answers you've effectively lowered your own chances of winning. ;) (Although I think you may have gotten one or two of them wrong anyway.)

Spatula Apr 27, 2006 02:03 PM

#4 and # 9 I don't know about.

Also for # 8, Of course it's the BLAH BLAH, I thought this was asking Pat questions in general, but I was wondering how come it's so focused on the 1st movie trivia.

Also, is this open to US only or internationally. I tried to look at the rules and stuff but can't seem to locate it.

Boo-kun Apr 27, 2006 02:28 PM

I really should get everything included in this serie.
but
Legally expensive, hard/impossible to find. And I somehow doubt there's a torrent for all this.
So my best bet is to let Q collect them and then confiscate.. loan them.

Pyocola Apr 27, 2006 03:26 PM

Quote:

Originally Posted by Spatula
Also, is this open to US only or internationally. I tried to look at the rules and stuff but can't seem to locate it.

I'm fairly sure previous contests have been open to US and Canada only (Region 1.)

Spatula Apr 27, 2006 09:36 PM

Perhaps I should take another watch of the movie again. But I hope they're basing their questions off the subbed stuff, however unlikely. I'm guessing there's a few details which were in the dubbed track not included in the subbed track. I don't recall the answers to # 4 or # 9. Perhaps it's during the opening scene where the helicopter pilot says shit about how labors help society but there's crime, and SHI is based somewhere (HINT HINT) and then talks to Noa and Asuma. Maybe I shouldn't be typing this. (-_-)

map car man words telling me to do things May 20, 2006 12:18 PM

It's finally here~

http://myy.helia.fi/~a0400729/Pics/zomg/IMG%20326a.jpg

It sure took a long time to get here, but man is this a sweet package <3
I can't wait to get to watch this tonight, though I need to watch the Eurovisions 2006 finals first. THEN it's Patlabor time!

More pictures here in case anyone's interested.

EDIT:
I took a little peek of the film, just to see how the picture quality is and there's quite some changes.

[21:12:04] <Q-chan> Wow, they've completely reworked the film
[21:12:16] <Q-chan> the picture is so good, and they've redone the sound
[21:12:43] <Q-chan> the music is arranged. Same composition, but slightly different arranegements and a lot more instruments in use
[21:12:53] <Q-chan> a lot of new sound effects where there were none
[21:13:12] <Q-chan> and they must have removed something as well, at least the parachute sounds at the very beginning weren't there

Spatula May 20, 2006 02:06 PM

GOD DAMN! I'm trying to save up money here...;_;

PATLABOR 2 gonna eat my wallet liek wut.

map car man words telling me to do things May 20, 2006 02:16 PM

I've already decided I'm not going to go through this again and I'll just order the Patlabor 2 LE directly to Finland and just pay whatever it costs me.

Oh and my LE box is number 1845 out of 10000 ~

http://myy.helia.fi/~a0400729/Pics/zomg/IMG%20334.jpg

Spatula May 20, 2006 02:18 PM

Herm...... God damn Q, now I feel so bad. I'd be funny if I get like 9912. But no. Not gonna happen.

Somehow now, I'm not so inclined to go to the upcoming local anime fest to spurge on useless anime figures. >_>

And I'm only like 50% done through building my Alphonse. Just you wait, Q.

EDIT:

http://i69.photobucket.com/albums/i6...atlaborPin.jpg

Amirite. ::notgonnahappen::

map car man words telling me to do things May 21, 2006 06:41 PM

Man, they've really revamped everything about the film. I didn't think they'd redo the voice acting as well.

It's a subtle change, but the atmosphere and mood in certain scenes plays out differently now. It's still an amazing film by any standards and I can't for the life of me understand how anyone could seriously call this movie dull =/

Still, I wish they hadn't redone the ending theme, I liked the old version so much better. Now if there was a (easy) way to watch the film with the new picture and the old audio, that would be interesting~

Spatula May 21, 2006 07:43 PM

Quote:

I didn't think they'd redo the voice acting as well.
You gotta be kidding me for the Japanese cast. The English I couldn't really care about, but I don't want to hear how Briony Glassco/Mîna Tominaga sounds 15 years later. She now sounds like some obaasan. LOL. But of course they hired a whole new voice cast, amiwrong.

Quote:

Still, I wish they hadn't redone the ending theme
You gotta be fucking kidding me that they took out ASAHI NO NAKA. Heads are gonna roll.

map car man words telling me to do things May 22, 2006 03:12 AM

Quote:

Originally Posted by Spatula
You gotta be kidding me for the Japanese cast. The English I couldn't really care about, but I don't want to hear how Briony Glassco/Mîna Tominaga sounds 15 years later. She now sounds like some obaasan. LOL. But of course they hired a whole new voice cast, amiwrong.

No, I'm not sure what they did here, but it's the same voice cast (as far as I can tell), but a lot of the dialogue was pronounced slightly differently than what I remember. so I assume it must have been rerecorded at some point (probably not specifically for this release in the US). Take for instance the Kanuka Clancy arrival scene:

Original audio (Manga Video)
New audio (Bandai)

Quote:

You gotta be fucking kidding me that they took out ASAHI NO NAKA. Heads are gonna roll.
Pay attention >=0 I didn't say they removed it. I said I wish they hadn't redone it and that I like the old version better, meaning they rerecorded the ending theme just like the rest of the music. It's the same theme, only differently arranged and more instruments so it sounds a bit different. It sounds more comical, closer to the Minipato parody version of the theme than the original style.

If there's some kind of Sound Renewal version of the Patlabor Movie OST like there was of P2, I'm pretty sure this Bandai version uses the same music, or something very similar.



Double Post:
As I should have expected, the Patlabor The Movie Archives book sheds light on this whole thing.

Basically, DVDs came, Dolby Digital was all the rage, so Headgear was encouraged to remaster the two movies into better shape, but because the original audio of the movie was, well.. old, they had to recreate the audio from scratch. So all of the dialogue was rerecorded, with the original cast, in 1998.

Kenji Kawai re-arranged the music as well, adding and using more instruments etc etc.

http://myy.helia.fi/~a0400729/Pics/IMG%20342.jpg

http://myy.helia.fi/~a0400729/Pics/IMG%20344.jpg

http://myy.helia.fi/~a0400729/Pics/IMG%20346.jpg

Soo, basically, once again, the US publisher fucks up.
As the last paragraph states, the Japanese release included both the original audio and the Sound Renewal version. I'm guessing the original audio "had" to be left out because of the english dub track.

Now, what the VAs and designers say in the text I agree with. The new mix is fascinating, making the experience richer, new, with such small subtle changes. More emphasis on sound effects in moments that used to be more or less silent, and vice verca, it's a wonderful new look into an old masterpiece, and because the original crew made it, you know it's close to their intended vision.
However, being denied the option to hear it like it was originally made, which should have been there anyway, is kinda ticking me off.

Like the text says, Patlabor 2 did not require rerecording, so I shouldn't be worried about there, but right now I am extremely tempted to try and find a DVD image rip of the Japanese LE, take the original audio track, and then compile and burn a DVD of my own with the Japane LE original audio and the US LE video and subtitles. Trouble is, I've no idea where to start looking.
Pyocola, any help? ;_;

Spatula May 22, 2006 12:32 PM

Q,

1) Rapidshare is being a bitch and not letting me get the new audio - I got the old one. email plz? ? ;__;

2) It sucks with them tampering with how Asahi no Naka sounds like. I want it to have been kept with a serious tone, ala the first way.

3) It's a good thing they did the re-recording in 1998. You Inoue, the seiyuu for Kanuka passed away in 2003, so it would have totally sucked for them to withhold doing the voice overs another 5 some years later. I'm guessing if they bothered to do a recording so many years later, perhaps there is still some hope for another Patlabor TV series (ZOMG ZOMG ZOMG, plus well...they did XIII)

Quote:

Originally Posted by Schaft Enterprises
Kanuka is a Police Officer on loan from the New York Police Department. She is half Japanese-American, and yes it has been noted by western fans that she is the most Asian looking of the cast. She is a competent officer who does everything by the book and is often disgusted by the tactics used by the SV2. In Division 2 she acts as Ota's backup. The creators of Patlabor named Kanuka Clancy after novelist Tom Clancy. Kanuka appears in all versions of the anime except the second and third movies. She is voiced by You Inoue. She has also played Sayla Mass in "Mobile Suit Gundam" and Gepelnich in "Macross 7". You passed away at the age of 56 from Cancer on the 28 February 2003.


Pyocola May 22, 2006 01:19 PM

Hey, you got yours too! I got number 1775 by the way. And yes, unfortunately they didn't include the old 2.0 track, and no it was not because of the dub, it could easily have fit there anyway. I'm not exactly sure why they would want to leave it out, maybe it was just a dumb decision. Still, I think you're being too negative here, at least if you have a capable sound system the 5.1 track is totally the better experience! Flipping between the tracks (on the R3) during the final storm the old one is like 'pssshuu' and the new one is like 'KSHSHSHSH, WIND BLOWING, RAIN EVERYWHERE, IT'S A STORM!!!1'

*ehm*

And what's this thing about the ending? It was re-arranged just like all the other tracks, and it should be the same arrangement that's on the 1999 / Sound Renewal version of the soundtrack. Changing between that version and the one from 'Inquest' I can't say I really hear much difference in 'seriousness', the old version has just as many cowbells, those 'clack-clack' instruments and weird passages. The new one is mostly just louder and much clearer.

Anyway, if you want to compile a custom version why do you need the Japanese disc, didn't you have the old disc from Manga? You should be able to extract and use the old 2.0 soundtrack from that one.

map car man words telling me to do things May 22, 2006 01:25 PM

Quote:

Originally Posted by Pyocola
Anyway, if you want to compile a custom version why do you need the Japanese disc, didn't you have the old disc from Manga? You should be able to extract and use the old 2.0 soundtrack from that one.

Well, I guess I just assumed the Manga Video 2.0 is somehow inferior to the Japanese LE 2.0 =/

And again, since I use headphones, 5.1 in itself is largely irrelevant for me.

Spatula May 22, 2006 01:32 PM

Quote:

Originally Posted by I love IKEA
'KSHSHSHSH, WIND BLOWING, RAIN EVERYWHERE, IT'S A STORM!!!1'

Somehow, that just made me laugh uncontrollably.
Noa's in your arc, taking out your labors.

Seriously now, I want Patlabor 2 LE. ;_;

map car man words telling me to do things May 22, 2006 01:47 PM

I'd also argue that of course a 2.0 mix is going to sound quiet on some weedy home theater speakers that are like ten feet away from you, since usually the sound gets distributed on at least 3 more speakers =/

I've watched the Manga Video release plenty of times wearing headphones and the howl of the wind is massively powerful in either version. However, the 5.1 mix emphasized music over sound effects in some scenes (which it did not do in the 2.0) so the howl gets lost, while some scenes emphasized sounds over music. These are only noticeable because I'm so used to the 2.0 mix, though.

The horns in the 5.1's ending theme sound entirely different from the original version though. I don't have the Sound Renewal OST for P1, so I haven't gotten used to it like you have, apparently.
Similarly, I feel that the original version of Heavy Armor (the theme that plays at the start during the runaway crab labor incident) has a bit more oomph to it because of the "hardness" of the synth, while the new instruments soften the tune a lot in the 5.1. This is what happened to In the Morning Sunlight (the ending theme) as well.

But that's obviously just me, I never like listening to the Sound Renewal OST of P2 either.

Pyocola May 22, 2006 03:36 PM

Quote:

Originally Posted by Qwarky
Well, I guess I just assumed the Manga Video 2.0 is somehow inferior to the Japanese LE 2.0 =/

I don't think it is, but the 2.0 track doesn't sound very good anyway so I think any minor differences wouldn't matter much.

Spatula May 22, 2006 11:19 PM

Not quite Patlabot 1: LE, but I did pick this up today at the anime fest.

http://i69.photobucket.com/albums/i6...76A/17839f.jpg

Spatula May 24, 2006 06:16 PM

I just looked up Amazon to see what the cover of the Patlabor 2 LE looks like:

http://i69.photobucket.com/albums/i6...B000FILUL0.jpg

I personally don't like it. Now it looks like some sort of anime action movie that's full of HOLY SHIT ACTION that's gonna rock your socks. It gives a totally wrong impression in my opinion. Plus it's too busy looking.

The Manga Entertainment cover looks like this which was much more visually appealing and gave a sense of uneasyness as Shinobu's struggle with her duties as a police officer and that of her former lover:

http://i69.photobucket.com/albums/i6...6303854540.gif

See how visually appealing it is? It's not too busy and yet still holds quite well.

map car man words telling me to do things May 25, 2006 04:09 AM

The Manga cover isn't even that good, but the LE cover is pretty awful. But then so was the P1 LE as well. They just take two figures from two different covers (probably the front and back of the Archives book like with P1) and then stick them together in a shitty photoshop job.

Ah well, I'm buying it for the film and books anyway.

Incidentally, I had no idea P2 was coming out in July already, I better ask my aunt again if we can order it, I thought it was coming out later in the fall.

Spatula May 25, 2006 08:53 AM

Speaking of Pat 2 covers, here's my favorite:

http://i69.photobucket.com/albums/i6...176A/03-00.jpg

I think I've seen a VCD of this using this cover, and it looked quite nice. There's also the one with the tank and the Tokyo Metro building, but I think that was for a promo poster.

And here's my favorite for the Pat 1 cover from the Korean version:

http://i69.photobucket.com/albums/i6...rTheMovie1.jpg

Spatula Jun 7, 2006 06:38 PM

Giving this thread a casual bump:

It looks like this is the regular edition Patlabor 2 cover. Still, pretty meh:

http://i69.photobucket.com/albums/i6...B000FILUKQ.jpg

Is that even supposed to be Shinobu. She looks like a housewife.

Spatula Jul 5, 2006 09:08 PM

LOL Model Kits LOL
 
Finally, I got the "regular" Master Grade 1/35 Alphonse about 90% done and thought to post it here as well.

http://i69.photobucket.com/albums/i6...ONSETWINS2.jpg

And to think I still have Ingram 2 and 3 to build, plus the Command Car and the EXTL.

I'll be updating this regularly in this Hanger Bay 42.2 Thread to keep things nicely together.

Spatula Jul 23, 2006 01:19 AM

4th consecutive post LOL and bump for happy Police Justice.

I just finished watching Patlabor 1 LE. What a blast.

A few things to note:

Pros:

Rich visuals and textures. The translations this time around are very spot on and even allowed me to interpret and understand the essence of the Ark diemma much better. Just a switch of the wording can open up a new way to interpret that from the Manga release.
They kept the "Sightseeing? No, Combat” intact, thank God. They didn’t keep the labor worker’s lines the same though. This was right after followed by Ohta’s comments that he was trying to be nice while dealing with a taxpayer.

Despite this is the first ever occurrence of me watching an anime that has been totally re-dubbed by the original seiyuu, most of them seem quite in place. I feared that ten years would impact them slightly, but that doesn’t seem to be the case. Shinobu’s voice seems a bit more motherly like now, while Ryûnosuke Ôbayashi’s voice work seems to have died down a little. He doesn’t quite capture that suave and slick voice from ten years past, but still, it’s good to hear him sound just peachy in 1998. Note that I don't have a 5.1 surround system, so this might be why. I should check if there is an option for the 2.0 stereo or whatever suits my TV speakers. LOL TV speakers.

Cons:

Since when the hell did Gotoh and Shinobu get promoted to Commander. Their respective ranks are Captain and will stay at Captain. I don't know if this was just a piss poor job at getting their ranks right, while getting much of the rest of the translation spot on. Seriously. This is the biggest peeve I have of this version. I sure as hell didn't pay a ridiculous sum of money just for these guys to screw around with the police rank. Unfortunately, Patlabor 2 will probably be looking at the same fate.

The sound was very unbalanced. Some instances the music was overpowering the voices, such as at 1'16'', assaulting in the Ark. Ohta's voice is muffled out quite a bit with the sound effects, and I don't recall it being this quiet in the Manga release. Other parts, you can barely hear the music. At the pizza parlor, the cheesy, but loveable, 80's background music is so faint that I tried to hear that more than Noa and Asuma's conversation.

With that pointed out, the archives book is my dream come true. 148 some pages doesn’t seem like a lot, but the content there is just mind blowing and allows the reader to appreciate and look at more closely what the movie is pointing out. I found that the first few times I watched the film, I tend to doze off during the E Hoba searching parts, but after seeing that this part of the film isn’t concentrating so much of searching for him, but depicting to both to the detectives and the audience why Mr E Hoba set his cunning and devious plan into motion. Seeing the run down areas of a 1999 Tokyo in animated form was both a treat and yet at the same time, felt nostalgic.

All in all, this was a damn expensive piece of Patlabor goods.

#06076 btw...LOL.

map car man words telling me to do things Jul 24, 2006 04:51 PM

Mwahahaha, it's finally here~

http://staff.gamingforce.com/qwarky/IMG411.jpg

Arrived earlier than Amazon predicted, and didn't even got stuck in customs. <3 <3 <3 our postal service for random toll grabs.

Watching this in a sec so bad.

Spatula Jul 24, 2006 05:37 PM

Win. Hopefully mine comes tomorrow or Wednesday. IT CAME TODAY!!!! KITTTAAAA!!!!~~~~~

You did have a nice low number.

Whomever gets 0001 or 9999 or even 10000/10000, those numbers win major Ingrams.

Qwarky may not get his hands on the MG Plastic Ingram, however, he might have a shot at the Kaiydo Revoltech AV-98 Ingram =0. Due out this September.

EDIT:

LOL I love my mail man:

http://i69.photobucket.com/albums/i6...tlaborLOVE.jpg

WIN.

BlueNocturne Sep 3, 2006 02:22 AM

I'm glad I found this topic. Patlabor is definitely my favorite anime franchise. I was wondering if there was an exact release date for the Kaiyodo Revoltech AV-98 Ingram yet. I've been looking around, but havent had any luck in finding a date.

Pyocola Sep 3, 2006 05:41 AM

I've seen several different dates, most of them in the second half of September. On a related note, does anyone know what kind of material these Revoltechs are made of? Is it harder plastic or is it the same, awefully soft and 'rubbery' kind that was used in the earlier Kaiyodo EVAs? (I really hated those. Why is there no Soul of Chogokin Ingram? :()

Spatula Sep 6, 2006 01:29 AM

To hell with the toys, HLJ finally got a new shipment of the Master Grade Kits man!

http://www.gamingforce.com/forums/jo...&entryid=11501

GOD DAMANAMNM! I paid $120 too much just for some damn plastic....;___;

That's ....2 new PS2 games right there man! Or 1/3 of my college course.

Okay fine, here's the dinky toy if you're interested, but it's no where near as AWESOME as my beloved MG Ingram.

BlueNocturne Sep 6, 2006 02:43 AM

To be honest, I've always loved looking at detailed models, but I've never built one myself. For someone with no previous experience of model building, would it be very difficult to build one of those Master Grade Ingrams? I suppose since they snap-together and already painted, it wouldnt be too difficult for a beginner. :)


Also, if anyone is interested, there's a contest that Bandai Visual has started where you can win some promo items and a hardcover storyboards book that was released in Japan with the 15th anniv. DVDs. In order to enter you have to fill out a survey regarding the quality of the Honneamise releases.

Unfortunately there's isn't a form where you can just select answer, you have to copy and paste the questions and write out answers in an email in send it in. Regardless, I'm still going to give it a shot. ;) If it's anything like the Japanese LE of Ghost in the Shell(packaging looks identical even up to the book), then the storyboard book will be pretty nice.

http://www.bandaivisual.us/patlabor2/news.html

Pyocola Sep 6, 2006 04:19 AM

I'd love all the MG ones, but unfortunately I gave up on model kits many years ago because I realised I sucked, so they'd just be a waste of money. More specifically I sucked at painting them, partly I guess because I didn't know the first thing about airbrushes or coats or how to make them look weathered and stuff and never bothered to find out (and of course to paint the body of an entire aircraft by hand = ugly.) I still have a couple of them on my shelf and looking at them almost makes me cry. :(

Double Post:
Sent in my feedback to that survey, though I'm not eligible for the prizes (not that I wouldn't want a 'Luxurious sparkling poster' but I guess the storyboard books are the real prizes and I of course already have both of the translated ones.)

Q and Spat, if you complete the survey make sure to mention the lack of the original 2.0 tracks in the audio section in order to prevent something similar happening to GunBuster.

Also, I want more money.

Spatula Sep 6, 2006 01:17 PM

Blue, as in terms of runners and complexity of the kit, this is what you're looking at. If you want to do a good job, it'll take probably easily 40 hours worth to get everything nice and touched up.

Quote:

To be honest, I've always loved looking at detailed models, but I've never built one myself. For someone with no previous experience of model building, would it be very difficult to build one of those Master Grade Ingrams? I suppose since they snap-together and already painted, it wouldnt be too difficult for a beginner.
Don't be fooled by "snap together" because of the lack of glue. I personally think that glue kits are easier because with the snap together type kits, EVERYTHING must be perfectly aligned because it builds up on itself. Remember that this is a Master Grade kit, therefore you're going to have the right hand of Alphonse having a slide like mechanism that can reach for the revolver, plus the mechanics to get the right leg's "robocop" style gun holster is pretty tricky for beginners. I'll be frank with you, this isn't an easy kit to do, even I had to proceed quite cautiously. Furthemore, IT WILL LOOK FUGLY if you don't paint it, trust me on this, seriously. Just because it's molded in the appropriate colors doesn't mean that the colors themselves look good. It will look like a cheap toy more than anything without a proper paint job.

But, if you're still keen, I'll be doing a build up of the Ingram # 2 in my journal sometime.

EDIT: I did the survey........oooooo...sparkely poster LOL. I did the survey and said some parts were good while others were lacking, and actually added my comments. I particularly noted that the sound wasn't clear, as well as the translation of Commander particularly irked me.

Spatula Oct 16, 2006 06:26 PM

Woo hoo!

Sup Patlabor Fans.

http://i100.photobucket.com/albums/m...6A/DAWINNA.jpg

:forgets to respond to email, DOH!:

LOL Sparkling Poster. If it's signed by Yuuki himself, then DAMN! But of course not!

Pyocola Oct 22, 2006 08:23 AM

Aw, I want a sparkling luxurious poster too... :(

I could be wrong, but to me there didn't seem to be whole lot of interest in the contest so it was probably easy for anyone eligible to win a prize. Too bad I wasn't.

Spatula Dec 1, 2006 08:33 PM

Makes me sad that still it's mainly me, Pyo, and Q chatting in this thread ;__;
As you can see, switched my av/sig set to Noa Izumi.

At any rate, there was some talk in 2003 for a live action Patlabor. I really don't know what to say.


Animechanic Feb 26, 2007 10:47 AM

Because this is the 21st century! Everything must be edgy and futuristic!

On a side note, I found torrents for the TV series and the 3 movies, so I'll be getting into Patlabor too here pretty soon.

Spatula Feb 26, 2007 10:59 PM

After watching the OVAs and TV series again just recently - last month, I say to start with the TV series instead of the OVAs - the OVAs just don't give enough back drop, in my mind, and may turn you off prematurely. Save the movies for last, of course. Where did you find this torrent?

Also, get ready to appreciate the most delicious anime police woman.

See avatar

BlueNocturne Feb 27, 2007 12:52 AM

All others pale in comparison to Kanuka. ;)

Animechanic Feb 27, 2007 08:57 AM

Quote:

Originally Posted by Scratch and Sniff (Post 401439)
Where did you find this torrent?

It wasn't hard to find.


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